Neo-Baroque Transmutations: Tension Bodies in Misales by Marosa Di Giorgio

This article aims to approach the production of the Uruguayan author Marosa di Giorgio (Salto, 1932-Montevideo, 2004) in order to recover the neo-baroque characteristics present in her work. The prolific Marosian work, on the border between the lyrical and the narrative and with an important themati...

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Autor principal: Luján, María Guadalupe
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2018
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Acceso en línea:https://revistas.unc.edu.ar/index.php/recial/article/view/22937
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id I10-R10article-22937
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Neobaroque
Marosa Di Giorgio
Missals
metamorphosis
corporalities
Neobarroco
Marosa Di Giorgio
Misales
metamorfosis
corporalidades
spellingShingle Neobaroque
Marosa Di Giorgio
Missals
metamorphosis
corporalities
Neobarroco
Marosa Di Giorgio
Misales
metamorfosis
corporalidades
Luján, María Guadalupe
Neo-Baroque Transmutations: Tension Bodies in Misales by Marosa Di Giorgio
topic_facet Neobaroque
Marosa Di Giorgio
Missals
metamorphosis
corporalities
Neobarroco
Marosa Di Giorgio
Misales
metamorfosis
corporalidades
author Luján, María Guadalupe
author_facet Luján, María Guadalupe
author_sort Luján, María Guadalupe
title Neo-Baroque Transmutations: Tension Bodies in Misales by Marosa Di Giorgio
title_short Neo-Baroque Transmutations: Tension Bodies in Misales by Marosa Di Giorgio
title_full Neo-Baroque Transmutations: Tension Bodies in Misales by Marosa Di Giorgio
title_fullStr Neo-Baroque Transmutations: Tension Bodies in Misales by Marosa Di Giorgio
title_full_unstemmed Neo-Baroque Transmutations: Tension Bodies in Misales by Marosa Di Giorgio
title_sort neo-baroque transmutations: tension bodies in misales by marosa di giorgio
description This article aims to approach the production of the Uruguayan author Marosa di Giorgio (Salto, 1932-Montevideo, 2004) in order to recover the neo-baroque characteristics present in her work. The prolific Marosian work, on the border between the lyrical and the narrative and with an important thematic complexity, has been considered by critics ascribed to the realistic artistic register and to the fantastic genre. Most of these studies have concentrated on tracing the paths of her thematic searches: sexuality, eros, the limits of the poetic word, but they have neglected in detail the author's aesthetic paths, which in our opinion allow us to recognize discontinuities and/or aesthetic shifts. In this article we propose to give an account of the most notable and repeated neo-baroque features that can be observed in her book of erotic stories Misales (1993).
publisher Centro de Investigaciones de la Facultad de Filosofía y Humanidades
publishDate 2018
url https://revistas.unc.edu.ar/index.php/recial/article/view/22937
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