Field inside and city outside: Julia Solomonoff´s cinema gender positions

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This essay analyzes the space incursions and the meanings of Julia Solomonoff's cinema to consider the aspects that a filmic perspective can grant to a certain politics of fictional bodies as a field of disputes and problems related to gender, sexuality and migration. Hermanas (2005), El último...

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Autor principal: Martinelli, Lucas Sebastián
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2020
Materias:
Argentinian cinema
Julia Solomonoff
Gender
Sexuality
Politics
Cine argentino
Género
Sexualidades
Política
Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/30776
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
id I10-R10article-30776
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Argentinian cinema
Julia Solomonoff
Gender
Sexuality
Politics
Cine argentino
Julia Solomonoff
Género
Sexualidades
Política
spellingShingle Argentinian cinema
Julia Solomonoff
Gender
Sexuality
Politics
Cine argentino
Julia Solomonoff
Género
Sexualidades
Política
Martinelli, Lucas Sebastián
Field inside and city outside: Julia Solomonoff´s cinema gender positions
topic_facet Argentinian cinema
Julia Solomonoff
Gender
Sexuality
Politics
Cine argentino
Julia Solomonoff
Género
Sexualidades
Política
author Martinelli, Lucas Sebastián
author_facet Martinelli, Lucas Sebastián
author_sort Martinelli, Lucas Sebastián
title Field inside and city outside: Julia Solomonoff´s cinema gender positions
title_short Field inside and city outside: Julia Solomonoff´s cinema gender positions
title_full Field inside and city outside: Julia Solomonoff´s cinema gender positions
title_fullStr Field inside and city outside: Julia Solomonoff´s cinema gender positions
title_full_unstemmed Field inside and city outside: Julia Solomonoff´s cinema gender positions
title_sort field inside and city outside: julia solomonoff´s cinema gender positions
description This essay analyzes the space incursions and the meanings of Julia Solomonoff's cinema to consider the aspects that a filmic perspective can grant to a certain politics of fictional bodies as a field of disputes and problems related to gender, sexuality and migration. Hermanas (2005), El último verano de la boyita (2009) y Nadie nos mira (2017) are feature films that propose special models to consider the forms of politics that cinema can assume regarding social issues and, in this way, extend the field of aesthetic towards a common implication. __ ARK: http://id.caicyt.gov.ar/ark:/s22504524/ps9f8n5s1
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2020
url https://revistas.unc.edu.ar/index.php/toma1/article/view/30776
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bdutipo_str Revistas
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