Musical activity in Buenos Aires between 1804-1827: A practice that shapes the social spaces of the Buenos Aires elite?
Much has been written about the practices of sociability of different social groups and how they relate to different aspects of the social life from the River Plate region at the beginning of the 19th century. In this respect, the historical discipline has opened its perspectives of analysis buildin...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Estudios Históricos Profesor Carlos S. A. Segreti
2012
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/anuarioceh/article/view/22705 |
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I10-R307-article-227052021-06-01T21:54:41Z Musical activity in Buenos Aires between 1804-1827: A practice that shapes the social spaces of the Buenos Aires elite? La actividad musical en Buenos Aires entre 1804-1827: ¿Una práctica configuradora de espacios de sociabilidad de la elite porteña? Guillamón, Guillermina sociabilidad música Buenos Aires elite rioplatense sociability music Buenos Aires elite from the River Plate region Much has been written about the practices of sociability of different social groups and how they relate to different aspects of the social life from the River Plate region at the beginning of the 19th century. In this respect, the historical discipline has opened its perspectives of analysis building on an interesting and wide interdisciplinary framework, though it has not yet reached the field of musicology. Though it could be argued that the above-mentioned lack is based on the specificity of theoretical-practical analysis that the musicology requires, music could also be considered as a practice that loads with symbolism the different material space and the social interaction there developed. The aim of this work is to visualize the particular dynamic of the post colony Creole elite from Buenos Aires in order to achieve an approximation to the socializing spaces -the public and private ones- which the above mentioned group has transited - and therefore, to be able to decode from that stance the functional nature assigned to the music styles developed in the society of 1804-1827 Buenos Aires. For the above mentioned task, the statements of chroniclers, travellers, politicians, writers and diplomats, among others, will be analyzed comparatively. Additionally, we have worked with several newspapers published during the proposed period. Mucho se ha escrito sobre las prácticas de sociabilidad de diferentes grupos sociales y de cómo éstas se relacionaron con diversos aspectos de la sociedad rioplatense a principios del siglo XIX. En este sentido, la disciplina histórica ha abierto sus perspectivas de análisis construyendo un marco de interdisciplinariedad tan amplio como interesante, aunque aún no ha logrado tal contacto con la musicología. Si bien se podría argumentar que dicha carencia se fundamenta en la especificidad de análisis teórico-práctico que la musicología requiere, también podría pensarse a la música como una práctica que carga de simbolismo a diferentes espacios materiales y a la interacción social allí desarrollada. El presente trabajo se propone visibilizar la dinámica particular de la elite criolla de Buenos Aires post colonial para lograr un acercamiento a los espacios de sociabilidad -tanto públicos como privados- por ella transitada y descifrar así la funcionalidad que se le asignó a la música en la sociedad porteña durante el período 1804-1827. Para dicha tarea se analizarán comparativamente relatos de cronistas, viajeros, políticos, literatos y diplomáticos. De forma complementaria, el corpus documental se compone de prensa edita durante el período propuesto. Centro de Estudios Históricos Profesor Carlos S. A. Segreti 2012-12-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículos de investigación libres application/pdf https://revistas.unc.edu.ar/index.php/anuarioceh/article/view/22705 10.52885/2683-9164.v0.n12.22705 Anuario del Centro de Estudios Históricos Profesor Carlos S. A. Segreti; Núm. 12 (2012); 137-151 2683-9164 1666-6836 10.52885/2683-9164.v0.n12 spa https://revistas.unc.edu.ar/index.php/anuarioceh/article/view/22705/22324 Derechos de autor 2012 Guillermina Guillamón |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-307 |
| container_title_str |
Anuario del Centro de Estudios Históricos Profesor Carlos S. A. Segreti |
| language |
Español |
| format |
Artículo revista |
| topic |
sociabilidad música Buenos Aires elite rioplatense sociability music Buenos Aires elite from the River Plate region |
| spellingShingle |
sociabilidad música Buenos Aires elite rioplatense sociability music Buenos Aires elite from the River Plate region Guillamón, Guillermina Musical activity in Buenos Aires between 1804-1827: A practice that shapes the social spaces of the Buenos Aires elite? |
| topic_facet |
sociabilidad música Buenos Aires elite rioplatense sociability music Buenos Aires elite from the River Plate region |
| author |
Guillamón, Guillermina |
| author_facet |
Guillamón, Guillermina |
| author_sort |
Guillamón, Guillermina |
| title |
Musical activity in Buenos Aires between 1804-1827: A practice that shapes the social spaces of the Buenos Aires elite? |
| title_short |
Musical activity in Buenos Aires between 1804-1827: A practice that shapes the social spaces of the Buenos Aires elite? |
| title_full |
Musical activity in Buenos Aires between 1804-1827: A practice that shapes the social spaces of the Buenos Aires elite? |
| title_fullStr |
Musical activity in Buenos Aires between 1804-1827: A practice that shapes the social spaces of the Buenos Aires elite? |
| title_full_unstemmed |
Musical activity in Buenos Aires between 1804-1827: A practice that shapes the social spaces of the Buenos Aires elite? |
| title_sort |
musical activity in buenos aires between 1804-1827: a practice that shapes the social spaces of the buenos aires elite? |
| description |
Much has been written about the practices of sociability of different social groups and how they relate to different aspects of the social life from the River Plate region at the beginning of the 19th century. In this respect, the historical discipline has opened its perspectives of analysis building on an interesting and wide interdisciplinary framework, though it has not yet reached the field of musicology. Though it could be argued that the above-mentioned lack is based on the specificity of theoretical-practical analysis that the musicology requires, music could also be considered as a practice that loads with symbolism the different material space and the social interaction there developed. The aim of this work is to visualize the particular dynamic of the post colony Creole elite from Buenos Aires in order to achieve an approximation to the socializing spaces -the public and private ones- which the above mentioned group has transited - and therefore, to be able to decode from that stance the functional nature assigned to the music styles developed in the society of 1804-1827 Buenos Aires. For the above mentioned task, the statements of chroniclers, travellers, politicians, writers and diplomats, among others, will be analyzed comparatively. Additionally, we have worked with several newspapers published during the proposed period. |
| publisher |
Centro de Estudios Históricos Profesor Carlos S. A. Segreti |
| publishDate |
2012 |
| url |
https://revistas.unc.edu.ar/index.php/anuarioceh/article/view/22705 |
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2024-09-03T20:25:44Z |
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