The Anachronistic Baroque of Severo Sarduy
The starting point of this work is a comparison between the books Barroco, by Severo Sarduy, and La cultura del Barroco , by José Antonio Maravall, both published almost the same year (1975 and 1974 respectively). Within this context, the article evaluates the scope of interpretations of the 17th ce...
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Formato: | Artículo revista |
Lenguaje: | Español |
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Centro de Investigaciones de la Facultad de Filosofía y Humanidades
2018
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Acceso en línea: | https://revistas.unc.edu.ar/index.php/recial/article/view/22859 |
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I10-R10article-22859 |
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record_format |
ojs |
institution |
Universidad Nacional de Córdoba |
institution_str |
I-10 |
repository_str |
R-10 |
container_title_str |
Revistas de la UNC |
language |
Español |
format |
Artículo revista |
topic |
Baroque Neo-baroque anachronism semiology politics. Barroco Neobarroco anacronismo semiología política |
spellingShingle |
Baroque Neo-baroque anachronism semiology politics. Barroco Neobarroco anacronismo semiología política Iriarte, Ignacio The Anachronistic Baroque of Severo Sarduy |
topic_facet |
Baroque Neo-baroque anachronism semiology politics. Barroco Neobarroco anacronismo semiología política |
author |
Iriarte, Ignacio |
author_facet |
Iriarte, Ignacio |
author_sort |
Iriarte, Ignacio |
title |
The Anachronistic Baroque of Severo Sarduy |
title_short |
The Anachronistic Baroque of Severo Sarduy |
title_full |
The Anachronistic Baroque of Severo Sarduy |
title_fullStr |
The Anachronistic Baroque of Severo Sarduy |
title_full_unstemmed |
The Anachronistic Baroque of Severo Sarduy |
title_sort |
anachronistic baroque of severo sarduy |
description |
The starting point of this work is a comparison between the books Barroco, by Severo Sarduy, and La cultura del Barroco , by José Antonio Maravall, both published almost the same year (1975 and 1974 respectively). Within this context, the article evaluates the scope of interpretations of the 17th century proposed by Sarduy. As a hypothesis, the text states that most of those interpretations are historically unfounded. But at the same time, and as a second hypothesis, it is proposed that this error is the basis from which Sarduy composes his anachronistic conception of neo-baroque. After demonstrating this proposal, the text analyzes the scope of this anachronic proposal to understand both the seventeenth century and the present. |
publisher |
Centro de Investigaciones de la Facultad de Filosofía y Humanidades |
publishDate |
2018 |
url |
https://revistas.unc.edu.ar/index.php/recial/article/view/22859 |
work_keys_str_mv |
AT iriarteignacio theanachronisticbaroqueofseverosarduy AT iriarteignacio elbarrocoanacronicodeseverosarduy AT iriarteignacio anachronisticbaroqueofseverosarduy |
bdutipo_str |
Revistas |
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1764819781817466881 |