Videoactivism 2.0: riots, audiovisual production and free culture?

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Internet video production linked to the recent wave of protests post Arab Spring was based on audiovisual production and distribution models that offer an alternative to comercial models. These means of production and distribution –collective or anonymous authorship, use of copyleft licenses, free o...

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Autor principal: Vila, Nuria
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2012
Materias:
Videoactivism
Political Film
New Media
Free Culture
Social Networks
Videoactivismo
Cine Político
Nuevos Medios
Cultura Libre
Redes Sociales
Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/8578
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
id I10-R10article-8578
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Videoactivism
Political Film
New Media
Free Culture
Social Networks
Videoactivismo
Cine Político
Nuevos Medios
Cultura Libre
Redes Sociales
spellingShingle Videoactivism
Political Film
New Media
Free Culture
Social Networks
Videoactivismo
Cine Político
Nuevos Medios
Cultura Libre
Redes Sociales
Vila, Nuria
Videoactivism 2.0: riots, audiovisual production and free culture?
topic_facet Videoactivism
Political Film
New Media
Free Culture
Social Networks
Videoactivismo
Cine Político
Nuevos Medios
Cultura Libre
Redes Sociales
author Vila, Nuria
author_facet Vila, Nuria
author_sort Vila, Nuria
title Videoactivism 2.0: riots, audiovisual production and free culture?
title_short Videoactivism 2.0: riots, audiovisual production and free culture?
title_full Videoactivism 2.0: riots, audiovisual production and free culture?
title_fullStr Videoactivism 2.0: riots, audiovisual production and free culture?
title_full_unstemmed Videoactivism 2.0: riots, audiovisual production and free culture?
title_sort videoactivism 2.0: riots, audiovisual production and free culture?
description Internet video production linked to the recent wave of protests post Arab Spring was based on audiovisual production and distribution models that offer an alternative to comercial models. These means of production and distribution –collective or anonymous authorship, use of copyleft licenses, free online distribution– although not new, have undergone a massive explosion in recent years. These characteristics alongside with the videos´ aesthetics –collage, appropriation of material– are essential constituents of their political commitment.
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2012
url https://revistas.unc.edu.ar/index.php/toma1/article/view/8578
work_keys_str_mv AT vilanuria videoactivism20riotsaudiovisualproductionandfreeculture
AT vilanuria videoactivismo20revueltasproduccionaudiovisualyculturalibre
bdutipo_str Revistas
_version_ 1764819784387526656

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