Translation Dissidents: Corporeality, Polyphony and Emotions as Strategies to Build a Reflection and Practice from Feminist and LGBTIQ+ Approaches
Since its beginning in Canada during the 1980s, feminist translation has incorporated theoretical and practical concerns produced by the development of Translation Studies, feminist theories and movements, gender studies, and queer theory. Recently —mostly due to some acts of gender inequity and vio...
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I10-R303-article-370392022-11-02T14:57:31Z Translation Dissidents: Corporeality, Polyphony and Emotions as Strategies to Build a Reflection and Practice from Feminist and LGBTIQ+ Approaches Disidentes de la traducción: corporalidad, polifonía y emociones como estrategias para construir una reflexión y una práctica desde enfoques feministas y LGBTIQ+ Constantino Reyes, Julia translation feminism LGBTIQ bodies emotions traducción feminismo LGBTIQ cuerpos emociones Since its beginning in Canada during the 1980s, feminist translation has incorporated theoretical and practical concerns produced by the development of Translation Studies, feminist theories and movements, gender studies, and queer theory. Recently —mostly due to some acts of gender inequity and violence, and the corresponding demands from women and sex/gender nonconforming communities— the convergence of these fields has been re-energised and has proved to be both necessary and potentially rich in the academic environment and, above all, in a wider sociopolitical and cultural scene. In this text, I will think about the relevance of bodies, polyphony, and emotions in translation processes and products that aim at the visibility, criticism, destabilisation, and reconstruction of sociocultural narratives related to women and sex/gender nonconforming outlaws. My remarks will be based on the recently published anthology titled Disidentes de género: la nueva generación (2018, 2019), as an example of a praxis fostered by the feminist and queer theorisation and politicization of translating action. Desde sus inicios en Canadá en la década de 1980, la traducción feminista ha ido incorporando preocupaciones teóricas y prácticas surgidas del desarrollo de los estudios sobre la traducción, las teorías y movimientos feministas, los estudios de género y la teoría queer. Recientemente —sobre todo a partir de algunas manifestaciones de la inequidad y la violencia de género, así como de las consecuentes demandas de las mujeres y de las comunidades sexogenéricamente diversas—, la convergencia de estas áreas ha renovado su ímpetu y ha mostrado ser necesaria y potencialmente fructífera en el ámbito académico y, sobre todo, en un horizonte sociopolítico y cultural más amplio. En este texto, haré una reflexión sobre la relevancia de los cuerpos, la polifonía y las emociones en procesos y resultados de traducción con propósitos de visibilización, crítica, desestabilización y reconstrucción de narrativas socioculturales que atañen a mujeres y personas sexogenéricamente diversas y disidentes. La exploración se basará en la recientemente publicada antología Disidentes de género: la nueva generación (2018, 2019) como ejemplo de una praxis alimentada por la teorización y politización de la acción traductora desde perspectivas feministas y queer. Facultad de Lenguas 2022-11-02 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf text/html https://revistas.unc.edu.ar/index.php/ReCIT/article/view/37039 Nueva ReCIT : Revista del área de traductología; Núm. 5 (2022): Especial 2618-1940 spa https://revistas.unc.edu.ar/index.php/ReCIT/article/view/37039/37465 https://revistas.unc.edu.ar/index.php/ReCIT/article/view/37039/37466 https://creativecommons.org/licenses/by-nc-nd/4.0 |
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Universidad Nacional de Córdoba |
institution_str |
I-10 |
repository_str |
R-303 |
container_title_str |
Nueva ReCIT : Revista del área de traductología |
language |
Español |
format |
Artículo revista |
topic |
translation feminism LGBTIQ bodies emotions traducción feminismo LGBTIQ cuerpos emociones |
spellingShingle |
translation feminism LGBTIQ bodies emotions traducción feminismo LGBTIQ cuerpos emociones Constantino Reyes, Julia Translation Dissidents: Corporeality, Polyphony and Emotions as Strategies to Build a Reflection and Practice from Feminist and LGBTIQ+ Approaches |
topic_facet |
translation feminism LGBTIQ bodies emotions traducción feminismo LGBTIQ cuerpos emociones |
author |
Constantino Reyes, Julia |
author_facet |
Constantino Reyes, Julia |
author_sort |
Constantino Reyes, Julia |
title |
Translation Dissidents: Corporeality, Polyphony and Emotions as Strategies to Build a Reflection and Practice from Feminist and LGBTIQ+ Approaches |
title_short |
Translation Dissidents: Corporeality, Polyphony and Emotions as Strategies to Build a Reflection and Practice from Feminist and LGBTIQ+ Approaches |
title_full |
Translation Dissidents: Corporeality, Polyphony and Emotions as Strategies to Build a Reflection and Practice from Feminist and LGBTIQ+ Approaches |
title_fullStr |
Translation Dissidents: Corporeality, Polyphony and Emotions as Strategies to Build a Reflection and Practice from Feminist and LGBTIQ+ Approaches |
title_full_unstemmed |
Translation Dissidents: Corporeality, Polyphony and Emotions as Strategies to Build a Reflection and Practice from Feminist and LGBTIQ+ Approaches |
title_sort |
translation dissidents: corporeality, polyphony and emotions as strategies to build a reflection and practice from feminist and lgbtiq+ approaches |
description |
Since its beginning in Canada during the 1980s, feminist translation has incorporated theoretical and practical concerns produced by the development of Translation Studies, feminist theories and movements, gender studies, and queer theory. Recently —mostly due to some acts of gender inequity and violence, and the corresponding demands from women and sex/gender nonconforming communities— the convergence of these fields has been re-energised and has proved to be both necessary and potentially rich in the academic environment and, above all, in a wider sociopolitical and cultural scene. In this text, I will think about the relevance of bodies, polyphony, and emotions in translation processes and products that aim at the visibility, criticism, destabilisation, and reconstruction of sociocultural narratives related to women and sex/gender nonconforming outlaws. My remarks will be based on the recently published anthology titled Disidentes de género: la nueva generación (2018, 2019), as an example of a praxis fostered by the feminist and queer theorisation and politicization of translating action. |
publisher |
Facultad de Lenguas |
publishDate |
2022 |
url |
https://revistas.unc.edu.ar/index.php/ReCIT/article/view/37039 |
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2024-09-03T20:23:25Z |
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2024-09-03T20:23:25Z |
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