A repertoire of degenerate songs in the Weimar Republic

We will focus on the role of women and sexual dissidents in the Weimar Republic in Germany. We will select some artistic expressions of the moment -the songs of cabaret-, to analyze their suggestive lyrics. This cultural production is known as degenerate music ("Entartete Musik"), by Jewis...

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Autor principal: Bidegain, Claudio Marcelo
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2018
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Acceso en línea:https://revistas.unc.edu.ar/index.php/etcetera/article/view/22568
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id I10-R300-article-22568
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spelling I10-R300-article-225682019-12-16T20:13:08Z A repertoire of degenerate songs in the Weimar Republic Un repertorio de canciones degeneradas en la República de Weimar Bidegain, Claudio Marcelo cabaret protest sexuality cabaret protesta sexualidad We will focus on the role of women and sexual dissidents in the Weimar Republic in Germany. We will select some artistic expressions of the moment -the songs of cabaret-, to analyze their suggestive lyrics. This cultural production is known as degenerate music ("Entartete Musik"), by Jewish German artists censored and exiled during the Third Reich. They were protest songs with social and sexual content that were born among the intellectuals, revealed in a cabaret atmosphere that parodyed and satirized the commercial fads and the social “weaknesses” (sexual, economic, political) of the moment through performances. Nos centraremos en el rol de la mujer y de lxs disidentes sexuales en la Alemania de la República de Weimar. Seleccionaremos unas expresiones artísticas propias del momento -las canciones de cabaret- para analizar sus sugerentes letras. Esta producción cultural se conoce como música degenerada (“Entartete Musik”), a cargo de artistas alemanes judíos censurados y exiliados durante el Tercer Reich. Eran canciones de protesta con contenido social y sexual que se gestaban entre los intelectuales, reveladas en un clima de cabaret que parodiaba y satirizaba las modas comerciales y las “debilidades” sociales (sexuales, económicas, políticas) del momento a través de performances. Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2018-12-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/etcetera/article/view/22568 Etcétera. Revista del Área de Ciencias Sociales del CIFFyH; Núm. 3 (2018) 2618-4281 spa https://revistas.unc.edu.ar/index.php/etcetera/article/view/22568/22601
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-300
container_title_str Etcétera. Revista del Área de Ciencias Sociales del CIFFyH
language Español
format Artículo revista
topic cabaret
protest
sexuality
cabaret
protesta
sexualidad
spellingShingle cabaret
protest
sexuality
cabaret
protesta
sexualidad
Bidegain, Claudio Marcelo
A repertoire of degenerate songs in the Weimar Republic
topic_facet cabaret
protest
sexuality
cabaret
protesta
sexualidad
author Bidegain, Claudio Marcelo
author_facet Bidegain, Claudio Marcelo
author_sort Bidegain, Claudio Marcelo
title A repertoire of degenerate songs in the Weimar Republic
title_short A repertoire of degenerate songs in the Weimar Republic
title_full A repertoire of degenerate songs in the Weimar Republic
title_fullStr A repertoire of degenerate songs in the Weimar Republic
title_full_unstemmed A repertoire of degenerate songs in the Weimar Republic
title_sort repertoire of degenerate songs in the weimar republic
description We will focus on the role of women and sexual dissidents in the Weimar Republic in Germany. We will select some artistic expressions of the moment -the songs of cabaret-, to analyze their suggestive lyrics. This cultural production is known as degenerate music ("Entartete Musik"), by Jewish German artists censored and exiled during the Third Reich. They were protest songs with social and sexual content that were born among the intellectuals, revealed in a cabaret atmosphere that parodyed and satirized the commercial fads and the social “weaknesses” (sexual, economic, political) of the moment through performances.
publisher Centro de Investigaciones de la Facultad de Filosofía y Humanidades
publishDate 2018
url https://revistas.unc.edu.ar/index.php/etcetera/article/view/22568
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first_indexed 2024-09-03T20:21:41Z
last_indexed 2024-09-03T20:21:41Z
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