The missed opportunity. Comment to The lost daughter
Maggie Gyllenhaal´s film The lost daughter -an adaptation from Elena Ferrante´s novel “The dark daughter”- addresses the issue of woman´s desire as not reducible to the desire of motherhood, installing a conflict with other desires for personal and sexual fulfillment. The film can...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Investigaciones y Estudios sobre Cultura y Sociedad
2022
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/eticaycine/article/view/38330 |
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I10-R10-article-383302022-07-27T12:19:14Z The missed opportunity. Comment to The lost daughter La ocasión perdida. Comentario a The lost daughter, de Maggie Gyllenhaal Laso, Eduardo Desire Maternal havoc Responsability Guilt Deseo Estrago materno Responsabilidad Culpa Maggie Gyllenhaal´s film The lost daughter -an adaptation from Elena Ferrante´s novel “The dark daughter”- addresses the issue of woman´s desire as not reducible to the desire of motherhood, installing a conflict with other desires for personal and sexual fulfillment. The film can be read as a criticism to the social commandment addressed to women to dedicate themselves as wives and mothers. From this critique to the patriarchal order, the character of Leda is an Ibsenian heroine. But that aspect of the film is insufficient to explain her behavior. The scene in the beach of a young mother with her little daughter and her doll, forces her to reconsider her past decisions. There is an ignored dimension in her as a daughter, that opens us to the effects of maternal havoc on the mother-daughter bond. La hija oscura, de Maggie Gyllenhaal, adaptación de la novela “La hija oscura” de Elena Ferrante, aborda el tema del deseo femenino como no reductible al deseo de maternidad, instalando un conflicto con otros deseos de realización personal y sexual. El film puede ser planteado como una crítica al mandamiento social dirigido a la mujer de dedicarse a ser esposa y madre. Desde esta crítica al orden patriarcal, el personaje de Leda es una heroína ibseniana. Pero ese aspecto del film es insuficiente para explicar su conducta. La escena en la playa de una madre joven con su hija pequeña y su muñeca la obliga a reconsiderar sus decisiones pasadas. Hay una dimensión ignorada en ella en tanto hija, que nos abre a los efectos del estrago materno en el vínculo madre-hija. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2022-07-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/38330 Ética y Cine Journal; Vol. 12 Núm. 2 (2022): Meta-memoria y roboética; 73-78 2250-5415 2250-5660 10.31056/2250.5415.v12.n2 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/38330/38338 Derechos de autor 2022 Ética y Cine Journal https://creativecommons.org/licenses/by-sa/4.0/ |
| institution |
Universidad Nacional de Córdoba |
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I-10 |
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R-10 |
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Revistas de la UNC |
| language |
Español |
| format |
Artículo revista |
| topic |
Desire Maternal havoc Responsability Guilt Deseo Estrago materno Responsabilidad Culpa |
| spellingShingle |
Desire Maternal havoc Responsability Guilt Deseo Estrago materno Responsabilidad Culpa Laso, Eduardo The missed opportunity. Comment to The lost daughter |
| topic_facet |
Desire Maternal havoc Responsability Guilt Deseo Estrago materno Responsabilidad Culpa |
| author |
Laso, Eduardo |
| author_facet |
Laso, Eduardo |
| author_sort |
Laso, Eduardo |
| title |
The missed opportunity. Comment to The lost daughter |
| title_short |
The missed opportunity. Comment to The lost daughter |
| title_full |
The missed opportunity. Comment to The lost daughter |
| title_fullStr |
The missed opportunity. Comment to The lost daughter |
| title_full_unstemmed |
The missed opportunity. Comment to The lost daughter |
| title_sort |
missed opportunity. comment to the lost daughter |
| description |
Maggie Gyllenhaal´s film The lost daughter -an adaptation from Elena Ferrante´s novel “The dark daughter”- addresses the issue of woman´s desire as not reducible to the desire of motherhood, installing a conflict with other desires for personal and sexual fulfillment. The film can be read as a criticism to the social commandment addressed to women to dedicate themselves as wives and mothers. From this critique to the patriarchal order, the character of Leda is an Ibsenian heroine. But that aspect of the film is insufficient to explain her behavior. The scene in the beach of a young mother with her little daughter and her doll, forces her to reconsider her past decisions. There is an ignored dimension in her as a daughter, that opens us to the effects of maternal havoc on the mother-daughter bond. |
| publisher |
Centro de Investigaciones y Estudios sobre Cultura y Sociedad |
| publishDate |
2022 |
| url |
https://revistas.unc.edu.ar/index.php/eticaycine/article/view/38330 |
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