"The arrival of a cinema at the city" and other myths
The article proposes in the first place, a review of the beginning of cinema and the first projection of the Lumière cinematograph. The article revises certain beliefs and facts that have marked the history of cinema, such as those referring to the most famous capturesight of the Lumière, “The arriv...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
2012
|
| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/toma1/article/view/8571 |
| Aporte de: |
| id |
I10-R10-article-8571 |
|---|---|
| record_format |
ojs |
| spelling |
I10-R10-article-85712020-11-01T03:56:58Z "The arrival of a cinema at the city" and other myths “La llegada de un cine a la ciudad” y otros mitos Ortiz Suarez, Emilio Hernán Hermanos Lumière Cine temprano Primera proyección cinematográfica Antoine Lumière La llegada de un tren Lumière Brothers Early cinema First film projection Antoine Lumière The arrival of a train The article proposes in the first place, a review of the beginning of cinema and the first projection of the Lumière cinematograph. The article revises certain beliefs and facts that have marked the history of cinema, such as those referring to the most famous capturesight of the Lumière, “The arrival of a train to La Ciotat”, or the participation of Antoine Lumière, father of Louis and Auguste. Regarding these facts, the article tries to raise the problematic of the different ways of narrating the history the cinematographic phenomenon in Histories of World Cinema. Finally, the article proposes a reflection upon the cinematographic phenomenon, regarding technological development and the speeches produced by the new devices as ideological representations. En primer lugar, el artículo propone una revisión sobre los comienzos del cine y la primera proyección del cinematógrafo Lumière. Se plantean algunas dudas y revisiones sobre ciertas creencias y hechos que han quedado marcados en la historia del cine, como la tomavista más famosa de los Lumière, La llegada de un tren a La Ciotat, o la participación, un tanto silenciada, de Antoine Lumière, padre de Louis y Auguste. A partir de esto, el artículo plantea algunas problemáticas en las maneras de historizar el fenómeno cinematográfico en las Historias del cine mundial. Finalmente se propone una reflexión sobre el fenómeno cinematográfico, desde el desarrollo técnico-industrial y los discursos producidos por los nuevos dispositivos, como representaciones ideológicas. Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2012-09-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/toma1/article/view/8571 Toma Uno; No. 1 (2012): La representación de la realidad; 83-92 TOMA UNO; Núm. 1 (2012): La representación de la realidad; 83-92 2250-4524 2313-9692 10.55442/tomauno.n1.2012 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/8571/9436 https://revistas.unc.edu.ar/index.php/toma1/article/view/8571/25032 https://revistas.unc.edu.ar/index.php/toma1/article/view/8571/25033 https://revistas.unc.edu.ar/index.php/toma1/article/view/8571/25034 |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-10 |
| container_title_str |
Revistas de la UNC |
| language |
Español |
| format |
Artículo revista |
| topic |
Hermanos Lumière Cine temprano Primera proyección cinematográfica Antoine Lumière La llegada de un tren Lumière Brothers Early cinema First film projection Antoine Lumière The arrival of a train |
| spellingShingle |
Hermanos Lumière Cine temprano Primera proyección cinematográfica Antoine Lumière La llegada de un tren Lumière Brothers Early cinema First film projection Antoine Lumière The arrival of a train Ortiz Suarez, Emilio Hernán "The arrival of a cinema at the city" and other myths |
| topic_facet |
Hermanos Lumière Cine temprano Primera proyección cinematográfica Antoine Lumière La llegada de un tren Lumière Brothers Early cinema First film projection Antoine Lumière The arrival of a train |
| author |
Ortiz Suarez, Emilio Hernán |
| author_facet |
Ortiz Suarez, Emilio Hernán |
| author_sort |
Ortiz Suarez, Emilio Hernán |
| title |
"The arrival of a cinema at the city" and other myths |
| title_short |
"The arrival of a cinema at the city" and other myths |
| title_full |
"The arrival of a cinema at the city" and other myths |
| title_fullStr |
"The arrival of a cinema at the city" and other myths |
| title_full_unstemmed |
"The arrival of a cinema at the city" and other myths |
| title_sort |
"the arrival of a cinema at the city" and other myths |
| description |
The article proposes in the first place, a review of the beginning of cinema and the first projection of the Lumière cinematograph. The article revises certain beliefs and facts that have marked the history of cinema, such as those referring to the most famous capturesight of the Lumière, “The arrival of a train to La Ciotat”, or the participation of Antoine Lumière, father of Louis and Auguste. Regarding these facts, the article tries to raise the problematic of the different ways of narrating the history the cinematographic phenomenon in Histories of World Cinema. Finally, the article proposes a reflection upon the cinematographic phenomenon, regarding technological development and the speeches produced by the new devices as ideological representations. |
| publisher |
Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba |
| publishDate |
2012 |
| url |
https://revistas.unc.edu.ar/index.php/toma1/article/view/8571 |
| work_keys_str_mv |
AT ortizsuarezemiliohernan thearrivalofacinemaatthecityandothermyths AT ortizsuarezemiliohernan lallegadadeuncinealaciudadyotrosmitos |
| first_indexed |
2022-08-20T01:14:29Z |
| last_indexed |
2022-08-20T01:14:29Z |
| _version_ |
1770718053416304640 |