From the battlefield to the screen. The Women of the Mexican Revolution in Mexican Cinema: The Case of "La Negra Angustias"

Mexican movies of the Golden Age made popular the image of women who participated in the Mexican Revolution with the figure of “Adelita”; a hackneyed and repetitive representation of values such as bravery, abnegation, marriage and motherhood. Nevertheless, there are few excpetions, like La negra An...

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Autor principal: Murillo Tenorio, Ilse Mayté
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Estudios Históricos Profesor Carlos S. A. Segreti 2018
Materias:
revolución
cine
mujeres
Angustias
revolution
movies
women
Acceso en línea:https://revistas.unc.edu.ar/index.php/anuarioceh/article/view/22172
Aporte de:
Anuario del Centro de Estudios Históricos Profesor Carlos S. A. Segreti de Universidad Nacional de Córdoba
id I10-R307-article-22172
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spelling I10-R307-article-221722021-06-01T21:54:37Z From the battlefield to the screen. The Women of the Mexican Revolution in Mexican Cinema: The Case of "La Negra Angustias" Del campo de batalla a la pantalla. Las mujeres de la Revolución Mexicana en el cine mexicano: el caso de “la negra Angustias” Murillo Tenorio, Ilse Mayté revolución cine mujeres Angustias revolution movies women Angustias Mexican movies of the Golden Age made popular the image of women who participated in the Mexican Revolution with the figure of “Adelita”; a hackneyed and repetitive representation of values such as bravery, abnegation, marriage and motherhood. Nevertheless, there are few excpetions, like La negra Angustias, directed by Matilde Landeta in 1949. Angutias, the protagonist, different as she was a coronel in one of Zapata’s troops with ideals such as justice and liberty for the poor. She was also reluctant to marry and to accept the oppression of any man, showing behavior conventionally considered to be masculine. Regarding the cinematographic environment, I rescue the vision of a woman director, a pioneer in Mexican movies, who went against the flow of female stereotypes with the intention of redressing the role of women in Mexican in History.  El cine mexicano de la Época de Oro popularizó la imagen de las mujeres que participaron en la Revolución Mexicana con la figura de la “Adelita”, representación repetitiva de valores como la valentía, la abnegación, el matrimonio y la maternidad. No obstante, existen casos excepcionales, como el de la negra Angustias, dirigida por Matilde Landeta, en 1949. Su protagonista, Angustias, resulta una representación disímil, siendo ésta coronela de una tropa zapatista, con ideales como justicia y libertad para los pobres; asimismo, se muestra renuente al matrimonio y al yugo de cualquier hombre, mostrando comportamientos considerados convencionalmente masculinos. Respecto al entorno cinematográfico, rescato la visión de una mujer directora, pionera en el cine mexicano, que fue a contracorriente de los estereotipos femeninos, con la intención de resarcir el papel de las mujeres en la Historia. Centro de Estudios Históricos Profesor Carlos S. A. Segreti 2018-12-06 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículos de investigación libres application/pdf https://revistas.unc.edu.ar/index.php/anuarioceh/article/view/22172 10.52885/2683-9164.v0.n13.22172 Anuario del Centro de Estudios Históricos Profesor Carlos S. A. Segreti; Núm. 13 (2013); 267-286 2683-9164 1666-6836 10.52885/2683-9164.v0.n13 spa https://revistas.unc.edu.ar/index.php/anuarioceh/article/view/22172/21779 Derechos de autor 2013 Ilse Mayté Murillo Tenorio
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-307
container_title_str Anuario del Centro de Estudios Históricos Profesor Carlos S. A. Segreti
language Español
format Artículo revista
topic revolución
cine
mujeres
Angustias
revolution
movies
women
Angustias
spellingShingle revolución
cine
mujeres
Angustias
revolution
movies
women
Angustias
Murillo Tenorio, Ilse Mayté
From the battlefield to the screen. The Women of the Mexican Revolution in Mexican Cinema: The Case of "La Negra Angustias"
topic_facet revolución
cine
mujeres
Angustias
revolution
movies
women
Angustias
author Murillo Tenorio, Ilse Mayté
author_facet Murillo Tenorio, Ilse Mayté
author_sort Murillo Tenorio, Ilse Mayté
title From the battlefield to the screen. The Women of the Mexican Revolution in Mexican Cinema: The Case of "La Negra Angustias"
title_short From the battlefield to the screen. The Women of the Mexican Revolution in Mexican Cinema: The Case of "La Negra Angustias"
title_full From the battlefield to the screen. The Women of the Mexican Revolution in Mexican Cinema: The Case of "La Negra Angustias"
title_fullStr From the battlefield to the screen. The Women of the Mexican Revolution in Mexican Cinema: The Case of "La Negra Angustias"
title_full_unstemmed From the battlefield to the screen. The Women of the Mexican Revolution in Mexican Cinema: The Case of "La Negra Angustias"
title_sort from the battlefield to the screen. the women of the mexican revolution in mexican cinema: the case of "la negra angustias"
description Mexican movies of the Golden Age made popular the image of women who participated in the Mexican Revolution with the figure of “Adelita”; a hackneyed and repetitive representation of values such as bravery, abnegation, marriage and motherhood. Nevertheless, there are few excpetions, like La negra Angustias, directed by Matilde Landeta in 1949. Angutias, the protagonist, different as she was a coronel in one of Zapata’s troops with ideals such as justice and liberty for the poor. She was also reluctant to marry and to accept the oppression of any man, showing behavior conventionally considered to be masculine. Regarding the cinematographic environment, I rescue the vision of a woman director, a pioneer in Mexican movies, who went against the flow of female stereotypes with the intention of redressing the role of women in Mexican in History. 
publisher Centro de Estudios Históricos Profesor Carlos S. A. Segreti
publishDate 2018
url https://revistas.unc.edu.ar/index.php/anuarioceh/article/view/22172
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