Cancellation culture: first approaches
At the end of 2019, the term “cancellation culture” was chosen as the most relevant by the Macquarie Dictionary, which annually selects words and expressions that define, reveal or evidence human behavior in the period, giving the object more breath and vigor. This article aims to present a first ap...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Investigaciones de la Facultad de Filosofía y Humanidades
2021
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/etcetera/article/view/33911 |
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I10-R300-article-33911 |
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I10-R300-article-339112021-07-15T19:02:38Z Cancellation culture: first approaches Cultura do cancelamento: primeiras aproximações Pires de Castro Melo, Teresa Mary Gomes Vasques , Eduardo Cancellation Culture Digital Media Digital Social Networks Cultura do Cancelamento Mídias Digitais Redes Sociais Digitais At the end of 2019, the term “cancellation culture” was chosen as the most relevant by the Macquarie Dictionary, which annually selects words and expressions that define, reveal or evidence human behavior in the period, giving the object more breath and vigor. This article aims to present a first approach around what is today called “cancellation culture”. The phenomenon, with that denomination, which is relatively new in digital social networks, has especially affected public figures in the contemporary world and is beginning to affect the routine of ordinary citizens. This work used consultations to a theoretical basis that contribute to an observation especially of two cases, in addition to data collected on digital social media platforms and press vehicles. We will analyze, in this exploratory research, two recent cases of J.K. Rowling, English author consecrated in the saga of the young wizard Harry Potter and the story of Emmanuel Cafferty, a simple worker son of Mexican migrants residing in California, United States, trying to identify his own characteristics. No fim do ano de 2019 o termo “cultura do cancelamento” foi eleito como o mais relevante pelo Dicionário Macquarie, que anualmente seleciona palavras e expressões que definem, revelam ou evidenciam o comportamento humano no período, dando mais fôlego e vigor ao objeto. Este artigo tem como objetivo apresentar uma primeira aproximação em torno do que é hoje denominada “cultura do cancelamento”. O fenômeno, com esta denominação, é relativamente novo nas redes sociais digitais, tem afetado especialmente figuras públicas na contemporaneidade e começa a atingir a rotina de cidadãos comuns. Este trabalho utilizou consultas a uma base teórica que dão um aporte a uma observação especialmente de dois casos, além de dados coletados em plataformas de redes sociais digitais e veículos de imprensa. Vamos analisar, nesta pesquisa exploratória, dois casos recentes de J.K. Rowling, autora inglesa consagrada da saga do jovem bruxo Harry Potter e a história de Emmanuel Cafferty, um simples operário filho de migrantes mexicanos residente na Califórnia, Estados Unidos, tentando identificar características próprias. Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2021-07-15 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/etcetera/article/view/33911 Etcétera. Revista del Área de Ciencias Sociales del CIFFyH; Núm. 8 (2021) 2618-4281 spa https://revistas.unc.edu.ar/index.php/etcetera/article/view/33911/34326 Derechos de autor 2021 Etcétera. Revista del Área de Ciencias Sociales del CIFFyH https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-300 |
| container_title_str |
Etcétera. Revista del Área de Ciencias Sociales del CIFFyH |
| language |
Español |
| format |
Artículo revista |
| topic |
Cancellation Culture Digital Media Digital Social Networks Cultura do Cancelamento Mídias Digitais Redes Sociais Digitais |
| spellingShingle |
Cancellation Culture Digital Media Digital Social Networks Cultura do Cancelamento Mídias Digitais Redes Sociais Digitais Pires de Castro Melo, Teresa Mary Gomes Vasques , Eduardo Cancellation culture: first approaches |
| topic_facet |
Cancellation Culture Digital Media Digital Social Networks Cultura do Cancelamento Mídias Digitais Redes Sociais Digitais |
| author |
Pires de Castro Melo, Teresa Mary Gomes Vasques , Eduardo |
| author_facet |
Pires de Castro Melo, Teresa Mary Gomes Vasques , Eduardo |
| author_sort |
Pires de Castro Melo, Teresa Mary |
| title |
Cancellation culture: first approaches |
| title_short |
Cancellation culture: first approaches |
| title_full |
Cancellation culture: first approaches |
| title_fullStr |
Cancellation culture: first approaches |
| title_full_unstemmed |
Cancellation culture: first approaches |
| title_sort |
cancellation culture: first approaches |
| description |
At the end of 2019, the term “cancellation culture” was chosen as the most relevant by the Macquarie Dictionary, which annually selects words and expressions that define, reveal or evidence human behavior in the period, giving the object more breath and vigor. This article aims to present a first approach around what is today called “cancellation culture”. The phenomenon, with that denomination, which is relatively new in digital social networks, has especially affected public figures in the contemporary world and is beginning to affect the routine of ordinary citizens. This work used consultations to a theoretical basis that contribute to an observation especially of two cases, in addition to data collected on digital social media platforms and press vehicles. We will analyze, in this exploratory research, two recent cases of J.K. Rowling, English author consecrated in the saga of the young wizard Harry Potter and the story of Emmanuel Cafferty, a simple worker son of Mexican migrants residing in California, United States, trying to identify his own characteristics. |
| publisher |
Centro de Investigaciones de la Facultad de Filosofía y Humanidades |
| publishDate |
2021 |
| url |
https://revistas.unc.edu.ar/index.php/etcetera/article/view/33911 |
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