Aesthetic codes, artistic expressions and modes of representation in the formative pottery from Yutopián (Cajón Valley, Northwest Argentina)
Plastic expressions, as any other production, are creations that arise within a certain historic and cultural context, thus being subject to aesthetic codes, social preferences, and valuations specific of the social spaces in which such manifestations were produced, circulated and consumed. These ex...
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Facultad de Filosofía y Humanidades. Museo de Antropología
2010
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I10-R10-article-54452021-06-18T17:45:56Z Aesthetic codes, artistic expressions and modes of representation in the formative pottery from Yutopián (Cajón Valley, Northwest Argentina) Códigos estéticos, expresiones plásticas y modos de representación en la cerámica del Formativo en Yutopián (Valle del Cajón, Noroeste argentino) Bugliani, María Fabiana ceramic vessels plastic expressions aesthetics codes consumption Northwestern Argentina vasijas cerámicas expresiones plásticas códigos estéticos consumo Noroeste argentino Plastic expressions, as any other production, are creations that arise within a certain historic and cultural context, thus being subject to aesthetic codes, social preferences, and valuations specific of the social spaces in which such manifestations were produced, circulated and consumed. These expressions are representations as far as they are objectivations of beliefs, ideas and values of particular social groups, presenting themselves as a specific mode of representation that is socially and culturally situated. In the case of ceramic vessels, we know that these have participated of a number of actions in the everyday life of the past. This article analyses the plastic resources which were mobilized and put ‘into action’ in the vessels of Yutopián, a Formative village of the Cajón valley, Northwestern Argentina, dated to the first millennium of the Christian era. A detailed study of the different contexts of two household compounds evidenced a differential display of the representational modes that were chosen, the expressive resources that were utilized and the types of recipients used, thus allowing to advance some ideas regarding the role of objects and plastic expressions in different situations of the social life. Las expresiones plásticas, como toda producción, son una labor surgida en un contexto cultural e históricamente dado y se encuentran sujetas a códigos estéticos, preferencias sociales y valoraciones propias de los espacios sociales en donde tales manifestaciones se produjeron, circularon y fueron consumidas. Estas expresiones son representaciones en tanto son objetivación de creencias, ideas y valores de un determinado grupo social y se presentan como un modo particular de manifestación que se encuentra social y culturalmente situado. En el caso de los recipientes cerámicos, sabemos que los mismos han participado de numerosas acciones de la vida cotidiana en el pasado. En este artículo se analizan los recursos plásticos que fueron movilizados y puestos ‘en acción’ en las vasijas de Yutopián, una aldea formativa del valle del Cajón, Noroeste argentino, del primer milenio de la era Cristiana. El estudio detallado de diferentes contextos en dos núcleos habitacionales nos mostró un despliegue diferencial de los modos de representación elegidos, los recursos expresivos utilizados y los tipos de recipientes empleados, permitiendo avanzar algunas ideas sobre el rol de los objetos y expresiones plásticas en diferentes situaciones de la vida social. Facultad de Filosofía y Humanidades. Museo de Antropología 2010-12-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer reviewed article Artículo revisado por pares investigación básica Artigo revisado por pares application/pdf https://revistas.unc.edu.ar/index.php/antropologia/article/view/5445 Revista del Museo de Antropología; Vol 3 (2010) NÚMERO 1; 21-32 Revista del Museo de Antropología; Vol 3 (2010) NÚMERO 1; 21-32 Revista del Museo de Antropología; Vol 3 (2010) NÚMERO 1; 21-32 1852-4826 1852-060X 10.31048/1852.4826.v3.n1 spa https://revistas.unc.edu.ar/index.php/antropologia/article/view/5445/5891 Derechos de autor 2010 María Fabiana Bugliani |
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Universidad Nacional de Córdoba |
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R-10 |
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Revistas de la UNC |
language |
Español |
format |
Artículo revista |
topic |
ceramic vessels plastic expressions aesthetics codes consumption Northwestern Argentina vasijas cerámicas expresiones plásticas códigos estéticos consumo Noroeste argentino |
spellingShingle |
ceramic vessels plastic expressions aesthetics codes consumption Northwestern Argentina vasijas cerámicas expresiones plásticas códigos estéticos consumo Noroeste argentino Bugliani, María Fabiana Aesthetic codes, artistic expressions and modes of representation in the formative pottery from Yutopián (Cajón Valley, Northwest Argentina) |
topic_facet |
ceramic vessels plastic expressions aesthetics codes consumption Northwestern Argentina vasijas cerámicas expresiones plásticas códigos estéticos consumo Noroeste argentino |
author |
Bugliani, María Fabiana |
author_facet |
Bugliani, María Fabiana |
author_sort |
Bugliani, María Fabiana |
title |
Aesthetic codes, artistic expressions and modes of representation in the formative pottery from Yutopián (Cajón Valley, Northwest Argentina) |
title_short |
Aesthetic codes, artistic expressions and modes of representation in the formative pottery from Yutopián (Cajón Valley, Northwest Argentina) |
title_full |
Aesthetic codes, artistic expressions and modes of representation in the formative pottery from Yutopián (Cajón Valley, Northwest Argentina) |
title_fullStr |
Aesthetic codes, artistic expressions and modes of representation in the formative pottery from Yutopián (Cajón Valley, Northwest Argentina) |
title_full_unstemmed |
Aesthetic codes, artistic expressions and modes of representation in the formative pottery from Yutopián (Cajón Valley, Northwest Argentina) |
title_sort |
aesthetic codes, artistic expressions and modes of representation in the formative pottery from yutopián (cajón valley, northwest argentina) |
description |
Plastic expressions, as any other production, are creations that arise within a certain historic and cultural context, thus being subject to aesthetic codes, social preferences, and valuations specific of the social spaces in which such manifestations were produced, circulated and consumed. These expressions are representations as far as they are objectivations of beliefs, ideas and values of particular social groups, presenting themselves as a specific mode of representation that is socially and culturally situated. In the case of ceramic vessels, we know that these have participated of a number of actions in the everyday life of the past. This article analyses the plastic resources which were mobilized and put ‘into action’ in the vessels of Yutopián, a Formative village of the Cajón valley, Northwestern Argentina, dated to the first millennium of the Christian era. A detailed study of the different contexts of two household compounds evidenced a differential display of the representational modes that were chosen, the expressive resources that were utilized and the types of recipients used, thus allowing to advance some ideas regarding the role of objects and plastic expressions in different situations of the social life. |
publisher |
Facultad de Filosofía y Humanidades. Museo de Antropología |
publishDate |
2010 |
url |
https://revistas.unc.edu.ar/index.php/antropologia/article/view/5445 |
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first_indexed |
2022-08-20T01:10:58Z |
last_indexed |
2022-08-20T01:10:58Z |
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