Playing with colors and pigments: an experimental and archaeometric approach to the Portezuelo pottery (ca. 600-900 d.C.) (Catamarca, Argentina)
Aguada Portezuelo pottery from Northwest Argentina (ca.600-900 AD) presents a great complexity in its plastic interventions, its marked polychromy being one of its most fascinating aspects. The use of a multiplicity of pigments by ancient potters to obtain different colors requires a better understa...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades. Museo de Antropología
2022
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/antropologia/article/view/38247 |
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I10-R10-article-382472023-02-23T14:36:25Z Playing with colors and pigments: an experimental and archaeometric approach to the Portezuelo pottery (ca. 600-900 d.C.) (Catamarca, Argentina) Jugando con colores y pigmentos: una aproximación experimental y arqueométrica a la alfarería Portezuelo (ca. 600-900 d.C.) (Catamarca, Argentina) Brincando com cores e pigmentos: uma abordagem experimental e arqueométrica da cerâmica Portezuelo (ca. 600-900 AD) (Catamarca, Argentina) Martínez Carricondo, Marina Gala De La Fuente, Guillermo Nazar, Domingo Carlos Rozas, Guillermo Aguada Portezuelo pottery from Northwest Argentina (ca.600-900 AD) presents a great complexity in its plastic interventions, its marked polychromy being one of its most fascinating aspects. The use of a multiplicity of pigments by ancient potters to obtain different colors requires a better understanding of the operational chains involved in handling them. In this paper, we present the results obtained through the research focused on a series of experiments with ceramic briquettes, their decoration with different natural pigments, and their subsequent firing in different atmospheres and temperatures. Additionally, some archaeometric data in relation to obtaining different colors are presented. La alfarería Aguada Portezuelo del Noroeste Argentino (ca. 600-900 d.C.) presenta una gran complejidad en sus intervenciones plásticas siendo su marcada policromía uno de sus aspectos más llamativos. La utilización de una multiplicidad de pigmentos por parte de los alfareros antiguos para obtener los diferentes colores hace necesario un mejor entendimiento de las cadenas operativas involucradas en el manejo de estos. En este trabajo presentamos los resultados obtenidos a partir de la investigación centrada en una serie de experimentaciones con briquetas cerámicas, su decoración con diferentes pigmentos naturales y su posterior cocción en distintas atmósferas y temperaturas. Asimismo, se presentan algunos datos arqueométricos obtenidos en relación con la obtención de diferentes colores. A cerâmica Aguada Portezuelo do noroeste da Argentina (ca. 600-900 d.C.) apresenta uma grande complexidade em suas intervenções plásticas, sendo a policromia marcada um de seus aspectos mais marcantes. O uso de uma multiplicidade de pigmentos por oleiros antigos para obter as diferentes cores torna necessário entender melhor as cadeias operacionais envolvidas no manuseio desses pigmentos. Neste trabalho, apresentamos os resultados obtidos a partir de uma série de experimentos com briquetes cerâmicos, sua decoração com diferentes pigmentos naturais e sua posterior queima em diferentes atmosferas e temperaturas. Apresentamos também alguns dados arqueométricos obtidos em relação à obtenção de cores diferentes. Facultad de Filosofía y Humanidades. Museo de Antropología 2022-12-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer reviewed article Artículo revisado por pares Artigo revisado por pares application/pdf text/html https://revistas.unc.edu.ar/index.php/antropologia/article/view/38247 Revista del Museo de Antropología; Vol 15 (2022) ISSUE 3; 63-80 Revista del Museo de Antropología; Vol 15 (2022) NÚMERO 3; 63-80 Revista del Museo de Antropología; Vol 15 (2022) NÚMERO 3; 63-80 1852-4826 1852-060X 10.31048/1852.4826.v15.n3 spa https://revistas.unc.edu.ar/index.php/antropologia/article/view/38247/39824 https://revistas.unc.edu.ar/index.php/antropologia/article/view/38247/40580 Derechos de autor 2022 Marina Gala Martínez Carricondo, Guillermo De La Fuente, Domingo Carlos Nazar, Guillermo Rozas https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-10 |
| container_title_str |
Revistas de la UNC |
| language |
Español |
| format |
Artículo revista |
| author |
Martínez Carricondo, Marina Gala De La Fuente, Guillermo Nazar, Domingo Carlos Rozas, Guillermo |
| spellingShingle |
Martínez Carricondo, Marina Gala De La Fuente, Guillermo Nazar, Domingo Carlos Rozas, Guillermo Playing with colors and pigments: an experimental and archaeometric approach to the Portezuelo pottery (ca. 600-900 d.C.) (Catamarca, Argentina) |
| author_facet |
Martínez Carricondo, Marina Gala De La Fuente, Guillermo Nazar, Domingo Carlos Rozas, Guillermo |
| author_sort |
Martínez Carricondo, Marina Gala |
| title |
Playing with colors and pigments: an experimental and archaeometric approach to the Portezuelo pottery (ca. 600-900 d.C.) (Catamarca, Argentina) |
| title_short |
Playing with colors and pigments: an experimental and archaeometric approach to the Portezuelo pottery (ca. 600-900 d.C.) (Catamarca, Argentina) |
| title_full |
Playing with colors and pigments: an experimental and archaeometric approach to the Portezuelo pottery (ca. 600-900 d.C.) (Catamarca, Argentina) |
| title_fullStr |
Playing with colors and pigments: an experimental and archaeometric approach to the Portezuelo pottery (ca. 600-900 d.C.) (Catamarca, Argentina) |
| title_full_unstemmed |
Playing with colors and pigments: an experimental and archaeometric approach to the Portezuelo pottery (ca. 600-900 d.C.) (Catamarca, Argentina) |
| title_sort |
playing with colors and pigments: an experimental and archaeometric approach to the portezuelo pottery (ca. 600-900 d.c.) (catamarca, argentina) |
| description |
Aguada Portezuelo pottery from Northwest Argentina (ca.600-900 AD) presents a great complexity in its plastic interventions, its marked polychromy being one of its most fascinating aspects. The use of a multiplicity of pigments by ancient potters to obtain different colors requires a better understanding of the operational chains involved in handling them. In this paper, we present the results obtained through the research focused on a series of experiments with ceramic briquettes, their decoration with different natural pigments, and their subsequent firing in different atmospheres and temperatures. Additionally, some archaeometric data in relation to obtaining different colors are presented. |
| publisher |
Facultad de Filosofía y Humanidades. Museo de Antropología |
| publishDate |
2022 |
| url |
https://revistas.unc.edu.ar/index.php/antropologia/article/view/38247 |
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