The Freudian Ominous in Jorge Luis Borges. An Analysis of the Text The Book of Sand

Freud, in 1919, wrote The Ominous as part of his theoretical, epistemological and ontological turn, that took shape in 1920 with Beyond the Pleasure Principle. In these texts, the author abandons the hypothesis that the human psychic apparatus is directed by the principle of pleasure-displeasure and...

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Autor principal: Marghetti, Santiago
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras 2024
Materias:
Ominoso
Freud
Borges
El libro de arena
Ominous
The Sand Book
Acceso en línea:https://revistas.unc.edu.ar/index.php/notalmargen/article/view/44670
Aporte de:
Nota al margen de Universidad Nacional de Córdoba
id I10-R278-article-44670
record_format ojs
spelling I10-R278-article-446702024-07-05T21:11:30Z The Freudian Ominous in Jorge Luis Borges. An Analysis of the Text The Book of Sand Lo Ominoso freudiano en Jorge Luis Borges. Análisis del texto El libro de arena Marghetti, Santiago Ominoso Freud Borges El libro de arena Ominous Freud Borges The Sand Book Freud, in 1919, wrote The Ominous as part of his theoretical, epistemological and ontological turn, that took shape in 1920 with Beyond the Pleasure Principle. In these texts, the author abandons the hypothesis that the human psychic apparatus is directed by the principle of pleasure-displeasure and enunciates the death drive, together with the repetition compulsion. The Ominous is that which was condemned to disappear under the rule of repression, but emerges as an unknown in the familiar. This appearance generates, in most cases, a feeling of terror before something that is unknown and traumatizes the soul. This text, together with Duel and Melancholy, were the prelude to the theoretical postulates of late Freud.  The relationship between Borges and psychoanalysis is a well-known subject of study, since the writer took some psychological elements to carry out several of his stories, essays and books. In this article, we intend to glimpse and analyze the presence of The Ominous in The Sand Book, to deepen the study of this relationship and open future questions on psychoanalysis and literature. Freud, en 1919, escribe Lo Ominoso como parte de su giro teórico, epistemológico y ontológico que se concretó en 1920 con Más allá del principio del placer. En estos textos, el autor abandonó la hipótesis de que el aparato psíquico humano está dirigido por el principio de placer-displacer y enuncia la pulsión de muerte junto a la compulsión a la repetición. Lo Ominoso es aquello que estuvo condenado a desaparecer bajo el imperio de la represión, pero emerge como un desconocido en lo familiar. Ese aparecer genera, en la mayoría de los casos, un terror ante ese algo que se desconoce y que traumatiza el alma. Este texto junto a Duelo y melancolía fueron la antesala a los postulados teóricos del Freud tardío.La relación entre Borges y el psicoanálisis es un tema de estudio conocido, ya que el escritor utilizó algunas figuras analizadas por el psicoanálisis para llevar a cabo varios de sus cuentos, ensayos y libros. En este artículo, pretendemos vislumbrar y analizar la presencia de Lo Ominoso en El Libro de arena, para profundizar el estudio de dicha relación y abrir preguntas futuras sobre psicoanálisis y literatura. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras 2024-07-05 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado a ciegas por pares application/pdf text/html application/pdf https://revistas.unc.edu.ar/index.php/notalmargen/article/view/44670 Nota al margen; Vol. 2 No. 3 (2024); 158-172 Nota al margen; Vol. 2 Núm. 3 (2024); 158-172 3008-7015 spa https://revistas.unc.edu.ar/index.php/notalmargen/article/view/44670/45599 https://revistas.unc.edu.ar/index.php/notalmargen/article/view/44670/45600 https://revistas.unc.edu.ar/index.php/notalmargen/article/view/44670/45601 Derechos de autor 2024 Santiago Marghetti https://creativecommons.org/licenses/by-nc/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-278
container_title_str Nota al margen
language Español
format Artículo revista
topic Ominoso
Freud
Borges
El libro de arena
Ominous
Freud
Borges
The Sand Book
spellingShingle Ominoso
Freud
Borges
El libro de arena
Ominous
Freud
Borges
The Sand Book
Marghetti, Santiago
The Freudian Ominous in Jorge Luis Borges. An Analysis of the Text The Book of Sand
topic_facet Ominoso
Freud
Borges
El libro de arena
Ominous
Freud
Borges
The Sand Book
author Marghetti, Santiago
author_facet Marghetti, Santiago
author_sort Marghetti, Santiago
title The Freudian Ominous in Jorge Luis Borges. An Analysis of the Text The Book of Sand
title_short The Freudian Ominous in Jorge Luis Borges. An Analysis of the Text The Book of Sand
title_full The Freudian Ominous in Jorge Luis Borges. An Analysis of the Text The Book of Sand
title_fullStr The Freudian Ominous in Jorge Luis Borges. An Analysis of the Text The Book of Sand
title_full_unstemmed The Freudian Ominous in Jorge Luis Borges. An Analysis of the Text The Book of Sand
title_sort freudian ominous in jorge luis borges. an analysis of the text the book of sand
description Freud, in 1919, wrote The Ominous as part of his theoretical, epistemological and ontological turn, that took shape in 1920 with Beyond the Pleasure Principle. In these texts, the author abandons the hypothesis that the human psychic apparatus is directed by the principle of pleasure-displeasure and enunciates the death drive, together with the repetition compulsion. The Ominous is that which was condemned to disappear under the rule of repression, but emerges as an unknown in the familiar. This appearance generates, in most cases, a feeling of terror before something that is unknown and traumatizes the soul. This text, together with Duel and Melancholy, were the prelude to the theoretical postulates of late Freud.  The relationship between Borges and psychoanalysis is a well-known subject of study, since the writer took some psychological elements to carry out several of his stories, essays and books. In this article, we intend to glimpse and analyze the presence of The Ominous in The Sand Book, to deepen the study of this relationship and open future questions on psychoanalysis and literature.
publisher Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras
publishDate 2024
url https://revistas.unc.edu.ar/index.php/notalmargen/article/view/44670
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first_indexed 2024-09-03T22:37:57Z
last_indexed 2025-02-05T22:15:55Z
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