The narration of the nationhood in Brazilian´s Cinema da Retomada: The imagined community in Foreign Land (1995) and How the angels are born (1996).

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This paper aims to discuss some questions about the processes of nationhood narration present in two films of what is called Cinema da Retomada in Brazil. Through the analysis of the films Terra Estrangeira (1995), directed by Walter Salles and Daniela Thomas and Como nascem os anjos (1996), directe...

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Autor principal: Dias Fonseca, Eduardo
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2018
Materias:
Cinema da retomada
Narración Nacional
Cine brasileiro
Mundialización
Narration Naciohood
Brazilian Cinema
Globalization
Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/20896
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
id I10-R10article-20896
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Cinema da retomada
Narración Nacional
Cine brasileiro
Mundialización
Cinema da retomada
Narration Naciohood
Brazilian Cinema
Globalization
spellingShingle Cinema da retomada
Narración Nacional
Cine brasileiro
Mundialización
Cinema da retomada
Narration Naciohood
Brazilian Cinema
Globalization
Dias Fonseca, Eduardo
The narration of the nationhood in Brazilian´s Cinema da Retomada: The imagined community in Foreign Land (1995) and How the angels are born (1996).
topic_facet Cinema da retomada
Narración Nacional
Cine brasileiro
Mundialización
Cinema da retomada
Narration Naciohood
Brazilian Cinema
Globalization
author Dias Fonseca, Eduardo
author_facet Dias Fonseca, Eduardo
author_sort Dias Fonseca, Eduardo
title The narration of the nationhood in Brazilian´s Cinema da Retomada: The imagined community in Foreign Land (1995) and How the angels are born (1996).
title_short The narration of the nationhood in Brazilian´s Cinema da Retomada: The imagined community in Foreign Land (1995) and How the angels are born (1996).
title_full The narration of the nationhood in Brazilian´s Cinema da Retomada: The imagined community in Foreign Land (1995) and How the angels are born (1996).
title_fullStr The narration of the nationhood in Brazilian´s Cinema da Retomada: The imagined community in Foreign Land (1995) and How the angels are born (1996).
title_full_unstemmed The narration of the nationhood in Brazilian´s Cinema da Retomada: The imagined community in Foreign Land (1995) and How the angels are born (1996).
title_sort narration of the nationhood in brazilian´s cinema da retomada: the imagined community in foreign land (1995) and how the angels are born (1996).
description This paper aims to discuss some questions about the processes of nationhood narration present in two films of what is called Cinema da Retomada in Brazil. Through the analysis of the films Terra Estrangeira (1995), directed by Walter Salles and Daniela Thomas and Como nascem os anjos (1996), directed by Murilo Salles we seek to highlight the filmic procedures that suggest a reading of the construction of the nationhood. What are the characteristics of the nationhood we can find in the movies? This is the main question that guides the film analysis in this paper. In an age of discussion about the local and the global, our goal is to find characteristics of a way of presence of the national in the face of the globalization of cultures.
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2018
url https://revistas.unc.edu.ar/index.php/toma1/article/view/20896
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AT diasfonsecaeduardo narrationofthenationhoodinbrazilianscinemadaretomadatheimaginedcommunityinforeignland1995andhowtheangelsareborn1996
bdutipo_str Revistas
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