Confluence of Academic and Popular Guitar Techniques in Ernesto Méndez´s Arrangements: The Case of Refugio de Soñadores

This work will approach the arrangement made and performed by Ernesto Méndez from the chamamé Refugio de Soñadores, which was composed by Nini Flores. It aims to detect guitar techniques used in it, to distinguish them between “academic” and “popular”, and to understand how they interact in the vers...

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Autor principal: Peña Manibardo, Matías Gonzalo
Formato: Artículo revista
Lenguaje:Español
Publicado: Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba 2021
Materias:
Folklore
Instrumental Music
Musical Performances
Chamamé
Música instrumental
Interpretación musical
Acceso en línea:https://revistas.unc.edu.ar/index.php/sendas/article/view/36254
Aporte de:
Sendas de Universidad Nacional de Córdoba
id I10-R309-article-36254
record_format ojs
spelling I10-R309-article-362542024-03-27T14:44:52Z Confluence of Academic and Popular Guitar Techniques in Ernesto Méndez´s Arrangements: The Case of Refugio de Soñadores Confluencia de técnicas guitarrísticas académicas y populares en arreglos de Ernesto Méndez: El caso de Refugio de soñadores Peña Manibardo, Matías Gonzalo Folklore Instrumental Music Musical Performances Chamamé Folklore Música instrumental Interpretación musical Chamamé This work will approach the arrangement made and performed by Ernesto Méndez from the chamamé Refugio de Soñadores, which was composed by Nini Flores. It aims to detect guitar techniques used in it, to distinguish them between “academic” and “popular”, and to understand how they interact in the version. Through auditory and comparative analysis between versions, complemented with partial transcripts, we will see that Méndez uses a wide diversity of technical resources, without prioritizing those of any trend over the other. Este trabajo abordará el arreglo realizado e interpretado por Ernesto Méndez del chamamé Refugio de Soñadores, compuesto por Nini Flores. Tiene como objetivos detectar las técnicas guitarrísticas empleadas en él, distinguirlas en “académicas” y “populares”, y comprender cómo interactúan en la versión. Mediante análisis auditivos y comparativos entre versiones, complementados con transcripciones parciales, veremos que Méndez utiliza una amplia diversidad de recursos técnicos, sin priorizar los de alguna corriente por sobre la otra. Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba 2021-12-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/sendas/article/view/36254 Sendas; Vol. 4 (2021): Expanding boundaries between academic backgrounds; 31-48 Sendas; Vol. 4 (2021): Ampliando fronteras entre trayectorias académicas; 31-48 2618-2254 spa https://revistas.unc.edu.ar/index.php/sendas/article/view/36254/36561 Derechos de autor 2021 Matías Gonzalo Peña Manibardo https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-309
container_title_str Sendas
language Español
format Artículo revista
topic Folklore
Instrumental Music
Musical Performances
Chamamé
Folklore
Música instrumental
Interpretación musical
Chamamé
spellingShingle Folklore
Instrumental Music
Musical Performances
Chamamé
Folklore
Música instrumental
Interpretación musical
Chamamé
Peña Manibardo, Matías Gonzalo
Confluence of Academic and Popular Guitar Techniques in Ernesto Méndez´s Arrangements: The Case of Refugio de Soñadores
topic_facet Folklore
Instrumental Music
Musical Performances
Chamamé
Folklore
Música instrumental
Interpretación musical
Chamamé
author Peña Manibardo, Matías Gonzalo
author_facet Peña Manibardo, Matías Gonzalo
author_sort Peña Manibardo, Matías Gonzalo
title Confluence of Academic and Popular Guitar Techniques in Ernesto Méndez´s Arrangements: The Case of Refugio de Soñadores
title_short Confluence of Academic and Popular Guitar Techniques in Ernesto Méndez´s Arrangements: The Case of Refugio de Soñadores
title_full Confluence of Academic and Popular Guitar Techniques in Ernesto Méndez´s Arrangements: The Case of Refugio de Soñadores
title_fullStr Confluence of Academic and Popular Guitar Techniques in Ernesto Méndez´s Arrangements: The Case of Refugio de Soñadores
title_full_unstemmed Confluence of Academic and Popular Guitar Techniques in Ernesto Méndez´s Arrangements: The Case of Refugio de Soñadores
title_sort confluence of academic and popular guitar techniques in ernesto méndez´s arrangements: the case of refugio de soñadores
description This work will approach the arrangement made and performed by Ernesto Méndez from the chamamé Refugio de Soñadores, which was composed by Nini Flores. It aims to detect guitar techniques used in it, to distinguish them between “academic” and “popular”, and to understand how they interact in the version. Through auditory and comparative analysis between versions, complemented with partial transcripts, we will see that Méndez uses a wide diversity of technical resources, without prioritizing those of any trend over the other.
publisher Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba
publishDate 2021
url https://revistas.unc.edu.ar/index.php/sendas/article/view/36254
work_keys_str_mv AT penamanibardomatiasgonzalo confluenceofacademicandpopularguitartechniquesinernestomendezsarrangementsthecaseofrefugiodesonadores
AT penamanibardomatiasgonzalo confluenciadetecnicasguitarristicasacademicasypopularesenarreglosdeernestomendezelcasoderefugiodesonadores
first_indexed 2024-09-03T20:28:11Z
last_indexed 2024-09-03T20:28:11Z
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