The other History: fake documentary and true history
This article establishes a theoretical position that distinguishes between what is called conditional tense documentary and historical fake documentaries. In order to do this, the gap between a statement and the enunciation, and the concept of discursive community, will be the fundamental tools. The...
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Formato: | Artículo revista |
Lenguaje: | Español |
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Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
2021
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Acceso en línea: | https://revistas.unc.edu.ar/index.php/toma1/article/view/35778 |
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I10-R10article-35778 |
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institution |
Universidad Nacional de Córdoba |
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Revistas de la UNC |
language |
Español |
format |
Artículo revista |
topic |
documentary fake documentary psychoanalysis discursive community history Documental falso documental psicoanálisis comunidad discursiva historia |
spellingShingle |
documentary fake documentary psychoanalysis discursive community history Documental falso documental psicoanálisis comunidad discursiva historia Aguilar Alcalá, Sergio J. The other History: fake documentary and true history |
topic_facet |
documentary fake documentary psychoanalysis discursive community history Documental falso documental psicoanálisis comunidad discursiva historia |
author |
Aguilar Alcalá, Sergio J. |
author_facet |
Aguilar Alcalá, Sergio J. |
author_sort |
Aguilar Alcalá, Sergio J. |
title |
The other History: fake documentary and true history |
title_short |
The other History: fake documentary and true history |
title_full |
The other History: fake documentary and true history |
title_fullStr |
The other History: fake documentary and true history |
title_full_unstemmed |
The other History: fake documentary and true history |
title_sort |
other history: fake documentary and true history |
description |
This article establishes a theoretical position that distinguishes between what is called conditional tense documentary and historical fake documentaries. In order to do this, the gap between a statement and the enunciation, and the concept of discursive community, will be the fundamental tools. Then, analyses of four historical fake documentaries are made. These movies affirm (not conjecture) alternative pasts and presents through the expressive tools of the documentary. This allows us to distinguish between the multiplicity of truths and the affirmation of a truth, the latter being the political project of fake documentary, and the emancipatory potential it has within documentary cinema. |
publisher |
Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba |
publishDate |
2021 |
url |
https://revistas.unc.edu.ar/index.php/toma1/article/view/35778 |
work_keys_str_mv |
AT aguilaralcalasergioj theotherhistoryfakedocumentaryandtruehistory AT aguilaralcalasergioj laotrahistoriaelfalsodocumentalylaverdaderahistoria AT aguilaralcalasergioj otherhistoryfakedocumentaryandtruehistory |
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Revistas |
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1764819783312736257 |