Thoughts towards an investigation on the argentine modern cinema

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This article is part of a first approach towards a study of the Argentine modern cinema from late ‘60s and early ‘70s years. We will focus on the first productions of the directors Hugo Santiago (Invasión, 1969), Alberto Fischerman (The Players vs Angeles Caídos, 1968), Edgardo Cozarinsky (... (Dot,...

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Autor principal: Moreira Facca, Enzo
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2021
Materias:
aesthetics
politics
narrative ruptures
hegemony
counter-hegemony
estética
política
rupturas narrativas
hegemonía
contrahegemonía
Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/35790
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
id I10-R10article-35790
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic aesthetics
politics
narrative ruptures
hegemony
counter-hegemony
estética
política
rupturas narrativas
hegemonía
contrahegemonía
spellingShingle aesthetics
politics
narrative ruptures
hegemony
counter-hegemony
estética
política
rupturas narrativas
hegemonía
contrahegemonía
Moreira Facca, Enzo
Thoughts towards an investigation on the argentine modern cinema
topic_facet aesthetics
politics
narrative ruptures
hegemony
counter-hegemony
estética
política
rupturas narrativas
hegemonía
contrahegemonía
author Moreira Facca, Enzo
author_facet Moreira Facca, Enzo
author_sort Moreira Facca, Enzo
title Thoughts towards an investigation on the argentine modern cinema
title_short Thoughts towards an investigation on the argentine modern cinema
title_full Thoughts towards an investigation on the argentine modern cinema
title_fullStr Thoughts towards an investigation on the argentine modern cinema
title_full_unstemmed Thoughts towards an investigation on the argentine modern cinema
title_sort thoughts towards an investigation on the argentine modern cinema
description This article is part of a first approach towards a study of the Argentine modern cinema from late ‘60s and early ‘70s years. We will focus on the first productions of the directors Hugo Santiago (Invasión, 1969), Alberto Fischerman (The Players vs Angeles Caídos, 1968), Edgardo Cozarinsky (... (Dot, dot, dot), 1970) and Julio Ludueña (Alliance for Progress, 1971). In all this films by these authors during this period we can point out breakups in the narrative modalities and the screen staging that differentiate them from other contemporary films such as those that follow the classical narrative and even with others that challenge it, such as the ones from the Generación del 60 (60s Generation) and the Cine Militante (Militant Cinema) filmmakers. We will focus on finding a common ground between all these productions and how they interrelate with politics and a vision of their need to talk about a new cinematographic aesthetics.
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2021
url https://revistas.unc.edu.ar/index.php/toma1/article/view/35790
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bdutipo_str Revistas
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