A cycle of federal songs The representations of Rosas and his time in popular music of the first half of the 20th century

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In this article we will analyze the representations about the figure of Rosas and his time, produced from popular music, between the late 1920s and the 1940s. We will work in particular on the federal song cycle, which had Ignacio Corsini as its central figure, although not exclusively. Based on its...

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Autor principal: Pankonin, Leandro
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Estudios Avanzados 2021
Acceso en línea:https://revistas.unc.edu.ar/index.php/restudios/article/view/32240
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
id I10-R10article-32240
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
author Pankonin, Leandro
spellingShingle Pankonin, Leandro
A cycle of federal songs The representations of Rosas and his time in popular music of the first half of the 20th century
author_facet Pankonin, Leandro
author_sort Pankonin, Leandro
title A cycle of federal songs The representations of Rosas and his time in popular music of the first half of the 20th century
title_short A cycle of federal songs The representations of Rosas and his time in popular music of the first half of the 20th century
title_full A cycle of federal songs The representations of Rosas and his time in popular music of the first half of the 20th century
title_fullStr A cycle of federal songs The representations of Rosas and his time in popular music of the first half of the 20th century
title_full_unstemmed A cycle of federal songs The representations of Rosas and his time in popular music of the first half of the 20th century
title_sort cycle of federal songs the representations of rosas and his time in popular music of the first half of the 20th century
description In this article we will analyze the representations about the figure of Rosas and his time, produced from popular music, between the late 1920s and the 1940s. We will work in particular on the federal song cycle, which had Ignacio Corsini as its central figure, although not exclusively. Based on its analysis, we will seek to delve into the way in which national imaginaries, popular music and the problem of past uses could have interacted during that cycle. In particular, we will seek to integrate this repertoire of songs, given how prolific and popular it was, in a comprehensive look at the way in which that society could have built its representations on the time of Rosas.
publisher Centro de Estudios Avanzados
publishDate 2021
url https://revistas.unc.edu.ar/index.php/restudios/article/view/32240
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