Women and music in the criminal records of colonial Santiago de Chile (1750-1805)
Musical practices of women from the elites during the colonial period and the beginnings of the Republican era in Santiago, Chile, had a lot of visibility in the context of the tertulia. However, musical activities of women from the plebe have been scarcely studied. This is due mainly because the pl...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Centro de Estudios Históricos “Prof. Carlos S. A. Segreti”
2014
|
| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/refa/article/view/33923 |
| Aporte de: |
| id |
I10-R285-article-33923 |
|---|---|
| record_format |
ojs |
| spelling |
I10-R285-article-339232025-12-09T21:02:14Z Women and music in the criminal records of colonial Santiago de Chile (1750-1805) Mujeres y música en los registros criminales de Santiago de Chile colonial (1750-1805) Fahrenkrog Cianelli, Laura prácticas musicales coloniales cultura popular mujeres registros criminales colonial musical practices popular culture women criminal records Musical practices of women from the elites during the colonial period and the beginnings of the Republican era in Santiago, Chile, had a lot of visibility in the context of the tertulia. However, musical activities of women from the plebe have been scarcely studied. This is due mainly because the places where their musical performances were held were not mentioned in travelogues and other descriptions known, sources that have been traditionally used, in addition to written music, to study colonial musical practices. In this paper we would like to approach the involvement of women from the lower classes in Santiago's soundscape at the end of the colonial period by using criminal records, a source that has not yet been considered by urban musicology. Las prácticas musicales protagonizadas por mujeres durante la colonia e inicios de la era republicana en Santiago de Chile tuvieron gran visibilidad en el contexto de la élite. La dinámica de la participación de las mujeres del bajo pueblo en la actividad musical de la ciudad, sin embargo, ha sido un tema de difícil aproximación. Esto se debe principalmente a que dichas prácticas musicales se desarrollaron en lugares que no fueron comúnmente mencionados en los diarios de viaje y otras descripciones que conocemos de la época, que son las fuentes usadas tradicionalmente para estudiar las prácticas musicales coloniales, además de las partituras. En este trabajo queremos acercarnos a conocer la participación de las mujeres de la plebe en el paisaje sonoro de Santiago tardocolonial mediante el estudio de un tipo de registro que ha recibido poca atención por parte de la musicología: las causas criminales. Centro de Estudios Históricos “Prof. Carlos S. A. Segreti” 2014-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Dossier application/pdf https://revistas.unc.edu.ar/index.php/refa/article/view/33923 10.70629/1853.4503.v.n5.33923 Revista Electrónica de Fuentes y Archivos; Núm. 5 (2014); 97-118 1853-4503 spa https://revistas.unc.edu.ar/index.php/refa/article/view/33923/34340 Derechos de autor 2014 Laura Fahrenkrog Cianelli https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-285 |
| container_title_str |
Revista Electrónica de Fuentes y Archivos |
| language |
Español |
| format |
Artículo revista |
| topic |
prácticas musicales coloniales cultura popular mujeres registros criminales colonial musical practices popular culture women criminal records |
| spellingShingle |
prácticas musicales coloniales cultura popular mujeres registros criminales colonial musical practices popular culture women criminal records Fahrenkrog Cianelli, Laura Women and music in the criminal records of colonial Santiago de Chile (1750-1805) |
| topic_facet |
prácticas musicales coloniales cultura popular mujeres registros criminales colonial musical practices popular culture women criminal records |
| author |
Fahrenkrog Cianelli, Laura |
| author_facet |
Fahrenkrog Cianelli, Laura |
| author_sort |
Fahrenkrog Cianelli, Laura |
| title |
Women and music in the criminal records of colonial Santiago de Chile (1750-1805) |
| title_short |
Women and music in the criminal records of colonial Santiago de Chile (1750-1805) |
| title_full |
Women and music in the criminal records of colonial Santiago de Chile (1750-1805) |
| title_fullStr |
Women and music in the criminal records of colonial Santiago de Chile (1750-1805) |
| title_full_unstemmed |
Women and music in the criminal records of colonial Santiago de Chile (1750-1805) |
| title_sort |
women and music in the criminal records of colonial santiago de chile (1750-1805) |
| description |
Musical practices of women from the elites during the colonial period and the beginnings of the Republican era in Santiago, Chile, had a lot of visibility in the context of the tertulia. However, musical activities of women from the plebe have been scarcely studied. This is due mainly because the places where their musical performances were held were not mentioned in travelogues and other descriptions known, sources that have been traditionally used, in addition to written music, to study colonial musical practices. In this paper we would like to approach the involvement of women from the lower classes in Santiago's soundscape at the end of the colonial period by using criminal records, a source that has not yet been considered by urban musicology. |
| publisher |
Centro de Estudios Históricos “Prof. Carlos S. A. Segreti” |
| publishDate |
2014 |
| url |
https://revistas.unc.edu.ar/index.php/refa/article/view/33923 |
| work_keys_str_mv |
AT fahrenkrogcianellilaura womenandmusicinthecriminalrecordsofcolonialsantiagodechile17501805 AT fahrenkrogcianellilaura mujeresymusicaenlosregistroscriminalesdesantiagodechilecolonial17501805 |
| first_indexed |
2024-09-03T22:40:27Z |
| last_indexed |
2025-12-27T05:21:09Z |
| _version_ |
1852637571062956032 |