State management in the field of Argentine cinematography (1933-1943)
In this paper we analyze the forms assumed relations between the State and local film field agents, since the birth of the film industry in 1933 until 1944 when arrived the General Direction of Publics Entertainments under President Edelmiro Farell. This first stage of the relationship between cinem...
Guardado en:
| Autor principal: | Kriger, Clara |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Centro de Estudios Históricos Profesor Carlos S. A. Segreti
2010
|
| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/anuarioceh/article/view/23158 |
| Aporte de: |
Ejemplares similares
-
Women and first films in Argentina: an academic vacancy from an unprejudiced approach: Book review of Between precepts and rights. Directors and screenwriters in Argentine silent cinema (1915-1933)
por: Sorrentino, Pedro
Publicado: (2022) -
Policemen and criminals in the Argentine semidocumentary film
por: Lanza, Pablo
Publicado: (2021) -
Deleuzian Perspective of Cinema as a Means to Believe in The World Again. An Analysis from The Cinematography of Peter Weir
por: Muñoz Becerra, Felipe Arthur
Publicado: (2023) -
Women behind scenes: an approach towards female labor in the Argentine film industry (1933–1945)
por: Mertnoff, Ela
Publicado: (2025) -
Women behind scenes: an approach towards female labor in the Argentine film industry (1933–1945)
por: Mertnoff, Ela
Publicado: (2024)