The Analysis of Performances as a Tool for the Study of a Musical Piece: The case of the piano cycle The Seasons by P. I. Tchaikovsky

One of the main activities of the performers that is renewed each time a new repertoire is prepared is the listening and analysis of sound records belonging to other players. The intention of this work is, firstly, to reflect on how this attentive listening process develops, what we pay attention to...

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Autor principal: Escalante Agüero, María Fernanda
Formato: Artículo revista
Lenguaje:Español
Publicado: Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba 2021
Materias:
Musical Interpretation
Music
Piano
Recording Analysis
Interpretación Musical
Música
Análisis de grabaciones
Acceso en línea:https://revistas.unc.edu.ar/index.php/sendas/article/view/36262
Aporte de:
Sendas de Universidad Nacional de Córdoba
id I10-R309-article-36262
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spelling I10-R309-article-362622024-03-27T14:44:52Z The Analysis of Performances as a Tool for the Study of a Musical Piece: The case of the piano cycle The Seasons by P. I. Tchaikovsky El análisis de interpretaciones musicales grabadas como herramienta para el estudio de una obra: El caso del ciclo para piano Las Estaciones de P. I. Tchaikovsky Escalante Agüero, María Fernanda Musical Interpretation Music Piano Recording Analysis Interpretación Musical Música Piano Análisis de grabaciones One of the main activities of the performers that is renewed each time a new repertoire is prepared is the listening and analysis of sound records belonging to other players. The intention of this work is, firstly, to reflect on how this attentive listening process develops, what we pay attention to and what it contributes to the performer. Secondly, to propose a possible systematization of this process in order to be useful to other instrumentalists who wish to share their analysis and conclusions in exhibitions, debates, lectures, etc. Una de las actividades propias de los instrumentistas que se renueva cada vez que se prepara un nuevo repertorio es la escucha y análisis de registros sonoros de otros intérpretes. La intención de este trabajo es, en primer lugar, reflexionar sobre cómo se desarrolla este proceso de audición atenta, a qué prestamos atención y qué le aporta al instrumentista. En segundo lugar, plantear una posible sistematización de ese proceso para alcanzar un mayor grado de aprovechamiento de la instancia y que sea útil, por ejemplo, a otros instrumentistas que desean compartir sus análisis y conclusiones en exposiciones, debates, ponencias, entre otros. Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba 2021-12-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/sendas/article/view/36262 Sendas; Vol. 4 (2021): Expanding boundaries between academic backgrounds; 61-82 Sendas; Vol. 4 (2021): Ampliando fronteras entre trayectorias académicas; 61-82 2618-2254 spa https://revistas.unc.edu.ar/index.php/sendas/article/view/36262/36559 Derechos de autor 2021 María Fernanda Escalante Agüero https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-309
container_title_str Sendas
language Español
format Artículo revista
topic Musical Interpretation
Music
Piano
Recording Analysis
Interpretación Musical
Música
Piano
Análisis de grabaciones
spellingShingle Musical Interpretation
Music
Piano
Recording Analysis
Interpretación Musical
Música
Piano
Análisis de grabaciones
Escalante Agüero, María Fernanda
The Analysis of Performances as a Tool for the Study of a Musical Piece: The case of the piano cycle The Seasons by P. I. Tchaikovsky
topic_facet Musical Interpretation
Music
Piano
Recording Analysis
Interpretación Musical
Música
Piano
Análisis de grabaciones
author Escalante Agüero, María Fernanda
author_facet Escalante Agüero, María Fernanda
author_sort Escalante Agüero, María Fernanda
title The Analysis of Performances as a Tool for the Study of a Musical Piece: The case of the piano cycle The Seasons by P. I. Tchaikovsky
title_short The Analysis of Performances as a Tool for the Study of a Musical Piece: The case of the piano cycle The Seasons by P. I. Tchaikovsky
title_full The Analysis of Performances as a Tool for the Study of a Musical Piece: The case of the piano cycle The Seasons by P. I. Tchaikovsky
title_fullStr The Analysis of Performances as a Tool for the Study of a Musical Piece: The case of the piano cycle The Seasons by P. I. Tchaikovsky
title_full_unstemmed The Analysis of Performances as a Tool for the Study of a Musical Piece: The case of the piano cycle The Seasons by P. I. Tchaikovsky
title_sort analysis of performances as a tool for the study of a musical piece: the case of the piano cycle the seasons by p. i. tchaikovsky
description One of the main activities of the performers that is renewed each time a new repertoire is prepared is the listening and analysis of sound records belonging to other players. The intention of this work is, firstly, to reflect on how this attentive listening process develops, what we pay attention to and what it contributes to the performer. Secondly, to propose a possible systematization of this process in order to be useful to other instrumentalists who wish to share their analysis and conclusions in exhibitions, debates, lectures, etc.
publisher Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba
publishDate 2021
url https://revistas.unc.edu.ar/index.php/sendas/article/view/36262
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first_indexed 2024-09-03T20:28:12Z
last_indexed 2024-09-03T20:28:12Z
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