From the pitcher to the owl. Qom pottery in the last century
This article describes the most relevant attributes of qom pottery throughout the last century. The availability of vessels of different chronologies in museum collections, together with the oral memory of Chaco potters, is used to make a diachronic definition of the making and use of this technolog...
Guardado en:
Autor principal: | |
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Formato: | Artículo publishedVersion |
Lenguaje: | Español |
Publicado: |
Instituto de Arqueología, Facultad de Filosofía y Letras, Universidad de Buenos Aires
2020
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Materias: | |
Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/Arqueologia/article/view/5748 http://suquia.ffyh.unc.edu.ar/handle/suquia/9613 |
Aporte de: |
id |
I10-R181-suquia-9613 |
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record_format |
dspace |
institution |
Universidad Nacional de Córdoba |
institution_str |
I-10 |
repository_str |
R-181 |
collection |
Suquía - Instituto de Antropología de Córdoba (IDACOR, CONICET y UNC) |
language |
Español |
topic |
Crafts revitalization Identity Domestic functionality Technological and decorative choices Museum collections Revitalización artesanal Identidad Funcionalidad doméstica Elecciones tecnológicas y decorativas Colecciones museísticas |
spellingShingle |
Crafts revitalization Identity Domestic functionality Technological and decorative choices Museum collections Revitalización artesanal Identidad Funcionalidad doméstica Elecciones tecnológicas y decorativas Colecciones museísticas Vidal, Aixa From the pitcher to the owl. Qom pottery in the last century |
topic_facet |
Crafts revitalization Identity Domestic functionality Technological and decorative choices Museum collections Revitalización artesanal Identidad Funcionalidad doméstica Elecciones tecnológicas y decorativas Colecciones museísticas |
description |
This article describes the most relevant attributes of qom pottery throughout the last century. The availability of vessels of different chronologies in museum collections, together with the oral memory of Chaco potters, is used to make a diachronic definition of the making and use of this technology. Furthermore, its association with different living contexts accounts for the active participation of ceramics in both functional and symbolic terms. On several occasions, a series of values are either actualized or rejected, depending on the intentions of the producing society. These values are reflected in the manufacturing technique, composition, surface treatment, morphology, and decoration. Moreover, the resulting assemblage evidences the contacts established by the Qom with other people from their life in the forest, at the beginning of the 20th century, to their settlement in recovered lands and in the urban periphery nowadays. |
format |
Artículo publishedVersion |
author |
Vidal, Aixa |
author_facet |
Vidal, Aixa |
author_sort |
Vidal, Aixa |
title |
From the pitcher to the owl. Qom pottery in the last century |
title_short |
From the pitcher to the owl. Qom pottery in the last century |
title_full |
From the pitcher to the owl. Qom pottery in the last century |
title_fullStr |
From the pitcher to the owl. Qom pottery in the last century |
title_full_unstemmed |
From the pitcher to the owl. Qom pottery in the last century |
title_sort |
from the pitcher to the owl. qom pottery in the last century |
publisher |
Instituto de Arqueología, Facultad de Filosofía y Letras, Universidad de Buenos Aires |
publishDate |
2020 |
url |
http://revistascientificas.filo.uba.ar/index.php/Arqueologia/article/view/5748 http://suquia.ffyh.unc.edu.ar/handle/suquia/9613 |
work_keys_str_mv |
AT vidalaixa fromthepitchertotheowlqompotteryinthelastcentury AT vidalaixa delbotijoalalechuzalaceramicaqomenelultimosiglo |
bdutipo_str |
Repositorios |
_version_ |
1764820402173902849 |