Composing [in] Space. : Compositional techniques based on awareness of space as a form-bearing dimension.

The goal of this research was to develop compositional techinques that enhance space as a musical parameter. Therefore, I thought about the posibilities of sound spatialization and its state as discurse structuring. In other words, I researched on the capacity of space of constitute itself as a form...

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Autor principal: Varela, Hernando
Formato: Artículo revista
Lenguaje:Español
Publicado: Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba 2020
Materias:
Contemporary music
Vocal music
Contemporary art
Latin American art
Música contemporánea
Música vocal
Arte contemporáneo
Arte latinoamericano
Acceso en línea:https://revistas.unc.edu.ar/index.php/sendas/article/view/30644
Aporte de:
Sendas de Universidad Nacional de Córdoba
id I10-R309-article-30644
record_format ojs
spelling I10-R309-article-306442024-03-27T14:44:50Z Composing [in] Space. : Compositional techniques based on awareness of space as a form-bearing dimension. Componiendo [en] el espacio: Técnicas compositivas a partir de la concientización del espacio como parámetro portador de forma Varela, Hernando Contemporary music Vocal music Contemporary art Latin American art Música contemporánea Música vocal Arte contemporáneo Arte latinoamericano The goal of this research was to develop compositional techinques that enhance space as a musical parameter. Therefore, I thought about the posibilities of sound spatialization and its state as discurse structuring. In other words, I researched on the capacity of space of constitute itself as a form-bearing dimension in musical discourse. The techniques developed were tested in three compositions that stringed along this process (2013-2014): Omaggio a Salvatore Sciarrino, four alto sax; Girones, four mixed voices groups; Mutaciones, mixed sextet (pierrot quintet + vibraphone). El objetivo de este trabajo fue el de desarrollar técnicas compositivas que potencien al espacio como parámetro musical. Para ello, se reflexionó sobre las posibilidades de la espacialización del sonido y su condición como estructuradora del discurso. En otras palabras, se investigó sobre la capacidad del espacio como parámetro portador de forma en un discurso musical. Las técnicas desarrolladas se testearon en la composición de tres obras que acompañaron este proceso (años 2013-2014): Omaggio a Salvatore Sciarrino, para cuatro saxos alto; Girones, para cuatro grupos de voces mixtas; y Mutaciones, para sexteto mixto (quinteto pierrot + vibráfono). Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba 2020-10-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/sendas/article/view/30644 Sendas; Vol. 3 (2020): Distance, observation and listening in artistic research; 136-157 Sendas; Vol. 3 (2020): Distancia, observación y escucha en la investigación artística; 136-157 2618-2254 spa https://revistas.unc.edu.ar/index.php/sendas/article/view/30644/31347 Derechos de autor 2020 Hernando Varela https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-309
container_title_str Sendas
language Español
format Artículo revista
topic Contemporary music
Vocal music
Contemporary art
Latin American art
Música contemporánea
Música vocal
Arte contemporáneo
Arte latinoamericano
spellingShingle Contemporary music
Vocal music
Contemporary art
Latin American art
Música contemporánea
Música vocal
Arte contemporáneo
Arte latinoamericano
Varela, Hernando
Composing [in] Space. : Compositional techniques based on awareness of space as a form-bearing dimension.
topic_facet Contemporary music
Vocal music
Contemporary art
Latin American art
Música contemporánea
Música vocal
Arte contemporáneo
Arte latinoamericano
author Varela, Hernando
author_facet Varela, Hernando
author_sort Varela, Hernando
title Composing [in] Space. : Compositional techniques based on awareness of space as a form-bearing dimension.
title_short Composing [in] Space. : Compositional techniques based on awareness of space as a form-bearing dimension.
title_full Composing [in] Space. : Compositional techniques based on awareness of space as a form-bearing dimension.
title_fullStr Composing [in] Space. : Compositional techniques based on awareness of space as a form-bearing dimension.
title_full_unstemmed Composing [in] Space. : Compositional techniques based on awareness of space as a form-bearing dimension.
title_sort composing [in] space. : compositional techniques based on awareness of space as a form-bearing dimension.
description The goal of this research was to develop compositional techinques that enhance space as a musical parameter. Therefore, I thought about the posibilities of sound spatialization and its state as discurse structuring. In other words, I researched on the capacity of space of constitute itself as a form-bearing dimension in musical discourse. The techniques developed were tested in three compositions that stringed along this process (2013-2014): Omaggio a Salvatore Sciarrino, four alto sax; Girones, four mixed voices groups; Mutaciones, mixed sextet (pierrot quintet + vibraphone).
publisher Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba
publishDate 2020
url https://revistas.unc.edu.ar/index.php/sendas/article/view/30644
work_keys_str_mv AT varelahernando composinginspacecompositionaltechniquesbasedonawarenessofspaceasaformbearingdimension
AT varelahernando componiendoenelespaciotecnicascompositivasapartirdelaconcientizaciondelespaciocomoparametroportadordeforma
first_indexed 2024-09-03T20:28:10Z
last_indexed 2024-09-03T20:28:10Z
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