Materialities and expressiveness in Latin American short films with stop motion techniques
Author independent animation is an open window to a multiform space of technical, thematic and stylistic explorations. With condensed narratives under a short film format, the practice of animation allows dialogues and tensions to be framed between the materials used, conventions about the “know-how...
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Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
2022
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/toma1/article/view/39166 |
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I10-R10-article-391662022-11-15T18:49:42Z Materialities and expressiveness in Latin American short films with stop motion techniques Materialidades y expresividad en cortometrajes latinoamericanos con técnicas de animación stop motion Curatitoli, María-Constanza Animation materials objects stop motion latin american short films Animación materiales objetos stop motion cortometrajes latinoamericanos Author independent animation is an open window to a multiform space of technical, thematic and stylistic explorations. With condensed narratives under a short film format, the practice of animation allows dialogues and tensions to be framed between the materials used, conventions about the “know-how” and ruptures with predominant statements in other artistic expressions. The richness of the images that are part of this corpus, invites us to look at the use of the various materials that build the universes of each short film. In this article we will review the construction of the staging and the expressive function of materialities as an expressive object within four independent Latin American stop motion short films: Padre (Grasso, 2013, Argentina), Bestia (Covarrubias, 2021, Chile), Guaxuma (Normande, 2018, Brazil) and Meat (Kater, 2019, Brazil). Although the two Brazilian short films present a mixture of techniques, the emphasis will be placed on the stop motion animation present in the four case studies. La animación independiente de autor resulta una ventana abierta a un espacio multiforme de exploraciones técnicas, temáticas y estilísticas. Con narrativas condensadas bajo el formato de cortometraje, la práctica de animación permite poner en cuadro diálogos y tensiones entre materiales empleados, convenciones sobre modos de hacer y rupturas a enunciados predominantes en otras expresiones artísticas. La riqueza de las imágenes que conforman el corpus de este artículo invita a dirigir la mirada al uso de los diversos materiales que construyen los universos de cada cortometraje. Revisaremos la construcción de la puesta en escena y la función expresiva de las materialidades en tanto objeto expresivo dentro de cuatro cortometrajes independientes latinoamericanos: Padre (Grasso, 2013, Argentina), Bestia (Covarrubias, 2021, Chile), Guaxuma (Normande, 2018, Brasil) y Carne (Kater, 2019, Brasil). Si bien los dos cortometrajes brasileños presentan una mixtura de técnicas, el énfasis estará puesto en la animación stop motion presente en los cuatro casos de estudio. Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2022-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/toma1/article/view/39166 Toma Uno; No. 10 (2022): Animation as artistic, cultural, social and communication phenomenon TOMA UNO; Núm. 10 (2022): La animación como fenómeno artístico, cultural, social y comunicacional 2250-4524 2313-9692 10.55442/tomauno.n10. ark:/s22504524/8qc9hzlqk spa https://revistas.unc.edu.ar/index.php/toma1/article/view/39166/39206 https://revistas.unc.edu.ar/index.php/toma1/article/view/39166/39207 https://revistas.unc.edu.ar/index.php/toma1/article/view/39166/39208 http://creativecommons.org/licenses/by-nc-nd/2.5/ar/ |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-10 |
| container_title_str |
Revistas de la UNC |
| language |
Español |
| format |
Artículo revista |
| topic |
Animation materials objects stop motion latin american short films Animación materiales objetos stop motion cortometrajes latinoamericanos |
| spellingShingle |
Animation materials objects stop motion latin american short films Animación materiales objetos stop motion cortometrajes latinoamericanos Curatitoli, María-Constanza Materialities and expressiveness in Latin American short films with stop motion techniques |
| topic_facet |
Animation materials objects stop motion latin american short films Animación materiales objetos stop motion cortometrajes latinoamericanos |
| author |
Curatitoli, María-Constanza |
| author_facet |
Curatitoli, María-Constanza |
| author_sort |
Curatitoli, María-Constanza |
| title |
Materialities and expressiveness in Latin American short films with stop motion techniques |
| title_short |
Materialities and expressiveness in Latin American short films with stop motion techniques |
| title_full |
Materialities and expressiveness in Latin American short films with stop motion techniques |
| title_fullStr |
Materialities and expressiveness in Latin American short films with stop motion techniques |
| title_full_unstemmed |
Materialities and expressiveness in Latin American short films with stop motion techniques |
| title_sort |
materialities and expressiveness in latin american short films with stop motion techniques |
| description |
Author independent animation is an open window to a multiform space of technical, thematic and stylistic explorations. With condensed narratives under a short film format, the practice of animation allows dialogues and tensions to be framed between the materials used, conventions about the “know-how” and ruptures with predominant statements in other artistic expressions.
The richness of the images that are part of this corpus, invites us to look at the use of the various materials that build the universes of each short film. In this article we will review the construction of the staging and the expressive function of materialities as an expressive object within four independent Latin American stop motion short films: Padre (Grasso, 2013, Argentina), Bestia (Covarrubias, 2021, Chile), Guaxuma (Normande, 2018, Brazil) and Meat (Kater, 2019, Brazil). Although the two Brazilian short films present a mixture of techniques, the emphasis will be placed on the stop motion animation present in the four case studies. |
| publisher |
Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba |
| publishDate |
2022 |
| url |
https://revistas.unc.edu.ar/index.php/toma1/article/view/39166 |
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AT curatitolimariaconstanza materialitiesandexpressivenessinlatinamericanshortfilmswithstopmotiontechniques AT curatitolimariaconstanza materialidadesyexpresividadencortometrajeslatinoamericanoscontecnicasdeanimacionstopmotion |
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2023-01-30T16:52:44Z |
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2023-02-28T06:26:09Z |
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