Cinema as a passer of the real

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Cinema allows words and images to be given to the catastrophic event. It offers the possibility of operating with the real traumatic and consequentlysymbolizing it. Both psychoanalysis and art undertake, through different routes, this arduous task of passing the real to the symbolic, of inscribingth...

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Autores principales: Laso, Eduardo, Michel Fariña, Juan Jorge
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2020
Materias:
Cinema
Creative process
Psychoanalysis
Trauma
Cine
Proceso creador
Psicoanálisis
Acceso en línea:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/29222
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
id I10-R10article-29222
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Cinema
Creative process
Psychoanalysis
Trauma
Cine
Proceso creador
Psicoanálisis
Trauma
spellingShingle Cinema
Creative process
Psychoanalysis
Trauma
Cine
Proceso creador
Psicoanálisis
Trauma
Laso, Eduardo
Michel Fariña, Juan Jorge
Cinema as a passer of the real
topic_facet Cinema
Creative process
Psychoanalysis
Trauma
Cine
Proceso creador
Psicoanálisis
Trauma
author Laso, Eduardo
Michel Fariña, Juan Jorge
author_facet Laso, Eduardo
Michel Fariña, Juan Jorge
author_sort Laso, Eduardo
title Cinema as a passer of the real
title_short Cinema as a passer of the real
title_full Cinema as a passer of the real
title_fullStr Cinema as a passer of the real
title_full_unstemmed Cinema as a passer of the real
title_sort cinema as a passer of the real
description Cinema allows words and images to be given to the catastrophic event. It offers the possibility of operating with the real traumatic and consequentlysymbolizing it. Both psychoanalysis and art undertake, through different routes, this arduous task of passing the real to the symbolic, of inscribingthe impossible. It is about giving images, words and representations to what is initially absent, silenced, rejected. So that this real ceases to be a mortification made open wound, installed as a vain repetition. In this sense, cinema is a passer from the real to the symbolic through images. This articleintroduces this thesis through examples from painting, performance and cinema.
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2020
url https://revistas.unc.edu.ar/index.php/eticaycine/article/view/29222
work_keys_str_mv AT lasoeduardo cinemaasapasserofthereal
AT michelfarinajuanjorge cinemaasapasserofthereal
AT lasoeduardo elcinecomopasadordeloreal
AT michelfarinajuanjorge elcinecomopasadordeloreal
bdutipo_str Revistas
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