#XMAP: In Plain Sight. A collective and digital cartography of uncounted violence: Dossier Intemperie: políticas de la voluntad y poéticas del cobijo

Extractive capitalism requires a particular form of governmentality that is corporate, seizes territories, and subsumes the complex logic of social ecologies to expand its representational and material control over human and inhuman life. This essay analyzes immigration detention as a racially creat...

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Autor principal: Cornide, Ana Isabel
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2023
Materias:
Detention Center
#XMAP
Extractive Capitalism
Surveillance
Digital Cartography
Centro de Detención
Capitalismo Extractivo
Vigilancia
Cartografía Digital
Acceso en línea:https://revistas.unc.edu.ar/index.php/etcetera/article/view/41919
Aporte de:
Etcétera. Revista del Área de Ciencias Sociales del CIFFyH de Universidad Nacional de Córdoba
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spelling I10-R300-article-419192025-12-22T14:24:40Z #XMAP: In Plain Sight. A collective and digital cartography of uncounted violence: Dossier Intemperie: políticas de la voluntad y poéticas del cobijo #XMAP: In Plain Sight. Una cartografía colectiva y digital de la violencia no contabilizada : Dossier Intemperie: políticas de la voluntad y poéticas del cobijo Cornide, Ana Isabel Detention Center #XMAP Extractive Capitalism Surveillance Digital Cartography Centro de Detención #XMAP Capitalismo Extractivo Vigilancia Cartografía Digital Extractive capitalism requires a particular form of governmentality that is corporate, seizes territories, and subsumes the complex logic of social ecologies to expand its representational and material control over human and inhuman life. This essay analyzes immigration detention as a racially created regime that operates through the intertwined dynamics of extractive capitalism and internal warfare against racialized populations. The border security industrial complex functions as an extractive industry that reorganizes space and has a direct impact on the territory, creating an industrial landscape, built from and for the comfort of human displacement. On July 3-4, 2020, on Independence Day weekend in the US, visual and performance artists Cassils and rafa esparza presented an activist art work created in collaboration with 80 artists to demand the abolition of the Detention center and prison culture in the United States. To do this, on a journey along the country's maritime and land border, they wrote in water vapor messages created by the artists about more than 80 detention centers, immigration courts, borders, detention camps, and other historical places of genocide and dispossession. In the second part, this essay explores how In Plain Sight uses art to expose the colonial formation of public space and propose, in a sky turned into a stage, new politics of space. El capitalismo extractivo requiere una forma particular de gubernamentalidad que es corporativa, se apodera de los territorios y subsume la compleja lógica de las ecologías sociales para expandir su control representacional y material sobre la vida humana e inhumana. Este ensayo analiza primero la detención de migrantes como un régimen de creación racial que opera a través de las dinámicas entrelazadas del capitalismo extractivo y la guerra interna contra las poblaciones racializadas. El complejo industrial de seguridad fronteriza funciona como una industria extractiva que reorganiza el espacio y tiene un impacto directo en el territorio creando un paisaje industrial, construido desde y para la comodificación del desplazamiento humano. El 3-4 de julio del 2020, en el fin de semana del día de la independencia en los EEUU, los artistas visuales y de performance Cassils y rafa esparza presentaron un trabajo de arte activista creado en colaboración con 80 artistas para demandar la abolición del centro de detención y la cultura carcelaria de los Estados Unidos. Para ello, en un trayecto por la frontera marítima y terrestre del país, escribieron en vapor de agua mensajes creados por los artistas sobre más de 80 centros de detención, cortes migratorias, fronteras, campos de detención y otros lugares de genocidio y desposesión históricos. En la segunda parte, este ensayo explora cómo In Plain Sight utiliza el arte para exponer la formación colonial del espacio público y plantear, en un cielo convertido en escenario, nuevas políticas del espacio. Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2023-07-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/etcetera/article/view/41919 10.64713/etc.n12.2023.41919 Etcétera. Revista del Área de Ciencias Sociales del CIFFyH; Núm. 12 (2023) 2618-4281 spa https://revistas.unc.edu.ar/index.php/etcetera/article/view/41919/41989 Derechos de autor 2023 Etcétera. Revista del Área de Ciencias Sociales del CIFFyH https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-300
container_title_str Etcétera. Revista del Área de Ciencias Sociales del CIFFyH
language Español
format Artículo revista
topic Detention Center
#XMAP
Extractive Capitalism
Surveillance
Digital Cartography
Centro de Detención
#XMAP
Capitalismo Extractivo
Vigilancia
Cartografía Digital
spellingShingle Detention Center
#XMAP
Extractive Capitalism
Surveillance
Digital Cartography
Centro de Detención
#XMAP
Capitalismo Extractivo
Vigilancia
Cartografía Digital
Cornide, Ana Isabel
#XMAP: In Plain Sight. A collective and digital cartography of uncounted violence: Dossier Intemperie: políticas de la voluntad y poéticas del cobijo
topic_facet Detention Center
#XMAP
Extractive Capitalism
Surveillance
Digital Cartography
Centro de Detención
#XMAP
Capitalismo Extractivo
Vigilancia
Cartografía Digital
author Cornide, Ana Isabel
author_facet Cornide, Ana Isabel
author_sort Cornide, Ana Isabel
title #XMAP: In Plain Sight. A collective and digital cartography of uncounted violence: Dossier Intemperie: políticas de la voluntad y poéticas del cobijo
title_short #XMAP: In Plain Sight. A collective and digital cartography of uncounted violence: Dossier Intemperie: políticas de la voluntad y poéticas del cobijo
title_full #XMAP: In Plain Sight. A collective and digital cartography of uncounted violence: Dossier Intemperie: políticas de la voluntad y poéticas del cobijo
title_fullStr #XMAP: In Plain Sight. A collective and digital cartography of uncounted violence: Dossier Intemperie: políticas de la voluntad y poéticas del cobijo
title_full_unstemmed #XMAP: In Plain Sight. A collective and digital cartography of uncounted violence: Dossier Intemperie: políticas de la voluntad y poéticas del cobijo
title_sort #xmap: in plain sight. a collective and digital cartography of uncounted violence: dossier intemperie: políticas de la voluntad y poéticas del cobijo
description Extractive capitalism requires a particular form of governmentality that is corporate, seizes territories, and subsumes the complex logic of social ecologies to expand its representational and material control over human and inhuman life. This essay analyzes immigration detention as a racially created regime that operates through the intertwined dynamics of extractive capitalism and internal warfare against racialized populations. The border security industrial complex functions as an extractive industry that reorganizes space and has a direct impact on the territory, creating an industrial landscape, built from and for the comfort of human displacement. On July 3-4, 2020, on Independence Day weekend in the US, visual and performance artists Cassils and rafa esparza presented an activist art work created in collaboration with 80 artists to demand the abolition of the Detention center and prison culture in the United States. To do this, on a journey along the country's maritime and land border, they wrote in water vapor messages created by the artists about more than 80 detention centers, immigration courts, borders, detention camps, and other historical places of genocide and dispossession. In the second part, this essay explores how In Plain Sight uses art to expose the colonial formation of public space and propose, in a sky turned into a stage, new politics of space.
publisher Centro de Investigaciones de la Facultad de Filosofía y Humanidades
publishDate 2023
url https://revistas.unc.edu.ar/index.php/etcetera/article/view/41919
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first_indexed 2024-09-03T20:22:11Z
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