Presence as technique: a tension between excesses

Our research is based on the study of stage presence, as an aspect of the training of dancer-creators, which we conceive from the technical pillars of exhaustion and stillness. These two theoretical-methodological notions build states in a specific training platform for the scenic body and choreogra...

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Autores principales: Hoz, Micaela Sofía, Romero, María Virgina
Formato: Artículo revista
Lenguaje:Español
Publicado: Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba 2024
Materias:
Presence
Technique
Conference
Exhaustion
State
Presencia
Técnica
Conferencia
Agotamiento
Estado
Acceso en línea:https://revistas.unc.edu.ar/index.php/sendas/article/view/44804
Aporte de:
Sendas de Universidad Nacional de Córdoba
id I10-R309-article-44804
record_format ojs
spelling I10-R309-article-448042025-05-02T23:59:33Z Presence as technique: a tension between excesses La presencia escénica concebida desde la técnica: una tensión entre excesos Hoz, Micaela Sofía Romero, María Virgina Presence Technique Conference Exhaustion State Presencia Técnica Conferencia Agotamiento Estado Our research is based on the study of stage presence, as an aspect of the training of dancer-creators, which we conceive from the technical pillars of exhaustion and stillness. These two theoretical-methodological notions build states in a specific training platform for the scenic body and choreographic composition. We delved into the performative conference format as a network to create encounters and put the performing and communicative aspects in tension, in order to inhabit and assume the role of researchers and creators of/on the scene. Nuestra investigación se basa en el estudio de la presencia escénica, como un aspecto del entrenamiento de les bailarines-creadores, que concebimos a partir de los pilares técnicos del agotamiento y la quietud. Estas dos nociones teórico-metodológicas construyen estados en una plataforma de entrenamiento específico para el cuerpo escénico y la composición coreográfica. Trabajamos el formato de conferencia performática como red de encuentro y tensión entre la escenificación y lo comunicacional, para habitar y asumir el rol de investigadoras y creadoras de/en la escena.  Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba 2024-05-02 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/sendas/article/view/44804 Sendas; Vol. 7 (2024): The strength to keep on writing; 51-70 Sendas; Vol. 7 (2024): La potencia de seguir escribiendo; 51-70 2618-2254 spa https://revistas.unc.edu.ar/index.php/sendas/article/view/44804/44939 https://revistas.unc.edu.ar/index.php/sendas/article/view/44804/44940 https://revistas.unc.edu.ar/index.php/sendas/article/view/44804/44941 Derechos de autor 2024 Micaela Sofía Hoz, María Virgina Romero https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-309
container_title_str Sendas
language Español
format Artículo revista
topic Presence
Technique
Conference
Exhaustion
State
Presencia
Técnica
Conferencia
Agotamiento
Estado
spellingShingle Presence
Technique
Conference
Exhaustion
State
Presencia
Técnica
Conferencia
Agotamiento
Estado
Hoz, Micaela Sofía
Romero, María Virgina
Presence as technique: a tension between excesses
topic_facet Presence
Technique
Conference
Exhaustion
State
Presencia
Técnica
Conferencia
Agotamiento
Estado
author Hoz, Micaela Sofía
Romero, María Virgina
author_facet Hoz, Micaela Sofía
Romero, María Virgina
author_sort Hoz, Micaela Sofía
title Presence as technique: a tension between excesses
title_short Presence as technique: a tension between excesses
title_full Presence as technique: a tension between excesses
title_fullStr Presence as technique: a tension between excesses
title_full_unstemmed Presence as technique: a tension between excesses
title_sort presence as technique: a tension between excesses
description Our research is based on the study of stage presence, as an aspect of the training of dancer-creators, which we conceive from the technical pillars of exhaustion and stillness. These two theoretical-methodological notions build states in a specific training platform for the scenic body and choreographic composition. We delved into the performative conference format as a network to create encounters and put the performing and communicative aspects in tension, in order to inhabit and assume the role of researchers and creators of/on the scene.
publisher Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba
publishDate 2024
url https://revistas.unc.edu.ar/index.php/sendas/article/view/44804
work_keys_str_mv AT hozmicaelasofia presenceastechniqueatensionbetweenexcesses
AT romeromariavirgina presenceastechniqueatensionbetweenexcesses
AT hozmicaelasofia lapresenciaescenicaconcebidadesdelatecnicaunatensionentreexcesos
AT romeromariavirgina lapresenciaescenicaconcebidadesdelatecnicaunatensionentreexcesos
first_indexed 2024-09-03T20:28:17Z
last_indexed 2025-05-10T05:03:53Z
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