The Monk or the model of revolutionary rhetorics: a metamorphosis of evil
The attraction for terror, mystery and monsters has existed even since ancient times, asthe novels and Hellenistic tragedies, but also Elizabethan drama. However it is from thesecond half of the 18th century and especially towards the French Revolution, when the libertine novels appear in France, al...
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Formato: | Artículo revista |
Lenguaje: | Español |
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Centro de Investigaciones de la Facultad de Filosofía y Humanidades
2020
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Acceso en línea: | https://revistas.unc.edu.ar/index.php/recial/article/view/29424 |
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institution |
Universidad Nacional de Córdoba |
institution_str |
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R-10 |
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Revistas de la UNC |
language |
Español |
format |
Artículo revista |
topic |
gothic literature metamorphosis of evil modernism revolutionary rhetoric revolution literatura gótica metamorfosis del mal modernidad retórica revolucionaria revolución |
spellingShingle |
gothic literature metamorphosis of evil modernism revolutionary rhetoric revolution literatura gótica metamorfosis del mal modernidad retórica revolucionaria revolución Videla Martínez, Julieta The Monk or the model of revolutionary rhetorics: a metamorphosis of evil |
topic_facet |
gothic literature metamorphosis of evil modernism revolutionary rhetoric revolution literatura gótica metamorfosis del mal modernidad retórica revolucionaria revolución |
author |
Videla Martínez, Julieta |
author_facet |
Videla Martínez, Julieta |
author_sort |
Videla Martínez, Julieta |
title |
The Monk or the model of revolutionary rhetorics: a metamorphosis of evil |
title_short |
The Monk or the model of revolutionary rhetorics: a metamorphosis of evil |
title_full |
The Monk or the model of revolutionary rhetorics: a metamorphosis of evil |
title_fullStr |
The Monk or the model of revolutionary rhetorics: a metamorphosis of evil |
title_full_unstemmed |
The Monk or the model of revolutionary rhetorics: a metamorphosis of evil |
title_sort |
monk or the model of revolutionary rhetorics: a metamorphosis of evil |
description |
The attraction for terror, mystery and monsters has existed even since ancient times, asthe novels and Hellenistic tragedies, but also Elizabethan drama. However it is from thesecond half of the 18th century and especially towards the French Revolution, when the libertine novels appear in France, also called romans noirs, and the gothic novels inEngland, called tales of terror as a response to the Enlightenment paradigm that takesmedieval materials redefining them in order to create new aesthetic forms. I aminterested here to study the metamorphoses of evil that revolutionary rhetoric, in thiscase, The Monk, operates as a gothic novel through the recovery and resemantization ofmedieval evil, according to which the latter reflect the sinister singularity of modernliterature .I will mainly take the concepts of monstrosity and evil and analyze themhermeneutically to interpret what the metamorphosis of these categories is like in thelate eighteenth century, with the event of the French Revolution in the aforementionedwork. In this work we brace The Monk as a model of the revolutionary rhetoric that willmark the aesthetic trend towards the 19th century thanks to his original commitmentthat is firstly to represent the metamorphosis of evil even using medieval materials, andsecondly, to attend to the place of receptors, caring about producing certain aestheticsthat arouse interest in a new sensibility. |
publisher |
Centro de Investigaciones de la Facultad de Filosofía y Humanidades |
publishDate |
2020 |
url |
https://revistas.unc.edu.ar/index.php/recial/article/view/29424 |
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AT videlamartinezjulieta themonkorthemodelofrevolutionaryrhetoricsametamorphosisofevil AT videlamartinezjulieta elmonjeoelmodelodelasretoricasrevolucionariasunametamorfosisdelmal AT videlamartinezjulieta monkorthemodelofrevolutionaryrhetoricsametamorphosisofevil |
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Revistas |
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