Gombrowicz-Piñera: Dialogue from Baroque, Avant-Garde and Experimentalism?

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According to José Bianco, a writer linked to the Sur group, the literature of Piñera, author of Cuentos Fríos, is related to the Cuban baroque of Lezama Lima or Carpentier. Interestingly,Trans-Atlantic Gombrowicz (1953) is formulated from the baroque aesthetic and this affiliation is a way to render...

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Autor principal: Cardozo, Cristian
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2018
Materias:
Baroque
Experimentalism
Gombrowicz
Piñera
Vanguard
Barroco
Experimentalismo
Vanguardia
Acceso en línea:https://revistas.unc.edu.ar/index.php/recial/article/view/22857
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
id I10-R10article-22857
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Baroque
Experimentalism
Gombrowicz
Piñera
Vanguard
Barroco
Experimentalismo
Gombrowicz
Piñera
Vanguardia
spellingShingle Baroque
Experimentalism
Gombrowicz
Piñera
Vanguard
Barroco
Experimentalismo
Gombrowicz
Piñera
Vanguardia
Cardozo, Cristian
Gombrowicz-Piñera: Dialogue from Baroque, Avant-Garde and Experimentalism?
topic_facet Baroque
Experimentalism
Gombrowicz
Piñera
Vanguard
Barroco
Experimentalismo
Gombrowicz
Piñera
Vanguardia
author Cardozo, Cristian
author_facet Cardozo, Cristian
author_sort Cardozo, Cristian
title Gombrowicz-Piñera: Dialogue from Baroque, Avant-Garde and Experimentalism?
title_short Gombrowicz-Piñera: Dialogue from Baroque, Avant-Garde and Experimentalism?
title_full Gombrowicz-Piñera: Dialogue from Baroque, Avant-Garde and Experimentalism?
title_fullStr Gombrowicz-Piñera: Dialogue from Baroque, Avant-Garde and Experimentalism?
title_full_unstemmed Gombrowicz-Piñera: Dialogue from Baroque, Avant-Garde and Experimentalism?
title_sort gombrowicz-piñera: dialogue from baroque, avant-garde and experimentalism?
description According to José Bianco, a writer linked to the Sur group, the literature of Piñera, author of Cuentos Fríos, is related to the Cuban baroque of Lezama Lima or Carpentier. Interestingly,Trans-Atlantic Gombrowicz (1953) is formulated from the baroque aesthetic and this affiliation is a way to render readable a heterodox writing as the gombrowicziana since it is a universal feature that is important in those decades at continental level. In this sense, we think that the irregular participation of Piñera in the Orígenes magazine is the access road that, already in Buenos Aires, places Gombrowicz in tune with the relevance of the Baroque during this period. Remember that Piñera presides over the group that carries out the Ferdydurke collective translation company, published in Argentina in 1947. Thus, in the work we propose to address that point of “meeting” or “dialogue” between Piñera and Gombrowicz from examining, in both authors, mutual loans and appropriations, the presence of baroque, avant-garde gestures and eccentricity, absurdity and humor.
publisher Centro de Investigaciones de la Facultad de Filosofía y Humanidades
publishDate 2018
url https://revistas.unc.edu.ar/index.php/recial/article/view/22857
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bdutipo_str Revistas
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