To see and be seen. An interpretation of the reward scenes in the Amarnian funerary narrative: the ‘enabling’ audience

In the Amarnian era, the ritual of the public appearance of the pharaoh through the palace window, accompanied by the royal family, can be interpreted as a monarchical control device but also as a performative component of social practices. The instructive experience is fundamental because it is wit...

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Autor principal: Yomaha, Silvana
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Instituto de Arqueología, Facultad de Filosofía y Letras, Universidad de Buenos Aires 2020
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Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/Arqueologia/article/view/8450
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id I10-R181-suquia-9711
record_format dspace
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-181
collection Suquía - Instituto de Antropología de Córdoba (IDACOR, CONICET y UNC)
language Español
topic Ancient Egypt
Funerary epigraphy
Performance
Antiguo Egipto
Epigrafía funeraria
Performance
spellingShingle Ancient Egypt
Funerary epigraphy
Performance
Antiguo Egipto
Epigrafía funeraria
Performance
Yomaha, Silvana
To see and be seen. An interpretation of the reward scenes in the Amarnian funerary narrative: the ‘enabling’ audience
topic_facet Ancient Egypt
Funerary epigraphy
Performance
Antiguo Egipto
Epigrafía funeraria
Performance
description In the Amarnian era, the ritual of the public appearance of the pharaoh through the palace window, accompanied by the royal family, can be interpreted as a monarchical control device but also as a performative component of social practices. The instructive experience is fundamental because it is within this public act –depicted on the walls of the court officer private tombs– that the political, social, economic, and fundamentally symbolic relationships that characterize the Akhenaten’s reign, are shown. The main goal of this paper is to analyze the delivery of livelihoods and luxury items from the hands of the pharaoh to his most faithful servants as a ritual. It is intended to demonstrate the effectiveness of the material and symbolic power of the monarchy sustained by the bureaucracy and by the Aton divinity. All of this is manifested in the representation of the scene of giving rewards to priests, generals, and administrators from the window of appearance in the presence of an audience set up by key spectators (foreign ambassadors, bureaucrats, priests, soldiers, the community in general) to complete the effectiveness of the act.
format Artículo
publishedVersion
author Yomaha, Silvana
author_facet Yomaha, Silvana
author_sort Yomaha, Silvana
title To see and be seen. An interpretation of the reward scenes in the Amarnian funerary narrative: the ‘enabling’ audience
title_short To see and be seen. An interpretation of the reward scenes in the Amarnian funerary narrative: the ‘enabling’ audience
title_full To see and be seen. An interpretation of the reward scenes in the Amarnian funerary narrative: the ‘enabling’ audience
title_fullStr To see and be seen. An interpretation of the reward scenes in the Amarnian funerary narrative: the ‘enabling’ audience
title_full_unstemmed To see and be seen. An interpretation of the reward scenes in the Amarnian funerary narrative: the ‘enabling’ audience
title_sort to see and be seen. an interpretation of the reward scenes in the amarnian funerary narrative: the ‘enabling’ audience
publisher Instituto de Arqueología, Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2020
url http://revistascientificas.filo.uba.ar/index.php/Arqueologia/article/view/8450
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