American becoming of argentine terror. A critical dialogue with Franco Bifo Berardi

We propose a path in argentinean horror narrative that dialogues with the notion of"becoming american" (Berardi, 2017). On the first part, we make a critical and comparativereading of three texts: "El niño proletario" (1973) by Osvaldo Lamborghini, El mal menor(1996) by Charlie F...

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Autores principales: Prado, Esteban, Ferrante, Lucio
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2020
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Acceso en línea:https://revistas.unc.edu.ar/index.php/recial/article/view/29425
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institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic argetinean literature
becoming american
terror
devenir americano
literatura argentina
terror
spellingShingle argetinean literature
becoming american
terror
devenir americano
literatura argentina
terror
Prado, Esteban
Ferrante, Lucio
American becoming of argentine terror. A critical dialogue with Franco Bifo Berardi
topic_facet argetinean literature
becoming american
terror
devenir americano
literatura argentina
terror
author Prado, Esteban
Ferrante, Lucio
author_facet Prado, Esteban
Ferrante, Lucio
author_sort Prado, Esteban
title American becoming of argentine terror. A critical dialogue with Franco Bifo Berardi
title_short American becoming of argentine terror. A critical dialogue with Franco Bifo Berardi
title_full American becoming of argentine terror. A critical dialogue with Franco Bifo Berardi
title_fullStr American becoming of argentine terror. A critical dialogue with Franco Bifo Berardi
title_full_unstemmed American becoming of argentine terror. A critical dialogue with Franco Bifo Berardi
title_sort american becoming of argentine terror. a critical dialogue with franco bifo berardi
description We propose a path in argentinean horror narrative that dialogues with the notion of"becoming american" (Berardi, 2017). On the first part, we make a critical and comparativereading of three texts: "El niño proletario" (1973) by Osvaldo Lamborghini, El mal menor(1996) by Charlie Feiling and "El chico sucio" (2016) by Mariana Enriquez. On the second part, we reflect on the fact that there is an alleged impossibility of generating "terror" inargentinean literature by comparing the novel Beber en rojo (2001) by Alberto Laiseca, thatwe believe confirms that assumption, and another that denies it: Nuestra parte de noche(2019) by Mariana Enríquez. Before the conclusions, we consider how these issues arisetoo in the field of Argentinean cinema.We ask ourselves how the critical reading of these incursions in terror may be able toenrich Berardi's hypothesis. Our methodology is based on critical and comparative readingand is complemented with the perspective of cultural studies.
publisher Centro de Investigaciones de la Facultad de Filosofía y Humanidades
publishDate 2020
url https://revistas.unc.edu.ar/index.php/recial/article/view/29425
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