Hacia la deconstrucción. Alegoría y mesianismo en el discurso: De Benjamin a Derrida
This paper aims at showing that allegory, as reinterpreted by Bejamin, by presenting an irreducible gap between significant and meaning, anticipates a Derridian consideration of reading as difference, interruption and diversion. Benjamin contrasts the figure of the symbol —as an a expression of a to...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Investigaciones de la Facultad de Filosofía y Humanidades
2011
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/recial/article/view/7922 |
| Aporte de: |
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I10-R10article-7922 |
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ojs |
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Universidad Nacional de Córdoba |
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I-10 |
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R-10 |
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Revistas de la UNC |
| language |
Español |
| format |
Artículo revista |
| topic |
alegoría símbolo mesianismo diferencia deconstrucción allegory symbol messianism difference deconstruction |
| spellingShingle |
alegoría símbolo mesianismo diferencia deconstrucción allegory symbol messianism difference deconstruction Anderlini, Silvia Hacia la deconstrucción. Alegoría y mesianismo en el discurso: De Benjamin a Derrida |
| topic_facet |
alegoría símbolo mesianismo diferencia deconstrucción allegory symbol messianism difference deconstruction |
| author |
Anderlini, Silvia |
| author_facet |
Anderlini, Silvia |
| author_sort |
Anderlini, Silvia |
| title |
Hacia la deconstrucción. Alegoría y mesianismo en el discurso: De Benjamin a Derrida |
| title_short |
Hacia la deconstrucción. Alegoría y mesianismo en el discurso: De Benjamin a Derrida |
| title_full |
Hacia la deconstrucción. Alegoría y mesianismo en el discurso: De Benjamin a Derrida |
| title_fullStr |
Hacia la deconstrucción. Alegoría y mesianismo en el discurso: De Benjamin a Derrida |
| title_full_unstemmed |
Hacia la deconstrucción. Alegoría y mesianismo en el discurso: De Benjamin a Derrida |
| title_sort |
hacia la deconstrucción. alegoría y mesianismo en el discurso: de benjamin a derrida |
| description |
This paper aims at showing that allegory, as reinterpreted by Bejamin, by presenting an irreducible gap between significant and meaning, anticipates a Derridian consideration of reading as difference, interruption and diversion. Benjamin contrasts the figure of the symbol —as an a expression of a totality— to the figure of allegory, reinterpreting it as a failure of the pretended atemporality of the symbol. Between the original literal text and its new meaning there opens an irreducible gap, which prevents the closure of the meaning of the allegory. From this perspective, everything which is premature, suffering and ill-fated in history, is reluctant to be represented in the symbol and the harmony of the classic form, and can only be expressed allegorically. Likewise, messianism, as an allegoric form of historical redemption, can only be exposed as fragments or ruins of the language, in relation to the fragmentary conception of Benjamin’s textual quote. Messianism also takes place in literary discourse in modernity (Kafka, for example) as an allegoric form of transmission. In this context, the truth it contains is not important, but its transmissibility, i.e., its significant iterability, its infinite writing and rewriting, in consonance with the deconstructionist proposal of reading. |
| publisher |
Centro de Investigaciones de la Facultad de Filosofía y Humanidades |
| publishDate |
2011 |
| url |
https://revistas.unc.edu.ar/index.php/recial/article/view/7922 |
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