The battle of Chile: image, poetry, memory

Mostrar todas las versiones(2)

The trauma, by definition, leaves no traces in the psychic apparatus. This absence becomes even more complex when the trauma is linked to stateviolence, which leaves only shapeless, discontinuous and fragmented traces. When we are confronted with this type of experience, the constructionof a movemen...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Humphreys, Derek
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2020
Materias:
Trauma
Coup
Memory
Image
Play
Golpe de estado
Memoria
Imagen
Juego
Acceso en línea:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/29210
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
id I10-R10article-29210
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Trauma
Coup
Memory
Image
Play
Trauma
Golpe de estado
Memoria
Imagen
Juego
spellingShingle Trauma
Coup
Memory
Image
Play
Trauma
Golpe de estado
Memoria
Imagen
Juego
Humphreys, Derek
The battle of Chile: image, poetry, memory
topic_facet Trauma
Coup
Memory
Image
Play
Trauma
Golpe de estado
Memoria
Imagen
Juego
author Humphreys, Derek
author_facet Humphreys, Derek
author_sort Humphreys, Derek
title The battle of Chile: image, poetry, memory
title_short The battle of Chile: image, poetry, memory
title_full The battle of Chile: image, poetry, memory
title_fullStr The battle of Chile: image, poetry, memory
title_full_unstemmed The battle of Chile: image, poetry, memory
title_sort battle of chile: image, poetry, memory
description The trauma, by definition, leaves no traces in the psychic apparatus. This absence becomes even more complex when the trauma is linked to stateviolence, which leaves only shapeless, discontinuous and fragmented traces. When we are confronted with this type of experience, the constructionof a movement-image as the basis of a narrative allows us to integrate these experiences, even that of the trauma, by deploying an individual novel, amemory and a collective myth of horror. However, it is not the simple reference to the image that this access to a narrative makes possible, but rathera fantastic-fictionnal one, shifted from any « ordinary sense » and which the narrative organizes by the “figuration” which it deploys around anenigmatic void. It is from the films in which the South African artist William Kentridge questions the function of the “memorial” in sites, sometimesforgotten, having witnessed the violence of apartheid, that I propose an approach to the mutation of registers that can be seen in the work of thedocumentary filmmaker Patricio Guzman, between the pure inscription of the image in “La batalla de Chile”, up to the poetic montage of “Nostalgiade la luz”. In this analysis, I propose a parallel between the poetic function of the movement-image and the question of fantasy in Freud, to thenthink about the notion of creativity, defined as the possibility of accessing life from primary shapeless traces by DW Winnicott.
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2020
url https://revistas.unc.edu.ar/index.php/eticaycine/article/view/29210
work_keys_str_mv AT humphreysderek thebattleofchileimagepoetrymemory
AT humphreysderek labatalladechileimagenpoesiamemoria
AT humphreysderek battleofchileimagepoetrymemory
bdutipo_str Revistas
_version_ 1764819782839828480

Ejemplares similares