State management in the field of Argentine cinematography (1933-1943)

In this paper we analyze the forms assumed relations between the State and local film field agents, since the birth of the film industry in 1933 until 1944 when arrived the General Direction of Publics Entertainments under President Edelmiro Farell. This first stage of the relationship between cinem...

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Autor principal: Kriger, Clara
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Estudios Históricos Profesor Carlos S. A. Segreti 2010
Materias:
Argentine cinema
public policy
entertainment law
nationalism
cine argentino
políticas públicas
ley de cine
nacionalismo
Acceso en línea:https://revistas.unc.edu.ar/index.php/anuarioceh/article/view/23158
Aporte de:
Anuario del Centro de Estudios Históricos Profesor Carlos S. A. Segreti de Universidad Nacional de Córdoba
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record_format ojs
spelling I10-R307-article-231582021-06-01T21:54:50Z State management in the field of Argentine cinematography (1933-1943) Gestión estatal en el ámbito de la cinematografía argentina (1933-1943) Kriger, Clara Argentine cinema public policy entertainment law nationalism cine argentino políticas públicas ley de cine nacionalismo In this paper we analyze the forms assumed relations between the State and local film field agents, since the birth of the film industry in 1933 until 1944 when arrived the General Direction of Publics Entertainments under President Edelmiro Farell. This first stage of the relationship between cinema and the state revolves around the management of the Argentine Film Institute, its director, Carlos Pessano, and its Chairman, Senator Matías Sánchez Sorondo. The article explores the ideas that they expressed in relation to cinema and how they tried to implement them. These are the years in which it is proposed the first law of protection and state control that would govern the sector. While the Institute’s management did not affect substantially the performance of the cinema field, the ideas that circulated promoted public discussion about the place that the actors in the cinema field expected to have against the regulatory action of the State. En este texto se analizan las formas que asumieron las relaciones entre el Estado y los agentes del campo cinematográfico local desde el nacimiento de la industria del cine en 1933 hasta que en 1944 se puso en marcha la Dirección General de Espectáculos Públicos durante la presidencia de Edelmiro Farell. Esta primera etapa de las relaciones entre el cine y el Estado gira en torno a la gestión del Instituto de Cine Argentino, de su director, Carlos Pessano, y de su presidente, el senador Matías Sánchez Sorondo. El artículo explora las ideas que ambos expresaron en relación con el cine y la forma en que intentaron llevarlas a la práctica. Son los años en los que se propone la primera ley de protección y de control estatal que regiría al sector. Si bien la gestión del Instituto no afectó de manera sustantiva el funcionamiento del campo cinematográfico, las ideas que hizo circular promovieron la discusión pública respecto del lugar que los distintos actores del campo cinematográfico esperaban tener frente a la acción reguladora del Estado. Centro de Estudios Históricos Profesor Carlos S. A. Segreti 2010-12-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículos de investigación libres application/pdf https://revistas.unc.edu.ar/index.php/anuarioceh/article/view/23158 10.52885/2683-9164.v0.n10.23158 Anuario del Centro de Estudios Históricos Profesor Carlos S. A. Segreti; Núm. 10 (2010); 261-281 2683-9164 1666-6836 10.52885/2683-9164.v0.n10 spa https://revistas.unc.edu.ar/index.php/anuarioceh/article/view/23158/22894 Derechos de autor 2010 Clara Kriger
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-307
container_title_str Anuario del Centro de Estudios Históricos Profesor Carlos S. A. Segreti
language Español
format Artículo revista
topic Argentine cinema
public policy
entertainment law
nationalism
cine argentino
políticas públicas
ley de cine
nacionalismo
spellingShingle Argentine cinema
public policy
entertainment law
nationalism
cine argentino
políticas públicas
ley de cine
nacionalismo
Kriger, Clara
State management in the field of Argentine cinematography (1933-1943)
topic_facet Argentine cinema
public policy
entertainment law
nationalism
cine argentino
políticas públicas
ley de cine
nacionalismo
author Kriger, Clara
author_facet Kriger, Clara
author_sort Kriger, Clara
title State management in the field of Argentine cinematography (1933-1943)
title_short State management in the field of Argentine cinematography (1933-1943)
title_full State management in the field of Argentine cinematography (1933-1943)
title_fullStr State management in the field of Argentine cinematography (1933-1943)
title_full_unstemmed State management in the field of Argentine cinematography (1933-1943)
title_sort state management in the field of argentine cinematography (1933-1943)
description In this paper we analyze the forms assumed relations between the State and local film field agents, since the birth of the film industry in 1933 until 1944 when arrived the General Direction of Publics Entertainments under President Edelmiro Farell. This first stage of the relationship between cinema and the state revolves around the management of the Argentine Film Institute, its director, Carlos Pessano, and its Chairman, Senator Matías Sánchez Sorondo. The article explores the ideas that they expressed in relation to cinema and how they tried to implement them. These are the years in which it is proposed the first law of protection and state control that would govern the sector. While the Institute’s management did not affect substantially the performance of the cinema field, the ideas that circulated promoted public discussion about the place that the actors in the cinema field expected to have against the regulatory action of the State.
publisher Centro de Estudios Históricos Profesor Carlos S. A. Segreti
publishDate 2010
url https://revistas.unc.edu.ar/index.php/anuarioceh/article/view/23158
work_keys_str_mv AT krigerclara statemanagementinthefieldofargentinecinematography19331943
AT krigerclara gestionestatalenelambitodelacinematografiaargentina19331943
first_indexed 2024-09-03T20:25:55Z
last_indexed 2024-09-03T20:25:55Z
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