God's problem. The Bacchantes and the Bible in Theorem

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In this paper we attempt to describe the hypertext mechanisms applied by Pasolini in his novel Teorema and the eponymous film (both 1968), through the incorporation of the myth of Dionysus in The Bacchae of Euripides and some passages of the Bible. From this place In considering the foregoing, the r...

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Autor principal: Van Aken, Amalia
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2018
Materias:
Pasolini
Teorema
Transposición
Bacantes
Biblia
Dionisio
Transposition
Bacchae
Bible
Dionysus
Acceso en línea:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/19840
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
id I10-R10article-19840
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Pasolini
Teorema
Transposición
Bacantes
Biblia
Dionisio
Pasolini
Teorema
Transposition
Bacchae
Bible
Dionysus
spellingShingle Pasolini
Teorema
Transposición
Bacantes
Biblia
Dionisio
Pasolini
Teorema
Transposition
Bacchae
Bible
Dionysus
Van Aken, Amalia
God's problem. The Bacchantes and the Bible in Theorem
topic_facet Pasolini
Teorema
Transposición
Bacantes
Biblia
Dionisio
Pasolini
Teorema
Transposition
Bacchae
Bible
Dionysus
author Van Aken, Amalia
author_facet Van Aken, Amalia
author_sort Van Aken, Amalia
title God's problem. The Bacchantes and the Bible in Theorem
title_short God's problem. The Bacchantes and the Bible in Theorem
title_full God's problem. The Bacchantes and the Bible in Theorem
title_fullStr God's problem. The Bacchantes and the Bible in Theorem
title_full_unstemmed God's problem. The Bacchantes and the Bible in Theorem
title_sort god's problem. the bacchantes and the bible in theorem
description In this paper we attempt to describe the hypertext mechanisms applied by Pasolini in his novel Teorema and the eponymous film (both 1968), through the incorporation of the myth of Dionysus in The Bacchae of Euripides and some passages of the Bible. From this place In considering the foregoing, the representation will be analyzed of the struggle of social classes in Italy in the late sixties as one of the scenarios for two contending powers: one that is primitive, originative, dignified and close to nature, represented by the working class and peasantry -especially by the character of Emilia-; and the capitalist and bourgeois power, represented by the family as a whole. The antithesis proposed by Pasolini to this fight is the destruction of this family from the presence of a nameless guest, whose origin and destination are unknown; and who, by his configuration, refers to the Greek god Dionysius.
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2018
url https://revistas.unc.edu.ar/index.php/eticaycine/article/view/19840
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bdutipo_str Revistas
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