Configuraciones del duelo en escrituras de H.I.J.A.S
The public visibility and growing interest stemming from the pandemic brings to the fore a previously existing discomfort within the field of humanities, which now forcefully surfaces: the progressive impoverishment of the experience of grief. In this context, there is an accelerated need to revisit...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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ANarchivo [Facultad de Ciencias de la Comunicación]
2024
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/CIPeCo/article/view/44846 |
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| Sumario: | The public visibility and growing interest stemming from the pandemic brings to the fore a previously existing discomfort within the field of humanities, which now forcefully surfaces: the progressive impoverishment of the experience of grief. In this context, there is an accelerated need to revisit the ways in which we process death(s). This article will explore and question the common understandings of grief. We will examine these established notions to enable and open reflections that reinterpret them, revealing the opposition that permeates the ways of experiencing and processing death, deaths: life and death. We circumscribe this to the post-dictatorship era in Argentina, focusing on the writings of H.I.J.A.S under the poignant question: how to mourn 30,000 disappeared? How to grieve such a mourning? We will attempt other (im)possible mournings with the works: Aparecida by Marta Dillon (2015) and Diario de una princesa montonera by Mariana Eva Pérez (2012). |
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