Pareidolia. Minimum image possibilities: Experiences in videoinstallation
Where is the line between being or not being an image? How much can we reduce a video until it stops receiving its name? The minimal image is a silent, slow, reduced image. The minimal video is born in the outside world, but not necessarily points it. Iconicity decreases. Reception might be wider. P...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba
2020
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/sendas/article/view/30630 |
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I10-R309-article-306302024-03-27T14:44:50Z Pareidolia. Minimum image possibilities: Experiences in videoinstallation Pareidolia. Posibilidades de la imagen mínima: Experiencias en la videoinstalación Federovisky, Catalina Visual arts Digital art Perception Artes visuales Arte digital Percepción Where is the line between being or not being an image? How much can we reduce a video until it stops receiving its name? The minimal image is a silent, slow, reduced image. The minimal video is born in the outside world, but not necessarily points it. Iconicity decreases. Reception might be wider. Pareidolia may show up. What are we looking at? What do we think we are looking at? This project explores possible perceptual experiences through video installation. This is also an instance to think about photographs, videos, and their relation with the real world. What are this images pointing to? ¿Cuál es el límite entre ser o no ser imagen? ¿Cuánto podemos reducir un video y que aún se denomine como tal? La imagen mínima es una imagen reducida, lenta y silenciosa. El video mínimo parte de los estímulos externos sin la necesidad de referenciarlos. La iconicidad cae. Las posibilidades de recepción se amplían. Aparece – quizás – la pareidolia. ¿Qué vemos? ¿Qué creemos ver? Este proyecto explora posibles experiencias perceptivas a través de la videoinstalación. Es también, una instancia de reflexión sobre el vínculo que las producciones foto y videográficas entablan con lo real. ¿Qué indican este tipo de imágenes? Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba 2020-10-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/sendas/article/view/30630 Sendas; Vol. 3 (2020): Distance, observation and listening in artistic research; 103-121 Sendas; Vol. 3 (2020): Distancia, observación y escucha en la investigación artística; 103-121 2618-2254 spa https://revistas.unc.edu.ar/index.php/sendas/article/view/30630/31344 Derechos de autor 2020 Catalina Federovisky https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-309 |
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Sendas |
| language |
Español |
| format |
Artículo revista |
| topic |
Visual arts Digital art Perception Artes visuales Arte digital Percepción |
| spellingShingle |
Visual arts Digital art Perception Artes visuales Arte digital Percepción Federovisky, Catalina Pareidolia. Minimum image possibilities: Experiences in videoinstallation |
| topic_facet |
Visual arts Digital art Perception Artes visuales Arte digital Percepción |
| author |
Federovisky, Catalina |
| author_facet |
Federovisky, Catalina |
| author_sort |
Federovisky, Catalina |
| title |
Pareidolia. Minimum image possibilities: Experiences in videoinstallation |
| title_short |
Pareidolia. Minimum image possibilities: Experiences in videoinstallation |
| title_full |
Pareidolia. Minimum image possibilities: Experiences in videoinstallation |
| title_fullStr |
Pareidolia. Minimum image possibilities: Experiences in videoinstallation |
| title_full_unstemmed |
Pareidolia. Minimum image possibilities: Experiences in videoinstallation |
| title_sort |
pareidolia. minimum image possibilities: experiences in videoinstallation |
| description |
Where is the line between being or not being an image? How much can we reduce a video until it stops receiving its name? The minimal image is a silent, slow, reduced image. The minimal video is born in the outside world, but not necessarily points it. Iconicity decreases. Reception might be wider. Pareidolia may show up. What are we looking at? What do we think we are looking at? This project explores possible perceptual experiences through video installation. This is also an instance to think about photographs, videos, and their relation with the real world. What are this images pointing to? |
| publisher |
Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba |
| publishDate |
2020 |
| url |
https://revistas.unc.edu.ar/index.php/sendas/article/view/30630 |
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AT federoviskycatalina pareidoliaminimumimagepossibilitiesexperiencesinvideoinstallation AT federoviskycatalina pareidoliaposibilidadesdelaimagenminimaexperienciasenlavideoinstalacion |
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2024-09-03T20:28:09Z |
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2024-09-03T20:28:09Z |
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