Thinking the knots of memory and violence in Chile. Scenes from Cueca Sola

We propose to think about the knots of memory and violence through scenes from Cueca Sola, a dance that emerged as a form of political protest by the relatives of the detained and disappeared during the civil-military dictatorship in Chile between 1973 and 1988. Rather than reviewing the ways in whi...

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Autor principal: Fernandez, Rosario
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional de Córdoba. Centro de Investigaciones de la Facultad de Filosofía y Humanidades. 2024
Materias:
Arendt
danza
memoria
violencia
memory
violence
dance
memória
violência
dança
Acceso en línea:https://revistas.unc.edu.ar/index.php/pescadoradeperlas/article/view/44530
Aporte de:
Pescadora de Perlas. Revista de estudios arendtianos de Universidad Nacional de Córdoba
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spelling I10-R296-article-445302024-08-26T17:15:07Z Thinking the knots of memory and violence in Chile. Scenes from Cueca Sola Pensar los nudos de las memorias y violencias en Chile. Escenas de la Cueca Sola Pensar nos nós das memórias e da violência no Chile. Cenas de Cueca Sola Fernandez, Rosario Arendt danza memoria violencia memory violence dance Arendt Arendt memória violência dança We propose to think about the knots of memory and violence through scenes from Cueca Sola, a dance that emerged as a form of political protest by the relatives of the detained and disappeared during the civil-military dictatorship in Chile between 1973 and 1988. Rather than reviewing the ways in which dance represents traumatic events, we want to understand it as a political action that tells a story, that of the disappeared and other victims of violence in Chile and Latin America, through a series of gestures (Bardet 2012, 2018) in which body and choreography configure a narrative form. To do this, we will take some elements from the work of Hannah Arendt in The Human Condition and the reflections of Fina Birulés, Julia Kristeva, Judith Butler and others on storytelling and the place of the dramatic arts in linking memory and politics. At the same time, we hope to bring a feminist sensibility to the question of the place of pain and grief as intimate and public affects. Nos proponemos pensar en los nudos de las memorias y violencias a partir de escenas de la Cueca Sola, una danza que surge como forma de protesta política de familiares de detenidos y desaparecidos de la dictadura cívico-militar en Chile entre 1973 y 1988. No intenta ser una revisión sobre las formas en que la danza representa hechos traumáticos, sino que entenderla como una acción política que cuenta una historia, la del desaparecido y la de otras víctimas de violencias en Chile y América Latina, a través de un conjunto de gestos (Bardet 2012, 2018) donde cuerpo y coreografía configuran una forma narrativa. Para ello, tomaremos algunos elementos del trabajo de Hannah Arendt en La Condición Humana, y las reflexiones de Fina Birulés, Julia Kristeva, Judith Butler y otros, a propósito de contar historias y del lugar de las artes dramáticas en vincular memoria y política. A su vez, esperamos aportar una sensibilidad feminista para hacer preguntas respecto al lugar del dolor y el duelo como afectos íntimos y públicos. Propomos pensar sobre os nós das memórias e da violência com base em cenas da Cueca Sola, uma dança que surgiu como uma forma de protesto político de parentes dos detidos e desaparecidos da ditadura civil-militar no Chile entre 1973 e 1988. Não se pretende fazer uma revisão das maneiras pelas quais a dança representa eventos traumáticos, mas sim entendê-la como uma ação política que conta uma história, a dos desaparecidos e de outras vítimas da violência no Chile e na América Latina, por meio de um conjunto de gestos (Bardet 2012, 2018) em que o corpo e a coreografia configuram uma forma narrativa. Para isso, tomaremos alguns elementos do trabalho de Hannah Arendt em A Condição Humana e das reflexões de Fina Birulés, Julia Kristeva, Judith Butler e outros, sobre a narração de histórias e o lugar das artes dramáticas na ligação entre memória e política. Ao mesmo tempo, esperamos trazer uma sensibilidade feminista para fazer perguntas sobre o lugar da dor e do luto como afetos íntimos e públicos. Universidad Nacional de Córdoba. Centro de Investigaciones de la Facultad de Filosofía y Humanidades. 2024-08-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Dossier application/pdf text/html https://revistas.unc.edu.ar/index.php/pescadoradeperlas/article/view/44530 Pescadora de Perlas. Revista de estudios arendtianos; Vol. 3 Núm. 3 (2024): Dossier: Arendt y los feminismos; 79-98 2953-4410 spa https://revistas.unc.edu.ar/index.php/pescadoradeperlas/article/view/44530/46211 https://revistas.unc.edu.ar/index.php/pescadoradeperlas/article/view/44530/46408 Derechos de autor 2024 Rosario Fernandez https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-296
container_title_str Pescadora de Perlas. Revista de estudios arendtianos
language Español
format Artículo revista
topic Arendt
danza
memoria
violencia
memory
violence
dance
Arendt
Arendt
memória
violência
dança
spellingShingle Arendt
danza
memoria
violencia
memory
violence
dance
Arendt
Arendt
memória
violência
dança
Fernandez, Rosario
Thinking the knots of memory and violence in Chile. Scenes from Cueca Sola
topic_facet Arendt
danza
memoria
violencia
memory
violence
dance
Arendt
Arendt
memória
violência
dança
author Fernandez, Rosario
author_facet Fernandez, Rosario
author_sort Fernandez, Rosario
title Thinking the knots of memory and violence in Chile. Scenes from Cueca Sola
title_short Thinking the knots of memory and violence in Chile. Scenes from Cueca Sola
title_full Thinking the knots of memory and violence in Chile. Scenes from Cueca Sola
title_fullStr Thinking the knots of memory and violence in Chile. Scenes from Cueca Sola
title_full_unstemmed Thinking the knots of memory and violence in Chile. Scenes from Cueca Sola
title_sort thinking the knots of memory and violence in chile. scenes from cueca sola
description We propose to think about the knots of memory and violence through scenes from Cueca Sola, a dance that emerged as a form of political protest by the relatives of the detained and disappeared during the civil-military dictatorship in Chile between 1973 and 1988. Rather than reviewing the ways in which dance represents traumatic events, we want to understand it as a political action that tells a story, that of the disappeared and other victims of violence in Chile and Latin America, through a series of gestures (Bardet 2012, 2018) in which body and choreography configure a narrative form. To do this, we will take some elements from the work of Hannah Arendt in The Human Condition and the reflections of Fina Birulés, Julia Kristeva, Judith Butler and others on storytelling and the place of the dramatic arts in linking memory and politics. At the same time, we hope to bring a feminist sensibility to the question of the place of pain and grief as intimate and public affects.
publisher Universidad Nacional de Córdoba. Centro de Investigaciones de la Facultad de Filosofía y Humanidades.
publishDate 2024
url https://revistas.unc.edu.ar/index.php/pescadoradeperlas/article/view/44530
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AT fernandezrosario pensarnosnosdasmemoriasedaviolencianochilecenasdecuecasola
first_indexed 2024-09-03T22:44:34Z
last_indexed 2024-09-03T22:44:34Z
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