Fantasies of the '90s: Acting procedures for creating a show
This writing gives an account of four Bachelor's Degree Final Work in Theater, carried out in the period 2014/2015 in which we investigated the construction of acting procedures from various materials of the 1990s. In this way, concepts such as resonance, fantasy, performance and act a...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba
2020
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/sendas/article/view/30627 |
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I10-R309-article-30627 |
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I10-R309-article-306272024-03-27T14:44:50Z Fantasies of the '90s: Acting procedures for creating a show Fantasías de los 90: procedimientos actorales para la creación de un espectáculo Brunetti, Cintia Andrea Pérez, Gabriel Andrés Theatre Performers Artistic creation Fantasy Neoliberalism Teatro Artista escénico Creación artística Fantasía Neoliberalismo This writing gives an account of four Bachelor's Degree Final Work in Theater, carried out in the period 2014/2015 in which we investigated the construction of acting procedures from various materials of the 1990s. In this way, concepts such as resonance, fantasy, performance and act are put into tension to account for the procedural stages of this investigative work. The play resulting from this process was called “María Alone" and was premiered in June 2015 in the Cordoba theater room “Medida por Medida”. El presente escrito da cuenta de nuestro Trabajo Final de Grado de la Licenciatura en Teatro, llevado a cabo en el periodo 2014/2015 en el cual investigamos sobre la construcción de procedimientos actorales a partir de diversos materiales de la década de los ´90. Conceptos tales como resonancia, fantasía, actuación y acto son puestos en tensión para dar cuenta de las etapas procedimentales de este trabajo de investigación. La obra teatral resultante de este proceso se llamó “María Alone” y fue estrenada en junio de 2015 en la sala teatral cordobesa Medida por Medida. Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba 2020-10-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/sendas/article/view/30627 Sendas; Vol. 3 (2020): Distance, observation and listening in artistic research; 87-102 Sendas; Vol. 3 (2020): Distancia, observación y escucha en la investigación artística; 87-102 2618-2254 spa https://revistas.unc.edu.ar/index.php/sendas/article/view/30627/31343 Derechos de autor 2020 Cintia Andrea Brunetti, Gabriel Andrés Pérez https://creativecommons.org/licenses/by-nc-sa/4.0 |
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Universidad Nacional de Córdoba |
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I-10 |
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R-309 |
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Sendas |
| language |
Español |
| format |
Artículo revista |
| topic |
Theatre Performers Artistic creation Fantasy Neoliberalism Teatro Artista escénico Creación artística Fantasía Neoliberalismo |
| spellingShingle |
Theatre Performers Artistic creation Fantasy Neoliberalism Teatro Artista escénico Creación artística Fantasía Neoliberalismo Brunetti, Cintia Andrea Pérez, Gabriel Andrés Fantasies of the '90s: Acting procedures for creating a show |
| topic_facet |
Theatre Performers Artistic creation Fantasy Neoliberalism Teatro Artista escénico Creación artística Fantasía Neoliberalismo |
| author |
Brunetti, Cintia Andrea Pérez, Gabriel Andrés |
| author_facet |
Brunetti, Cintia Andrea Pérez, Gabriel Andrés |
| author_sort |
Brunetti, Cintia Andrea |
| title |
Fantasies of the '90s: Acting procedures for creating a show |
| title_short |
Fantasies of the '90s: Acting procedures for creating a show |
| title_full |
Fantasies of the '90s: Acting procedures for creating a show |
| title_fullStr |
Fantasies of the '90s: Acting procedures for creating a show |
| title_full_unstemmed |
Fantasies of the '90s: Acting procedures for creating a show |
| title_sort |
fantasies of the '90s: acting procedures for creating a show |
| description |
This writing gives an account of four Bachelor's Degree Final Work in Theater, carried out in the period 2014/2015 in which we investigated the construction of acting procedures from various materials of the 1990s. In this way, concepts such as resonance, fantasy, performance and act are put into tension to account for the procedural stages of this investigative work. The play resulting from this process was called “María Alone" and was premiered in June 2015 in the Cordoba theater room “Medida por Medida”. |
| publisher |
Editorial de la Facultad de Artes de la Universidad Nacional de Córdoba |
| publishDate |
2020 |
| url |
https://revistas.unc.edu.ar/index.php/sendas/article/view/30627 |
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