Julián Carrillo´s Archive: Musical Heritage of Mexico (1875-1965)

Julián Carrillo was a Mexican composer and musical theorist, widely acknowledged as one of the most important but also controversial composers of the Mexican Culture of early 20th century. He belonged to the artistic elite of Porfirio Díaz regime and kept his leadership in the cultural policy even d...

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Autor principal: Hijar Guevara, Mariana
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Estudios Históricos “Prof. Carlos S. A. Segreti” 2019
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Acceso en línea:https://revistas.unc.edu.ar/index.php/refa/article/view/33159
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spelling I10-R285-article-331592025-12-09T21:04:31Z Julián Carrillo´s Archive: Musical Heritage of Mexico (1875-1965) El archivo de Julián Carrillo: memoria musical de México (1875-1965) Hijar Guevara, Mariana musicología microtonalismo música mexicana Julián Carrillo musicology micrtonalism mexican music Julian Carrillo Julián Carrillo was a Mexican composer and musical theorist, widely acknowledged as one of the most important but also controversial composers of the Mexican Culture of early 20th century. He belonged to the artistic elite of Porfirio Díaz regime and kept his leadership in the cultural policy even during and before the Mexican Revolution. In 1923 he published his microtonal system named Sound 13 theory. He directed the National Conservatory of Music in Mexico for two periods (1913-14 and 1920-1923) and the National Symphony Orchestra, between 1918 and 1924. Carrillo is well known, among other things, for being a prolific writer and composer; he wrote numerous theoretical texts and also, he ventured into the design of new musical instruments. The purpose of this paper is to introduce researchers into the corpus of hispersonal archive, sheltered in the Julián Carrillo Center of the Ministry of Culture of San Luis Potosí, Mexico. Julián Carrillo (1875-1965) fue un compositor y teórico musical mexicano, figura imprescindible de la historia de la cultura del siglo XX en México. Perteneció a la élite artística del régimen de Porfirio Díaz y mantuvo su liderazgo en la política cultural durante la Revolución Mexicana y durante los gobiernos revolucionarios subsecuentes. En 1923 publicó su teoría microtonal llamada Sonido 13. Fue director del Conservatorio Nacional de Música en México durante dos periodos (1913-1914 y 1920-1923) y director de la Orquesta Sinfónica Nacional entre 1918 y 1924. Carrillo destaca, entre otras cosas, por escribir numerosos textos teóricos, incursionar en el diseño de instrumentos musicales y ser el primer músico microtonalista en México. Este artículo pretende introducir al investigador al corpus de su archivo personal, resguardado en el Centro Julián Carrillo de la Secretaría de Cultura del Estado de San Luis Potosí, México. Centro de Estudios Históricos “Prof. Carlos S. A. Segreti” 2019-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/refa/article/view/33159 10.70629/1853.4503.v.n10.33159 Revista Electrónica de Fuentes y Archivos; Núm. 10 (2019); 187-192 1853-4503 spa https://revistas.unc.edu.ar/index.php/refa/article/view/33159/33636 Derechos de autor 2019 Mariana Hijar Guevara https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-285
container_title_str Revista Electrónica de Fuentes y Archivos
language Español
format Artículo revista
topic musicología
microtonalismo
música mexicana
Julián Carrillo
musicology
micrtonalism
mexican music
Julian Carrillo
spellingShingle musicología
microtonalismo
música mexicana
Julián Carrillo
musicology
micrtonalism
mexican music
Julian Carrillo
Hijar Guevara, Mariana
Julián Carrillo´s Archive: Musical Heritage of Mexico (1875-1965)
topic_facet musicología
microtonalismo
música mexicana
Julián Carrillo
musicology
micrtonalism
mexican music
Julian Carrillo
author Hijar Guevara, Mariana
author_facet Hijar Guevara, Mariana
author_sort Hijar Guevara, Mariana
title Julián Carrillo´s Archive: Musical Heritage of Mexico (1875-1965)
title_short Julián Carrillo´s Archive: Musical Heritage of Mexico (1875-1965)
title_full Julián Carrillo´s Archive: Musical Heritage of Mexico (1875-1965)
title_fullStr Julián Carrillo´s Archive: Musical Heritage of Mexico (1875-1965)
title_full_unstemmed Julián Carrillo´s Archive: Musical Heritage of Mexico (1875-1965)
title_sort julián carrillo´s archive: musical heritage of mexico (1875-1965)
description Julián Carrillo was a Mexican composer and musical theorist, widely acknowledged as one of the most important but also controversial composers of the Mexican Culture of early 20th century. He belonged to the artistic elite of Porfirio Díaz regime and kept his leadership in the cultural policy even during and before the Mexican Revolution. In 1923 he published his microtonal system named Sound 13 theory. He directed the National Conservatory of Music in Mexico for two periods (1913-14 and 1920-1923) and the National Symphony Orchestra, between 1918 and 1924. Carrillo is well known, among other things, for being a prolific writer and composer; he wrote numerous theoretical texts and also, he ventured into the design of new musical instruments. The purpose of this paper is to introduce researchers into the corpus of hispersonal archive, sheltered in the Julián Carrillo Center of the Ministry of Culture of San Luis Potosí, Mexico.
publisher Centro de Estudios Históricos “Prof. Carlos S. A. Segreti”
publishDate 2019
url https://revistas.unc.edu.ar/index.php/refa/article/view/33159
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