"For the love of art”. The problem of autonomy in Buenos Aires' cultural associationism (The Cultural Association of Bahía Blanca, 1919-1927)

This article examines the problem of the relations between cultural associations, the market and the State in the province of Buenos Aires at the beginning of the 20th century. The double claim of autonomy linked to modern associationism and to the configuration of a specific sphere of the arts, was...

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Autor principal: Agesta, María de las Nieves
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Estudios Históricos Profesor Carlos S. A. Segreti 2020
Materias:
Cultural Associations
Autonomy
Market
State
asociacionismo cultural
autonomía
mercado
Estado
Acceso en línea:https://revistas.unc.edu.ar/index.php/anuarioceh/article/view/29326
Aporte de:
Anuario del Centro de Estudios Históricos Profesor Carlos S. A. Segreti de Universidad Nacional de Córdoba
id I10-R307-article-29326
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spelling I10-R307-article-293262021-06-01T21:55:27Z "For the love of art”. The problem of autonomy in Buenos Aires' cultural associationism (The Cultural Association of Bahía Blanca, 1919-1927) Por amor al arte. El problema de la autonomía en el asociacionismo cultural bonaerense (La Asociación Cultural de Bahía Blanca, 1919-1927) Agesta, María de las Nieves Cultural Associations Autonomy Market State asociacionismo cultural autonomía mercado Estado This article examines the problem of the relations between cultural associations, the market and the State in the province of Buenos Aires at the beginning of the 20th century. The double claim of autonomy linked to modern associationism and to the configuration of a specific sphere of the arts, was a permanent source of tensions that confronted them with the dilemma of sustaining their independence and suffering the endemic lack of funds or asking for external resources and thus assure its survival. This situation was faced by the Asociación Cultural de Bahía Blanca between 1919 and 1927. Emerged in an intermediate city of southwest Buenos Aires, this entity had to survive in dialogue with a municipal state where cultural issues were not subject of a systematic policy and in an environment in which the circuit of academic music continued to be strongly linked to dilettantism. Added to this, the incipient mechanisms of the cultural market struggled to introduce an economic logic that opposed the primacy of "disinterest" that was consolidating as a principle of legitimacy in the world of arts.     El presente trabajo se propone abordar el problema de las relaciones entre las asociaciones culturales del interior de la provincia de Buenos Aires, el mercado y el Estado a principios del siglo XX. El doble reclamo de autonomía ligado al asociacionismo moderno y a la configuración de una esfera específica de las artes, suponía para ellas una permanente fuente de tensiones que las enfrentaba al dilema de sostener su independencia y sufrir la endémica carencia de fondos o acudir a instancias externas de provisión de recursos y así garantizar su funcionamiento. Esta situación fue la que enfrentó la Asociación Cultural de Bahía Blanca entre 1919 y 1927. Surgida en una ciudad intermedia de sudoeste bonaerense, la agrupación debió sobrevivir en diálogo con un Estado municipal donde las cuestiones culturales no eran objeto de una política sistemática y en un medio en el que el circuito de la música académica continuaba aún vinculado fuertemente al diletantismo. Sumado a ello, los incipientes mecanismos del mercado cultural pugnaban por introducir una lógica económica que se oponía a la primacía del “desinterés” que se estaba consolidando como principio de legitimidad en el mundo de las artes.                 Centro de Estudios Históricos Profesor Carlos S. A. Segreti 2020-07-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículos de investigación libres application/pdf https://revistas.unc.edu.ar/index.php/anuarioceh/article/view/29326 10.52885/2683-9164.v1.n20.29326 Anuario del Centro de Estudios Históricos Profesor Carlos S. A. Segreti; Vol. 1 Núm. 20 (2020); 23-50 2683-9164 1666-6836 10.52885/2683-9164.v1.n20 spa https://revistas.unc.edu.ar/index.php/anuarioceh/article/view/29326/30142 Derechos de autor 2020 María de las Nieves Agesta http://creativecommons.org/licenses/by-nc-nd/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-307
container_title_str Anuario del Centro de Estudios Históricos Profesor Carlos S. A. Segreti
language Español
format Artículo revista
topic Cultural Associations
Autonomy
Market
State
asociacionismo cultural
autonomía
mercado
Estado
spellingShingle Cultural Associations
Autonomy
Market
State
asociacionismo cultural
autonomía
mercado
Estado
Agesta, María de las Nieves
"For the love of art”. The problem of autonomy in Buenos Aires' cultural associationism (The Cultural Association of Bahía Blanca, 1919-1927)
topic_facet Cultural Associations
Autonomy
Market
State
asociacionismo cultural
autonomía
mercado
Estado
author Agesta, María de las Nieves
author_facet Agesta, María de las Nieves
author_sort Agesta, María de las Nieves
title "For the love of art”. The problem of autonomy in Buenos Aires' cultural associationism (The Cultural Association of Bahía Blanca, 1919-1927)
title_short "For the love of art”. The problem of autonomy in Buenos Aires' cultural associationism (The Cultural Association of Bahía Blanca, 1919-1927)
title_full "For the love of art”. The problem of autonomy in Buenos Aires' cultural associationism (The Cultural Association of Bahía Blanca, 1919-1927)
title_fullStr "For the love of art”. The problem of autonomy in Buenos Aires' cultural associationism (The Cultural Association of Bahía Blanca, 1919-1927)
title_full_unstemmed "For the love of art”. The problem of autonomy in Buenos Aires' cultural associationism (The Cultural Association of Bahía Blanca, 1919-1927)
title_sort "for the love of art”. the problem of autonomy in buenos aires' cultural associationism (the cultural association of bahía blanca, 1919-1927)
description This article examines the problem of the relations between cultural associations, the market and the State in the province of Buenos Aires at the beginning of the 20th century. The double claim of autonomy linked to modern associationism and to the configuration of a specific sphere of the arts, was a permanent source of tensions that confronted them with the dilemma of sustaining their independence and suffering the endemic lack of funds or asking for external resources and thus assure its survival. This situation was faced by the Asociación Cultural de Bahía Blanca between 1919 and 1927. Emerged in an intermediate city of southwest Buenos Aires, this entity had to survive in dialogue with a municipal state where cultural issues were not subject of a systematic policy and in an environment in which the circuit of academic music continued to be strongly linked to dilettantism. Added to this, the incipient mechanisms of the cultural market struggled to introduce an economic logic that opposed the primacy of "disinterest" that was consolidating as a principle of legitimacy in the world of arts.    
publisher Centro de Estudios Históricos Profesor Carlos S. A. Segreti
publishDate 2020
url https://revistas.unc.edu.ar/index.php/anuarioceh/article/view/29326
work_keys_str_mv AT agestamariadelasnieves fortheloveofarttheproblemofautonomyinbuenosairesculturalassociationismtheculturalassociationofbahiablanca19191927
AT agestamariadelasnieves poramoralarteelproblemadelaautonomiaenelasociacionismoculturalbonaerenselaasociacionculturaldebahiablanca19191927
first_indexed 2024-09-03T20:26:44Z
last_indexed 2024-09-03T20:26:44Z
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