Surfaces of inscription: Of curatorship as cultural curations

This article offers a decolonial analysis of the “Inscription Surfaces” project carried out for Room 0 of the Museum of the National Constitution, in Santa Fe. The design and edition of the mapping revolves around a photograph and its multiple semiosis. This image is a unique document of a group of...

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Detalles Bibliográficos
Autor principal: García, Rosa
Formato: Artículo revista
Lenguaje:Español
Publicado: CIECS-CONICET-UNC 2023
Materias:
Museos
Educación
Decolonialidad
Comunidades
Museums
Education
Decoloniality
Communities
Acceso en línea:https://revistas.unc.edu.ar/index.php/EducaMuseo/article/view/40998
Aporte de:
EducaMuseo de Universidad Nacional de Córdoba
id I10-R280-article-40998
record_format ojs
spelling I10-R280-article-409982025-05-05T17:36:36Z Surfaces of inscription: Of curatorship as cultural curations Superficies de inscripción: De la curaduría como curación cultural García, Rosa García, Rosa García, Rosa Museos Educación Decolonialidad Comunidades Museums Education Decoloniality Communities This article offers a decolonial analysis of the “Inscription Surfaces” project carried out for Room 0 of the Museum of the National Constitution, in Santa Fe. The design and edition of the mapping revolves around a photograph and its multiple semiosis. This image is a unique document of a group of Mocoví women and children violently displaced by the repressive forces of the provincial state, possibly relocated to the reduction of San Jerónimo del Sauce. The Museum of the National Constitution, proposes -in its Room 0- a fragment of the preamble written on a device that imitates the texture of the stone: "For all the men of the world who want to inhabit Argentine soil". From its visual narrative, the mapping proposes to inscribe -symbolically- on the surface of the stone that houses the text of the Preamble, the silenced others of the nineteenth-century national imaginary, and at the same time, to question that "we" of the project of 19th century modernity. Este artículo ofrece un análisis en clave decolonial del proyecto “Superficies de inscripción” realizado para la Sala 0 del Museo de la Constitución Nacional, de Santa Fe. El diseño y edición del mapping pivota sobre una fotografía y sus múltiples semiosis. Esta imagen es un documento único de un grupo de mujeres y niños/as mocovíes violentamente desplazados por las fuerzas represivas del estado provincial, posiblemente relocalizados/as a la reducción de San Jerónimo del Sauce. El museo de la Constitución Nacional, propone -en su Sala 0- un fragmento del preámbulo escrito sobre un dispositivo que imita la textura de la piedra: “Para todos los hombres del mundo que quieran habitar suelo argentino”. Desde su narrativa visual, el mapping propone inscribir -simbólicamente- en la superficie de la piedra que aloja el texto del Preámbulo, a los/las otros/as silenciados del imaginario nacional decimonónico, y al mismo tiempo, interpelar ese “nosotros” del proyecto de la modernidad del siglo XIX. CIECS-CONICET-UNC 2023-04-24 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/EducaMuseo/article/view/40998 EducaMuseo; Vol. 2 (2023) 2953-4283 spa https://revistas.unc.edu.ar/index.php/EducaMuseo/article/view/40998/41086 https://revistas.unc.edu.ar/index.php/EducaMuseo/article/view/40998/49003 https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-280
container_title_str EducaMuseo
language Español
format Artículo revista
topic Museos
Educación
Decolonialidad
Comunidades
Museums
Education
Decoloniality
Communities
spellingShingle Museos
Educación
Decolonialidad
Comunidades
Museums
Education
Decoloniality
Communities
García, Rosa
García, Rosa
García, Rosa
Surfaces of inscription: Of curatorship as cultural curations
topic_facet Museos
Educación
Decolonialidad
Comunidades
Museums
Education
Decoloniality
Communities
author García, Rosa
García, Rosa
García, Rosa
author_facet García, Rosa
García, Rosa
García, Rosa
author_sort García, Rosa
title Surfaces of inscription: Of curatorship as cultural curations
title_short Surfaces of inscription: Of curatorship as cultural curations
title_full Surfaces of inscription: Of curatorship as cultural curations
title_fullStr Surfaces of inscription: Of curatorship as cultural curations
title_full_unstemmed Surfaces of inscription: Of curatorship as cultural curations
title_sort surfaces of inscription: of curatorship as cultural curations
description This article offers a decolonial analysis of the “Inscription Surfaces” project carried out for Room 0 of the Museum of the National Constitution, in Santa Fe. The design and edition of the mapping revolves around a photograph and its multiple semiosis. This image is a unique document of a group of Mocoví women and children violently displaced by the repressive forces of the provincial state, possibly relocated to the reduction of San Jerónimo del Sauce. The Museum of the National Constitution, proposes -in its Room 0- a fragment of the preamble written on a device that imitates the texture of the stone: "For all the men of the world who want to inhabit Argentine soil". From its visual narrative, the mapping proposes to inscribe -symbolically- on the surface of the stone that houses the text of the Preamble, the silenced others of the nineteenth-century national imaginary, and at the same time, to question that "we" of the project of 19th century modernity.
publisher CIECS-CONICET-UNC
publishDate 2023
url https://revistas.unc.edu.ar/index.php/EducaMuseo/article/view/40998
work_keys_str_mv AT garciarosa surfacesofinscriptionofcuratorshipasculturalcurations
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AT garciarosa superficiesdeinscripciondelacuraduriacomocuracioncultural
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first_indexed 2024-09-03T22:38:14Z
last_indexed 2025-05-10T05:25:34Z
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