Deleuzian Perspective of Cinema as a Means to Believe in The World Again. An Analysis from The Cinematography of Peter Weir

The present work seeks to defend cinema as an artistic medium which can help current people to believe in the world again, namely, to reconnect with his own life and existence, rescuing a positive perspective of the reality where the human being can work and develop his life. We focus in part of Pet...

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Detalles Bibliográficos
Autor principal: Muñoz Becerra, Felipe Arthur
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2023
Materias:
Cinema
World
Deleuze
Arts
Cine
Mundo
Arte
Acceso en línea:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/40646
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
id I10-R10-article-40646
record_format ojs
spelling I10-R10-article-406462023-03-15T21:00:26Z Deleuzian Perspective of Cinema as a Means to Believe in The World Again. An Analysis from The Cinematography of Peter Weir La perspectiva deleuziana del cine como medio para volver a creer en el mundo. Un análisis desde la filmografía de Peter Weir Muñoz Becerra, Felipe Arthur Cinema World Deleuze Arts Cine Mundo Deleuze Arte The present work seeks to defend cinema as an artistic medium which can help current people to believe in the world again, namely, to reconnect with his own life and existence, rescuing a positive perspective of the reality where the human being can work and develop his life. We focus in part of Peter Weir’s filmography, more precisely in the movies Dead Poets Society and The Truman Show, and we will go in search of the mission entrusted by Gilles Deleuze to the cinema, whose objective is to film the connection between the human being and his world and if part of the cinema created in the past decades has responded to the said call. Finally we will review part of the fracture between the human beings and his world as an event occurred after the second world war. El presente trabajo busca defender el cine como un medio artístico que puede ayudar al sujeto actual a volver a creer en el mundo, es decir, a reconectarse con su vida misma y la existencia, rescatando una visión positiva de la realidad donde el ser humano puede actuar y desarrollar su vida. Así, nos enfocamos en parte de la filmografía del director Peter Weir, más precisamente, en las obras cinematográficas: La sociedad de los Poetas Muertos y The Truman Show: Historia de una vida. De esta forma, iremos en busca de la misión encomendada por Deleuze al cine, cuyo objetivo es filmar la conexión entre el humano y su mundo, donde también buscaremos responder si parte del cine creado en las últimas décadas ha respondido o no a dicho llamado. Finalmente, repasaremos parte de la ruptura entre los individuos y su mundo como suceso ocurrido posteriormente a la Segunda Guerra Mundial. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2023-03-15 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/40646 Ética y Cine Journal; Vol. 13 Núm. 1 (2023): Integridad en el cine; 61-70 2250-5415 2250-5660 10.31056/2250.5415.v13.n1 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/40646/40783 Derechos de autor 2023 Ética y Cine Journal https://creativecommons.org/licenses/by-sa/4.0/
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Cinema
World
Deleuze
Arts
Cine
Mundo
Deleuze
Arte
spellingShingle Cinema
World
Deleuze
Arts
Cine
Mundo
Deleuze
Arte
Muñoz Becerra, Felipe Arthur
Deleuzian Perspective of Cinema as a Means to Believe in The World Again. An Analysis from The Cinematography of Peter Weir
topic_facet Cinema
World
Deleuze
Arts
Cine
Mundo
Deleuze
Arte
author Muñoz Becerra, Felipe Arthur
author_facet Muñoz Becerra, Felipe Arthur
author_sort Muñoz Becerra, Felipe Arthur
title Deleuzian Perspective of Cinema as a Means to Believe in The World Again. An Analysis from The Cinematography of Peter Weir
title_short Deleuzian Perspective of Cinema as a Means to Believe in The World Again. An Analysis from The Cinematography of Peter Weir
title_full Deleuzian Perspective of Cinema as a Means to Believe in The World Again. An Analysis from The Cinematography of Peter Weir
title_fullStr Deleuzian Perspective of Cinema as a Means to Believe in The World Again. An Analysis from The Cinematography of Peter Weir
title_full_unstemmed Deleuzian Perspective of Cinema as a Means to Believe in The World Again. An Analysis from The Cinematography of Peter Weir
title_sort deleuzian perspective of cinema as a means to believe in the world again. an analysis from the cinematography of peter weir
description The present work seeks to defend cinema as an artistic medium which can help current people to believe in the world again, namely, to reconnect with his own life and existence, rescuing a positive perspective of the reality where the human being can work and develop his life. We focus in part of Peter Weir’s filmography, more precisely in the movies Dead Poets Society and The Truman Show, and we will go in search of the mission entrusted by Gilles Deleuze to the cinema, whose objective is to film the connection between the human being and his world and if part of the cinema created in the past decades has responded to the said call. Finally we will review part of the fracture between the human beings and his world as an event occurred after the second world war.
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2023
url https://revistas.unc.edu.ar/index.php/eticaycine/article/view/40646
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first_indexed 2023-04-01T18:38:55Z
last_indexed 2023-04-01T18:38:55Z
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