Review of the play El deber de no dañar al otro
I was at the premiere of El deber de no dañar a otro and now, four weeks later, I am back for the closing performance. I am no longer the carefree spectator I was then, but rather I have come as an observer, or chronicler. I try to record sounds, sensations, dialogues, gestures, looks, everything th...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Investigaciones de la Facultad de Filosofía y Humanidades
2023
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/etcetera/article/view/43793 |
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| Sumario: | I was at the premiere of El deber de no dañar a otro and now, four weeks later, I am back for the closing performance. I am no longer the carefree spectator I was then, but rather I have come as an observer, or chronicler. I try to record sounds, sensations, dialogues, gestures, looks, everything that allows me to understand what happens on stage. It has been more than ten years since I last wrote reviews and I fear that you, attentive reader, may feel somewhat disappointed. As I am not willing to give up on these lines, nor to take refuge in the impostor syndrome, we continue along this gorge made of words and poetry. |
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