Non-discursive creation: painting/film

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This paper addresses a thematic particular linked to Michel Foucault´ and Gilles Deleuze´s concerns, in order to investigate the way in which film –in a cartography closed to other arts– shows and tells. Following Deleuze, the act of creation is inextricably linked to a mode of expression, to a fiel...

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Autor principal: Giménez Hermida, Marcelo Adrián
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2013
Materias:
Cine
Pintura
Práctica artística
Visibilidades
Enunciados
Cinema
Painting
Artistic practice
Visibilities
Énoncés
Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/9327
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
id I10-R10article-9327
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Cine
Pintura
Práctica artística
Visibilidades
Enunciados
Cinema
Painting
Artistic practice
Visibilities
Énoncés
spellingShingle Cine
Pintura
Práctica artística
Visibilidades
Enunciados
Cinema
Painting
Artistic practice
Visibilities
Énoncés
Giménez Hermida, Marcelo Adrián
Non-discursive creation: painting/film
topic_facet Cine
Pintura
Práctica artística
Visibilidades
Enunciados
Cinema
Painting
Artistic practice
Visibilities
Énoncés
author Giménez Hermida, Marcelo Adrián
author_facet Giménez Hermida, Marcelo Adrián
author_sort Giménez Hermida, Marcelo Adrián
title Non-discursive creation: painting/film
title_short Non-discursive creation: painting/film
title_full Non-discursive creation: painting/film
title_fullStr Non-discursive creation: painting/film
title_full_unstemmed Non-discursive creation: painting/film
title_sort non-discursive creation: painting/film
description This paper addresses a thematic particular linked to Michel Foucault´ and Gilles Deleuze´s concerns, in order to investigate the way in which film –in a cartography closed to other arts– shows and tells. Following Deleuze, the act of creation is inextricably linked to a mode of expression, to a field, a discipline –in short, a practice–. In this context, our goal is to discover some unique creative operations –that is, proper, exclusive– of which, almost without a doubt, can be estimated a capital object for our culture. We thus explore certain existing links between film and painting on the horizon traced by these thinkers.
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2013
url https://revistas.unc.edu.ar/index.php/toma1/article/view/9327
work_keys_str_mv AT gimenezhermidamarceloadrian nondiscursivecreationpaintingfilm
AT gimenezhermidamarceloadrian lacreacionnodiscursivapinturacine
bdutipo_str Revistas
_version_ 1764819785123627009

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