Josep, by Aurel. Animating the Spanish Republican Exile

Josep (Aurel, 2020) is an animated film about Josep Bartolí, a Catalan artist and ex-combatant of the Spanish Civil War who, through his sketchbooks, left a testimony of the difficult daily life at the French concentration camps where almost half a million Republican refugees were confined. Not stri...

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Autor principal: Lorenzo Hernández, María
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2021
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Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/35783
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id I10-R10article-35783
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Josep Bartolí
Aurel
animation film
Spanish Civil War
drawing
postmemory
Josep Bartolí
Aurel
cine de animación
Guerra Civil Española
dibujo
postmemoria
spellingShingle Josep Bartolí
Aurel
animation film
Spanish Civil War
drawing
postmemory
Josep Bartolí
Aurel
cine de animación
Guerra Civil Española
dibujo
postmemoria
Lorenzo Hernández, María
Josep, by Aurel. Animating the Spanish Republican Exile
topic_facet Josep Bartolí
Aurel
animation film
Spanish Civil War
drawing
postmemory
Josep Bartolí
Aurel
cine de animación
Guerra Civil Española
dibujo
postmemoria
author Lorenzo Hernández, María
author_facet Lorenzo Hernández, María
author_sort Lorenzo Hernández, María
title Josep, by Aurel. Animating the Spanish Republican Exile
title_short Josep, by Aurel. Animating the Spanish Republican Exile
title_full Josep, by Aurel. Animating the Spanish Republican Exile
title_fullStr Josep, by Aurel. Animating the Spanish Republican Exile
title_full_unstemmed Josep, by Aurel. Animating the Spanish Republican Exile
title_sort josep, by aurel. animating the spanish republican exile
description Josep (Aurel, 2020) is an animated film about Josep Bartolí, a Catalan artist and ex-combatant of the Spanish Civil War who, through his sketchbooks, left a testimony of the difficult daily life at the French concentration camps where almost half a million Republican refugees were confined. Not strictly a documentary, but a film about the real, Josep examines a shameful episode from the 20th century: the indifference of European democratic countries towards the rise of fascism in the 1930s, which would not prevent the Second World War. This article will analyze Josep from the point of view of the narrative, presenting the story of a collective drama that regains force in the present moment, where the lack of solutions to the great exoduses persists; as well as from the visual and animated point of view, taking into account the dialogue that takes place between Aurel's graphics and Bartolí's, and which is constituted in an artistic animation film thanks to the new digital drawing tools.
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2021
url https://revistas.unc.edu.ar/index.php/toma1/article/view/35783
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