From the pitcher to the owl. Qom pottery in the last century

This article describes the most relevant attributes of qom pottery throughout the last century. The availability of vessels of different chronologies in museum collections, together with the oral memory of Chaco potters, is used to make a diachronic definition of the making and use of this technolog...

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Autor principal: Vidal, Aixa
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Instituto de Arqueología, Facultad de Filosofía y Letras, Universidad de Buenos Aires 2020
Materias:
Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/Arqueologia/article/view/5748
http://suquia.ffyh.unc.edu.ar/handle/suquia/9613
Aporte de:
id I10-R181-suquia-9613
record_format dspace
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-181
collection Suquía - Instituto de Antropología de Córdoba (IDACOR, CONICET y UNC)
language Español
topic Crafts revitalization
Identity
Domestic functionality
Technological and decorative choices
Museum collections
Revitalización artesanal
Identidad
Funcionalidad doméstica
Elecciones tecnológicas y decorativas
Colecciones museísticas
spellingShingle Crafts revitalization
Identity
Domestic functionality
Technological and decorative choices
Museum collections
Revitalización artesanal
Identidad
Funcionalidad doméstica
Elecciones tecnológicas y decorativas
Colecciones museísticas
Vidal, Aixa
From the pitcher to the owl. Qom pottery in the last century
topic_facet Crafts revitalization
Identity
Domestic functionality
Technological and decorative choices
Museum collections
Revitalización artesanal
Identidad
Funcionalidad doméstica
Elecciones tecnológicas y decorativas
Colecciones museísticas
description This article describes the most relevant attributes of qom pottery throughout the last century. The availability of vessels of different chronologies in museum collections, together with the oral memory of Chaco potters, is used to make a diachronic definition of the making and use of this technology. Furthermore, its association with different living contexts accounts for the active participation of ceramics in both functional and symbolic terms. On several occasions, a series of values are either actualized or rejected, depending on the intentions of the producing society. These values are reflected in the manufacturing technique, composition, surface treatment, morphology, and decoration. Moreover, the resulting assemblage evidences the contacts established by the Qom with other people from their life in the forest, at the beginning of the 20th century, to their settlement in recovered lands and in the urban periphery nowadays.
format Artículo
publishedVersion
author Vidal, Aixa
author_facet Vidal, Aixa
author_sort Vidal, Aixa
title From the pitcher to the owl. Qom pottery in the last century
title_short From the pitcher to the owl. Qom pottery in the last century
title_full From the pitcher to the owl. Qom pottery in the last century
title_fullStr From the pitcher to the owl. Qom pottery in the last century
title_full_unstemmed From the pitcher to the owl. Qom pottery in the last century
title_sort from the pitcher to the owl. qom pottery in the last century
publisher Instituto de Arqueología, Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2020
url http://revistascientificas.filo.uba.ar/index.php/Arqueologia/article/view/5748
http://suquia.ffyh.unc.edu.ar/handle/suquia/9613
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