Pareidolia. Minimum image possibilities: Experiences in videoinstallation
Where is the line between being or not being an image? How much can we reduce a video until it stops receiving its name? The minimal image is a silent, slow, reduced image. The minimal video is born in the outside world, but not necessarily points it. Iconicity decreases. Reception might be wider. P...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba
2020
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/sendas/article/view/30630 |
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| Sumario: | Where is the line between being or not being an image? How much can we reduce a video until it stops receiving its name? The minimal image is a silent, slow, reduced image. The minimal video is born in the outside world, but not necessarily points it. Iconicity decreases. Reception might be wider. Pareidolia may show up. What are we looking at? What do we think we are looking at? This project explores possible perceptual experiences through video installation. This is also an instance to think about photographs, videos, and their relation with the real world. What are this images pointing to? |
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