Neo-Baroque Transmutations: Tension Bodies in Misales by Marosa Di Giorgio
This article aims to approach the production of the Uruguayan author Marosa di Giorgio (Salto, 1932-Montevideo, 2004) in order to recover the neo-baroque characteristics present in her work. The prolific Marosian work, on the border between the lyrical and the narrative and with an important themati...
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Formato: | Artículo revista |
Lenguaje: | Español |
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Centro de Investigaciones de la Facultad de Filosofía y Humanidades
2018
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Acceso en línea: | https://revistas.unc.edu.ar/index.php/recial/article/view/22937 |
Aporte de: |
id |
I10-R10article-22937 |
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record_format |
ojs |
institution |
Universidad Nacional de Córdoba |
institution_str |
I-10 |
repository_str |
R-10 |
container_title_str |
Revistas de la UNC |
language |
Español |
format |
Artículo revista |
topic |
Neobaroque Marosa Di Giorgio Missals metamorphosis corporalities Neobarroco Marosa Di Giorgio Misales metamorfosis corporalidades |
spellingShingle |
Neobaroque Marosa Di Giorgio Missals metamorphosis corporalities Neobarroco Marosa Di Giorgio Misales metamorfosis corporalidades Luján, María Guadalupe Neo-Baroque Transmutations: Tension Bodies in Misales by Marosa Di Giorgio |
topic_facet |
Neobaroque Marosa Di Giorgio Missals metamorphosis corporalities Neobarroco Marosa Di Giorgio Misales metamorfosis corporalidades |
author |
Luján, María Guadalupe |
author_facet |
Luján, María Guadalupe |
author_sort |
Luján, María Guadalupe |
title |
Neo-Baroque Transmutations: Tension Bodies in Misales by Marosa Di Giorgio |
title_short |
Neo-Baroque Transmutations: Tension Bodies in Misales by Marosa Di Giorgio |
title_full |
Neo-Baroque Transmutations: Tension Bodies in Misales by Marosa Di Giorgio |
title_fullStr |
Neo-Baroque Transmutations: Tension Bodies in Misales by Marosa Di Giorgio |
title_full_unstemmed |
Neo-Baroque Transmutations: Tension Bodies in Misales by Marosa Di Giorgio |
title_sort |
neo-baroque transmutations: tension bodies in misales by marosa di giorgio |
description |
This article aims to approach the production of the Uruguayan author Marosa di Giorgio (Salto, 1932-Montevideo, 2004) in order to recover the neo-baroque characteristics present in her work. The prolific Marosian work, on the border between the lyrical and the narrative and with an important thematic complexity, has been considered by critics ascribed to the realistic artistic register and to the fantastic genre. Most of these studies have concentrated on tracing the paths of her thematic searches: sexuality, eros, the limits of the poetic word, but they have neglected in detail the author's aesthetic paths, which in our opinion allow us to recognize discontinuities and/or aesthetic shifts. In this article we propose to give an account of the most notable and repeated neo-baroque features that can be observed in her book of erotic stories Misales (1993). |
publisher |
Centro de Investigaciones de la Facultad de Filosofía y Humanidades |
publishDate |
2018 |
url |
https://revistas.unc.edu.ar/index.php/recial/article/view/22937 |
work_keys_str_mv |
AT lujanmariaguadalupe neobaroquetransmutationstensionbodiesinmisalesbymarosadigiorgio AT lujanmariaguadalupe transmutacionesneobarrocascorporalidadesentensionenmisalesdemarosadigiorgio |
bdutipo_str |
Revistas |
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1764819781855215617 |