The action of the word on stage. Scenic research into the play 4.48 Psychosis by Sarah Kane.
The work recovers the development of an investigation based on the scenic montage of the text 4.48 Psychosis by Sarah Kane. It consisted of the final project for the Bachelor of Theater at Facultad de Artes - UNC. Reflects about the scenic saying in terms of action and stage production as a technica...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba
2021
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/sendas/article/view/36290 |
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I10-R309-article-36290 |
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I10-R309-article-362902024-03-27T14:44:54Z The action of the word on stage. Scenic research into the play 4.48 Psychosis by Sarah Kane. El accionar de la palabra en escena. Investigación escénica a partir de la obra “4.48 Psicosis” de Sarah Kane Curiqueo, Néstor Vaccalluzzo, Victoria performing arts contemporary theatre artistic creation artes escénicas teatro contemporáneo creación artística The work recovers the development of an investigation based on the scenic montage of the text 4.48 Psychosis by Sarah Kane. It consisted of the final project for the Bachelor of Theater at Facultad de Artes - UNC. Reflects about the scenic saying in terms of action and stage production as a technical singularity generated within each creation process. Contributions from theater studies are retaken, in particular, Berry, Pavis, Barba and Dubatti, philosophical concepts such as becoming (Deleuze), event (Badiou) and technique (Heidegger) are recovered, and specific contributions of the physiological aspects of the voice. El trabajo recupera el desarrollo de una investigación basada en el montaje escénico del texto 4.48 Psicosis de Sarah Kane. Consistió en el trabajo final para la Licenciatura en Teatro de la Facultad de Artes de la UNC. Reflexiona sobre el decir escénico en términos de acción y la producción escénica como singularidad técnica generada al interior de cada proceso de creación. Se retoman aportes de los estudios teatrales, en particular, de Berry, Pavis, Barba y Dubatti, en diálogo con conceptos filosóficos como devenir (Deleuze), acontecimiento (Badiou) y técnica (Heidegger), y contribuciones específicas de los aspectos fisiológicos de la voz. Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba 2021-12-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/sendas/article/view/36290 Sendas; Vol. 4 (2021): Expanding boundaries between academic backgrounds; 155-172 Sendas; Vol. 4 (2021): Ampliando fronteras entre trayectorias académicas; 155-172 2618-2254 spa https://revistas.unc.edu.ar/index.php/sendas/article/view/36290/36581 Derechos de autor 2021 Néstor Curiqueo, Victoria Vaccalluzzo https://creativecommons.org/licenses/by-nc-sa/4.0 |
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Universidad Nacional de Córdoba |
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I-10 |
| repository_str |
R-309 |
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Sendas |
| language |
Español |
| format |
Artículo revista |
| topic |
performing arts contemporary theatre artistic creation artes escénicas teatro contemporáneo creación artística |
| spellingShingle |
performing arts contemporary theatre artistic creation artes escénicas teatro contemporáneo creación artística Curiqueo, Néstor Vaccalluzzo, Victoria The action of the word on stage. Scenic research into the play 4.48 Psychosis by Sarah Kane. |
| topic_facet |
performing arts contemporary theatre artistic creation artes escénicas teatro contemporáneo creación artística |
| author |
Curiqueo, Néstor Vaccalluzzo, Victoria |
| author_facet |
Curiqueo, Néstor Vaccalluzzo, Victoria |
| author_sort |
Curiqueo, Néstor |
| title |
The action of the word on stage. Scenic research into the play 4.48 Psychosis by Sarah Kane. |
| title_short |
The action of the word on stage. Scenic research into the play 4.48 Psychosis by Sarah Kane. |
| title_full |
The action of the word on stage. Scenic research into the play 4.48 Psychosis by Sarah Kane. |
| title_fullStr |
The action of the word on stage. Scenic research into the play 4.48 Psychosis by Sarah Kane. |
| title_full_unstemmed |
The action of the word on stage. Scenic research into the play 4.48 Psychosis by Sarah Kane. |
| title_sort |
action of the word on stage. scenic research into the play 4.48 psychosis by sarah kane. |
| description |
The work recovers the development of an investigation based on the scenic montage of the text 4.48 Psychosis by Sarah Kane. It consisted of the final project for the Bachelor of Theater at Facultad de Artes - UNC. Reflects about the scenic saying in terms of action and stage production as a technical singularity generated within each creation process. Contributions from theater studies are retaken, in particular, Berry, Pavis, Barba and Dubatti, philosophical concepts such as becoming (Deleuze), event (Badiou) and technique (Heidegger) are recovered, and specific contributions of the physiological aspects of the voice. |
| publisher |
Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba |
| publishDate |
2021 |
| url |
https://revistas.unc.edu.ar/index.php/sendas/article/view/36290 |
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