The banality of oblivion. Meta-memory in the 2020’s cinema

In recent years, a series of films have emerged, in which the main characters are required to confront processes of historical consciousness, but in which they are also forced to confront other characters who are opposed to keeping historical memory alive. Thus, cinema becomes a space for theoretica...

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Autor principal: Roncero Villarón, Israel
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2022
Materias:
Historical memory
Meta-memory
Violence
Grief
Community
Memoria histórica
Meta-memoria
Violencia
Duelo
Comunidad
Acceso en línea:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/38324
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
id I10-R10-article-38324
record_format ojs
spelling I10-R10-article-383242022-07-27T12:19:14Z The banality of oblivion. Meta-memory in the 2020’s cinema La banalidad del olvido. Meta-memoria en el cine de los 2020´s. Roncero Villarón, Israel Historical memory Meta-memory Violence Grief Community Memoria histórica Meta-memoria Violencia Duelo Comunidad In recent years, a series of films have emerged, in which the main characters are required to confront processes of historical consciousness, but in which they are also forced to confront other characters who are opposed to keeping historical memory alive. Thus, cinema becomes a space for theoretical reflection about the relevance of developing processes of historical memory today. In this text, these films will be analyzed trying to unravel the ethical and psychological consequences of keeping the memory of violence and harm alive, and also analyzing the role that cinema plays when it comes to theorizing about the positions that we can adopt towards historical memory. En los últimos años han surgido una serie de películas en las que los protagonistas se ven forzados a enfrentarse a procesos de conciencia histórica, pero también a otros personajes que se oponen a que la memoria histórica siga viva. De esta forma, el cine se convierte en un espacio de reflexión teórica sobre la pertinencia o no de llevar a cabo labores de memoria histórica en la actualidad. En este texto se analizarán dichas películas, tratando de desentrañar las consecuencias éticas y psicológicas de mantener viva la memoria de la violencia y el daño, y analizando también qué papel juega el cine a la hora de teorizar sobre las posiciones que podemos adoptar ante la memoria histórica. Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2022-07-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/eticaycine/article/view/38324 Ética y Cine Journal; Vol. 12 Núm. 2 (2022): Meta-memoria y roboética; 11-21 2250-5415 2250-5660 10.31056/2250.5415.v12.n2 spa https://revistas.unc.edu.ar/index.php/eticaycine/article/view/38324/38330 Derechos de autor 2022 Ética y Cine Journal https://creativecommons.org/licenses/by-sa/4.0/
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Historical memory
Meta-memory
Violence
Grief
Community
Memoria histórica
Meta-memoria
Violencia
Duelo
Comunidad
spellingShingle Historical memory
Meta-memory
Violence
Grief
Community
Memoria histórica
Meta-memoria
Violencia
Duelo
Comunidad
Roncero Villarón, Israel
The banality of oblivion. Meta-memory in the 2020’s cinema
topic_facet Historical memory
Meta-memory
Violence
Grief
Community
Memoria histórica
Meta-memoria
Violencia
Duelo
Comunidad
author Roncero Villarón, Israel
author_facet Roncero Villarón, Israel
author_sort Roncero Villarón, Israel
title The banality of oblivion. Meta-memory in the 2020’s cinema
title_short The banality of oblivion. Meta-memory in the 2020’s cinema
title_full The banality of oblivion. Meta-memory in the 2020’s cinema
title_fullStr The banality of oblivion. Meta-memory in the 2020’s cinema
title_full_unstemmed The banality of oblivion. Meta-memory in the 2020’s cinema
title_sort banality of oblivion. meta-memory in the 2020’s cinema
description In recent years, a series of films have emerged, in which the main characters are required to confront processes of historical consciousness, but in which they are also forced to confront other characters who are opposed to keeping historical memory alive. Thus, cinema becomes a space for theoretical reflection about the relevance of developing processes of historical memory today. In this text, these films will be analyzed trying to unravel the ethical and psychological consequences of keeping the memory of violence and harm alive, and also analyzing the role that cinema plays when it comes to theorizing about the positions that we can adopt towards historical memory.
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2022
url https://revistas.unc.edu.ar/index.php/eticaycine/article/view/38324
work_keys_str_mv AT roncerovillaronisrael thebanalityofoblivionmetamemoryinthe2020scinema
AT roncerovillaronisrael labanalidaddelolvidometamemoriaenelcinedelos2020s
AT roncerovillaronisrael banalityofoblivionmetamemoryinthe2020scinema
first_indexed 2022-08-20T01:05:02Z
last_indexed 2022-08-20T01:05:02Z
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