The other History: fake documentary and true history

This article establishes a theoretical position that distinguishes between what is called conditional tense documentary and historical fake documentaries. In order to do this, the gap between a statement and the enunciation, and the concept of discursive community, will be the fundamental tools. The...

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Autor principal: Aguilar Alcalá, Sergio J.
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2021
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Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/35778
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id I10-R10article-35778
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic documentary
fake documentary
psychoanalysis
discursive community
history
Documental
falso documental
psicoanálisis
comunidad discursiva
historia
spellingShingle documentary
fake documentary
psychoanalysis
discursive community
history
Documental
falso documental
psicoanálisis
comunidad discursiva
historia
Aguilar Alcalá, Sergio J.
The other History: fake documentary and true history
topic_facet documentary
fake documentary
psychoanalysis
discursive community
history
Documental
falso documental
psicoanálisis
comunidad discursiva
historia
author Aguilar Alcalá, Sergio J.
author_facet Aguilar Alcalá, Sergio J.
author_sort Aguilar Alcalá, Sergio J.
title The other History: fake documentary and true history
title_short The other History: fake documentary and true history
title_full The other History: fake documentary and true history
title_fullStr The other History: fake documentary and true history
title_full_unstemmed The other History: fake documentary and true history
title_sort other history: fake documentary and true history
description This article establishes a theoretical position that distinguishes between what is called conditional tense documentary and historical fake documentaries. In order to do this, the gap between a statement and the enunciation, and the concept of discursive community, will be the fundamental tools. Then, analyses of four historical fake documentaries are made. These movies affirm (not conjecture) alternative pasts and presents through the expressive tools of the documentary. This allows us to distinguish between the multiplicity of truths and the affirmation of a truth, the latter being the political project of fake documentary, and the emancipatory potential it has within documentary cinema.
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2021
url https://revistas.unc.edu.ar/index.php/toma1/article/view/35778
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